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| Harrison Ford | ... | Det. Capt. John Book | |
| Kelly McGillis | ... | Rachel Lapp | |
| Josef Sommer | ... | Chief Paul Schaeffer | |
| Lukas Haas | ... | Samuel Lapp | |
| Jan Rubes | ... | Eli Lapp | |
| Alexander Godunov | ... | Daniel Hochleitner | |
| Danny Glover | ... | Det. Lt. James McFee | |
| Brent Jennings | ... | Det. Sgt. Elden Carter | |
| Patti LuPone | ... | Elaine | |
| Angus MacInnes | ... | Det. 'Fergie' | |
| Frederick Rolf | ... | Stoltzfus | |
| Viggo Mortensen | ... | Moses Hochleitner | |
| John Garson | ... | Bishop Tchantz | |
| Beverly May | ... | Mrs. Yoder | |
| Ed Crowley | ... | Sheriff | |
| Timothy Carhart | ... | Zenovich | |
| Sylvia Kauders | ... | Tourist Lady | |
| Marian Swan | ... | Marilyn Schaeffer | |
| Maria Bradley | ... | Casey Schaeffer | |
| Rozwill Young | ... | T-Bone, Suspect in Bar | |
| Paul S. Nuss | ... | Amish Man | |
| Emily Mary Haas | ... | Amish Woman | |
| Fred Steinharter | ... | Amish Man | |
| John D. King | ... | Amish Man | |
| Paul Goss | ... | Amish Man | |
| Annemarie Vallerio | ... | Amish Woman | |
| Bruce E. Camburn | ... | Amish Man | |
| William Francis | ... | Townsman | |
| Tom Kennedy | ... | Ticket Seller at Station (as Tom W. Kennedy) | |
| Ardyth Kaiser | ... | Couple in Garage | |
| Thomas Quinn | ... | Couple in Garage | |
| Eugene Dooley | ... | Detective | |
| Victoria Scott D'Angelo | ... | Detective | |
| Richard Chaves | ... | Homicide Detective | |
| Tim Moyer | ... | Detective | |
| Nino Del Buono | ... | Detective | |
| James Frank Clark | ... | Detective (as James Clark) | |
| Joseph Kelly | ... | Detective | |
| Norman Carter | ... | Detective | |
| Craig Clement | ... | Detective | |
| Robert Earl Jones | ... | Pop, Witness at Station | |
| Michael Levering | ... | Hoodlum | |
| Cara Giallanza | ... | Hoodlum | |
| Anthony Dean Rubes | ... | Hoodlum | |
| Bernie Styles | ... | Hot Dog Counterman | |
| Blossom Terry | ... | Mother at Station | |
| Jennifer Mancuso | ... | Little Girl at Station | |
| rest of cast listed alphabetically: | |||
| Nancy Kirk | ... | Crying Amish woman at funeral (uncredited) | |
Directed by | |||
| Peter Weir | |||
Writing credits | ||
| William Kelley | (story) and | |
| Pamela Wallace | (story) & | |
| Earl W. Wallace | (story) | |
| Earl W. Wallace | (screenplay) & | |
| William Kelley | (screenplay) | |
Produced by | |||
| David Bombyk | .... | co-producer | |
| Edward S. Feldman | .... | producer | |
| Wendy Stites | .... | associate producer (as Wendy Weir) | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| John Seale | (director of photography) | ||
Film Editing by | |||
| Thom Noble | |||
Casting by | |||
| Dianne Crittenden | |||
Production Design by | |||
| Stan Jolley | |||
Set Decoration by | |||
| John H. Anderson | (as John Anderson) | ||
Makeup Department | |||
| Leland V. Crawford | .... | hair stylist | |
| Marie Delrusso | .... | makeup artist | |
| Michael Hancock | .... | makeup supervisor (as Michael A. Hancock) | |
| Bette Iverson | .... | supervising hair stylist (as Bette L. Iverson) | |
| Jay Cannistraci | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Ted Swanson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Pamela M. Eilerson | .... | second assistant director (as Pamela Eilerson) | |
| David McGiffert | .... | first assistant director | |
Art Department | |||
| Carlos Acosta | .... | props (as Carlos L. Acosta) | |
| Frank L. Brown | .... | lead man | |
| Craig Edgar | .... | set designer | |
| David Goldman | .... | props (as David M. Goldman) | |
| Robert Krume | .... | construction coordinator | |
Sound Department | |||
| Pamela Bentkowski | .... | foley editor | |
| Alan Bromberg | .... | foley editor | |
| Norval D. Crutcher | .... | sound effects editor (as Norval Crutcher) | |
| Don Digirolamo | .... | sound re-recording mixer | |
| Humberto Gatica | .... | sound recording mixer | |
| Robert Glass | .... | sound re-recording mixer (as Bob Glass) | |
| Cecelia Hall | .... | supervising sound effects editor | |
| Frank Howard | .... | sound effects editor | |
| Robert Knudson | .... | sound re-recording mixer (as Buzz Knudson) | |
| Alan L. Nineberg | .... | sound effects editor | |
| Andrew Patterson | .... | sound effects editor | |
| Bruce Richardson | .... | sound effects editor (as Paul Bruce Richardson) | |
| Fred Stafford | .... | adr supervisor | |
| Barry Thomas | .... | sound mixer (as Barry D. Thomas) | |
| George Watters II | .... | supervising sound effects editor | |
| Forest Williams | .... | boom operator (as Forrest R. Williams) | |
| Edward M. Steidele | .... | foley artist (uncredited) | |
Special Effects by | |||
| Charles E. Dolan | .... | special effects supervisor | |
| John R. Elliott | .... | special effects | |
Stunts | |||
| Gary Epper | .... | stunt coordinator | |
| Gary Epper | .... | stunts | |
| Anderson Martin | .... | stunts | |
| Bob Minor | .... | stunts | |
| Glenn R. Wilder | .... | stunt coordinator (as Glenn Wilder) | |
| Vic Armstrong | .... | stunt double: Mr. Ford (uncredited) | |
Camera and Electrical Department | |||
| Charlie Clifton | .... | camera operator: second unit (as Chuck Clifton) | |
| Lawrence K. Freeman | .... | electrical best boy | |
| Chaim Kantor | .... | second assistant camera | |
| Robin P. Knight | .... | key grip (as Robin Knight) | |
| Dan Lerner | .... | camera operator | |
| Bruce MacCallum | .... | first assistant camera | |
| Bernie Schwartz | .... | dolly grip | |
| Gary Tandrow | .... | gaffer (as Gary B. Tandrow) | |
| Josh Weiner | .... | still photographer | |
Casting Department | |||
| Elina deSantos | .... | location casting: Philadelphia | |
| Tom Scott | .... | location casting: Lancaster | |
| Ilene Starger | .... | casting associate | |
| Gail Walton | .... | location casting: Philadelphia | |
Costume and Wardrobe Department | |||
| Paula Cain | .... | costumer | |
| Dallas D. Dornan | .... | costume supervisor | |
| Shari Feldman | .... | costume supervisor | |
| Michael W. Hoffman | .... | costumer | |
Editorial Department | |||
| Michael Amundsen | .... | apprentice editor | |
| Joan E. Chapman | .... | assistant editor | |
| Bob Noland | .... | color timer | |
| Jane Moran | .... | first assistant editor (uncredited) | |
Music Department | |||
| Richard Stone | .... | supervising music editor | |
Transportation Department | |||
| Clifford D. Hill | .... | transportation | |
Other crew | |||
| Eugene Dooley | .... | police advisor (as Capt. Eugene Dooley) | |
| Nora Dunfee | .... | dialect consultant: Amish | |
| Eyal Geva | .... | assistant: Mr. Weir | |
| Cara Giallanza | .... | production assistant | |
| John D. King | .... | advisor: Amish | |
| Michael Klastorin | .... | publicist | |
| Michael John Meehan | .... | location manager (as Michael Meehan) | |
| Michel Mention | .... | assistant: Maurice Jarre | |
| Judith Pritchard | .... | secretary to Mr. Swanson (as Judy Pritchard) | |
| Sandra Rabins | .... | production auditor | |
| Diane Schneier | .... | production assistant | |
| Gloria Slate | .... | assistant: Mr. Feldman and Mr. Bombyk | |
| Lynn Stewart | .... | production assistant | |
| Ruth Tighe | .... | production assistant | |
| Cynnie Troup | .... | script supervisor | |
| Hope Williams | .... | script supervisor | |
| T.J. Healy II | .... | production assistant (uncredited) | |
Thanks | |||
| Dick Thornburgh | .... | thanks (as Governor Dick Thornburgh) | |
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| The Night of the Hunter | Gone with the Wind | Shane | Babel | The Assassination of Jesse James by the Coward Robert Ford |
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'Witness' is about a guy who is a total product of the big city - he's a tough cop, he relies on cars, phones, and guns - who hides at an Amish farm to prevent a boy (the witness) and himself from being found by the killers.
The film is less about Harrison Ford learning to live among the Amish as it is the Amish learning to live with Ford. He is a man who at first glance has no matching ideals. The film is fantastic on that level, especially thanks to Peter Weir's direction, who brilliantly shows Ford gradually becoming accepted by the Amish men.
There is very little dialogue among the characters, and Rachel (McGillis) talks even less, not because she doesn't have anything to say, but because Amish rules of life don't seem to allow her to. They are presented as a quiet people, so McGillis has the difficult task of making Rachel speak without dialogue, and she does it well, which carries over to Ford (he got an Oscar nomination, she didn't).
It's only at the climax of the film, when the action takes over that the film begins to weaken. The filmmakers seem to have some kind of answer to how the killer's storyline should be resolved, but it's not very good.
Despite the flaw, the film is excellent based on the performances of the cast, the editor who had to put all the dialogue-less scenes together (and later, won the Oscar for it), and Weir's masterful handling of the story.