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IMDb > Tokyo-Ga (1985)
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Tokyo-Ga (1985) -- Moved by the work of director Yasujiro Ozu, Wim Wenders travels to Japan in search of the Tokyo seen in his films.

Overview

User Rating:
7.2/10   573 votes
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Up 27% in popularity this week. See rank & trends on IMDbPro.
Director:
Wim Wenders
Writer:
Wim Wenders (writer)
Contact:
View company contact information for Tokyo-Ga on IMDbPro.
Release Date:
26 April 1985 (USA) more
Genre:
Documentary more
Plot:
Moved by the work of director Yasujiro Ozu, Wim Wenders travels to Japan in search of the Tokyo seen in his films. full summary | add synopsis
Plot Keywords:
more
User Comments:
Japan with an identity crises! more

Cast

  (in credits order) (complete, awaiting verification)
Chishu Ryu ... Himself

Werner Herzog ... Himself
Yuuharu Atsuta ... Himself
rest of cast listed alphabetically:
Chris Marker ... Himself (uncredited)

Directed by
Wim Wenders 
 
Writing credits
(in alphabetical order)
Wim Wenders  writer

Produced by
Chris Sievernich .... producer
Wim Wenders .... producer
 
Original Music by
Laurent Petitgand 
 
Cinematography by
Edward Lachman 
 
Film Editing by
Solveig Dommartin 
Jon Neuburger 
Wim Wenders 
 
Sound Department
Hartmut Eichgrün .... sound re-recording mixer
 
Other crew
Lilyan Sievernich .... production assistant
Ulla Zwicker .... production assistant
 
Thanks
Shigehiko Hasumi .... special thanks
 

Production CompaniesDistributors

Additional Details

Runtime:
92 min
Country:
USA | West Germany
Color:
Color
Sound Mix:
Mono
Certification:
Brazil:12 | UK:U | Finland:S
Filming Locations:
Tokyo, Japan

Fun Stuff

Movie Connections:
References Sans soleil (1983) more

FAQ

do you feel a bit like a boy in this film?
more
12 out of 19 people found the following comment useful:-
Japan with an identity crises!, 14 June 2006
8/10
Author: Cava-1 from United Kingdom

This was one of the most interesting films I've seen in a long time, documenting the ever-changing lifestyles of Japan captured from back in the early/mid 1980's.

Wim Wenders's tribute to the late great director Ozu clearly demonstrates how Japan was starting to slowly lose touch with it's own humanity and family tradition values and delve in a more surreal world where it could no longer identify itself as being placed within it's own culture or that of another? What it really touches upon is how he tries to source the genuine culture of family ties that Ozu maintained in his masterpieces which sadly are ignored or not in affect in a post-modern era.

For example as the film progresses on, you hear how Wim describes the way the Japanese seem to be only basking in the light of the technological age and how they only seem to be Americanisng itself with the construction of it's own version of Disneyland and dressing up in 50's/60's garb of American culture. Thus giving you the image of a country losing it's own identity along the way.

Nonetheless, Wim Wenders has done a masterful job at trying to find a Japan that resides only in one's imagination thanks to Ozu's films. But still provides a very educational and poetic journey into heart and soul into the land of the RISING SUN.

Brilliant!

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Werner Herzog is in Tokyo Ga? don-lope-de-aguirre
Where can I find this? bulldogproductions
Coming from Criterion in May thedavidrobson
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Related Links

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