| Diana Canova | ... | Sandy Beatty (2 episodes, 1986-1988) | |
| Jonathan Prince | ... | Zach Armstrong / ... (2 episodes, 1986-1988) | |
| Maryedith Burrell | ... | Meredith (2 episodes, 1986-1988) | |
| Jane Leeves | ... | Prudence Anne Bartlett 'Blue' (2 episodes, 1986-1988) |
Series Directed by | |||
| Linda Day | (1 episode, 1986) | ||
| Michael Lessac | (unknown episodes) | ||
Series Writing credits | ||
| Hollis Rich | (1 episode, 1986) | |
| Michael Gordon | (1 episode, 1988) | |
| Fredi Towbin | (1 episode, 1988) | |
| Andy Cowan | (unknown episodes) | |
| Lee H. Grant | (unknown episodes) | |
| Sue Herring | (unknown episodes) | |
| Richard Marcus | (unknown episodes) | |
| George Tibbles | (unknown episodes) | |
| David S. Williger | (unknown episodes) | |
Series Produced by | |||
| Sy Rosen | .... | executive producer (1 episode, 1986) | |
| Fredi Towbin | .... | producer (1 episode, 1986) | |
Series Original Music by | |||
| Tena Clark | (unknown episodes) | ||
Series Sound Department | |||
| Tom Caton | .... | sound (unknown episodes) | |
Series Camera and Electrical Department | |||
| H. Mark Vuille | .... | gaffer (2 episodes, 1987) | |
| Tom Beintema | .... | lighting director (unknown episodes) | |
| Ron Eisenberg | .... | still photographer (unknown episodes) | |
| Valerie Stulman | .... | camera utility (unknown episodes) | |
Series Music Department | |||
| The Nylons | .... | music performers: theme song (unknown episodes) | |
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| Episode guide | Full cast and crew | Company credits |
| IMDb TV section | IMDb Comedy section | IMDb USA section |
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This syndicated show followed the ups and downs of a new single mom played by Diana Canova (of the short-lived "I'm A Big Girl Now" TV series) as an employee of a small fledgling record company. She juggles life as a divorcee while juggling responsibilities at her new job at a small record company.
If you can ever get a chance to view an episode of this mid-eighties series, you can see an improbably young Jane Leeves (fresh from her stint as a "Benny Hill Show" Girl) as "Blue," the de rigueur British import.
The big hairstyles, 80's wardrobes and '80s music would probably make this series seem even more dated now, but not quite seem old enough to be a classic.
It was partly a poorer-man's "W.K.R.P in Cincinnati" mixed with a less-ambitious "Mary Tyler Moore" but wasn't much worse than other 80's syndicated shows. No ground was broken here as the plots were as formulaic as they were predictable, but it had a certain scrappiness.