| Richard Farnsworth | ... | Foster | |
| Melissa Gilbert | ... | Charlie | |
| Michael Schoeffling | ... | Matt | |
| Constance Towers | ... | Muffy | |
| Peter Kowanko | ... | Harris (as Pete Kowanko) | |
| Yankton Hatten | ... | Grant | |
| Shane Serwin | ... | Seth | |
| Chris Pedersen | ... | Red | |
| Ángel Salazar | ... | Tommy John | |
| Arliss Howard | ... | Peter | |
| Shizuko Hoshi | ... | Mrs. Daniels | |
| Richard Jamison | ... | Capt. Marsh | |
| James Gammon | ... | Steve | |
| Ariane de Vogue | ... | Ariane | |
| Norman Bennett | ... | Lenny | |
| Sam Laws | ... | Sammy | |
| Victoria Gallegos | ... | Seamstress | |
| Nigel Casserley | ... | Announcer | |
| Barbara Brumley | ... | Secretary | |
| Dabney Garrett Munson | ... | Judge | |
| Helmut Graetz | ... | Dressage Official | |
| Earl John McElroy | ... | Auctioneer | |
| Brian T. O'Connor | ... | Broadcaster | |
| Stuart Silbar | ... | Broadcaster | |
| Maggie Wise Riley | ... | Steward | |
| J.P. Robertson | ... | Trucker | |
| Michael Osborne | ... | Irish Trainer | |
| Linda Snead | ... | Steward | |
| Dan W. Lufkin | ... | Starter (as Dan Lufkin) |
Directed by | |||
| Tim Hunter | |||
Writing credits | ||
| Carol Sobieski | (written by) | |
Produced by | |||
| Martin Jurow | .... | producer | |
Original Music by | |||
| Lee Holdridge | |||
Cinematography by | |||
| Hiro Narita | |||
Film Editing by | |||
| David Garfield | |||
| Suzanne Pettit | |||
| Howard E. Smith | (as Howard Smith) | ||
Casting by | |||
| Pennie DuPont | (as Pennie du Pont) | ||
Production Design by | |||
| James William Newport | (as James W. Newport) | ||
Set Decoration by | |||
| Robert L. Zilliox | |||
Costume Design by | |||
| Sharon Day | |||
Makeup Department | |||
| Paul Abascal | .... | hair stylist | |
| James R. Scribner | .... | makeup artist (as Jim Scribner) | |
Production Management | |||
| Don Goldman | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Patrick Crowley | .... | first assistant director (as Pat Crowley) | |
| Ric Kidney | .... | second assistant director | |
| Nancy King | .... | second assistant director: second unit | |
| Daniel McCauley | .... | first assistant director: second unit (as Daniel J. McCauley) | |
| Michael D. Moore | .... | second unit director (as Michael Moore) | |
Art Department | |||
| Tom Duffield | .... | set designer (as Thomas A. Duffield) | |
| Mike Gammon | .... | assistant property master | |
| Fred Lucky | .... | illustrator | |
| Udi Nedevi | .... | lead man | |
| James F. Orendorff | .... | construction coordinator (as Jim Ordendorff) | |
| Vic Petrotta Jr. | .... | property master (as Vic Petrotta) | |
Sound Department | |||
| Wayne Artman | .... | sound re-recording mixer (as Wayne L. Artman) | |
| Tom E. Dahl | .... | sound re-recording mixer | |
| Gordon Davidson | .... | sound editor | |
| Doreen A. Dixon | .... | adr editor | |
| Petur Hliddal | .... | sound mixer | |
| Joseph Holsen | .... | sound editor | |
| Steven Klinghoffer | .... | cable person | |
| Tom McCarthy Jr. | .... | supervising sound editor | |
| Roger Pietschmann | .... | boom operator | |
| Allen L. Stone | .... | sound re-recording mixer | |
| Don S. Walden | .... | sound editor (as Don Walden) | |
| Vanessa Theme Ament | .... | foley artist (uncredited) | |
Stunts | |||
| Clay Boss | .... | stunts | |
| May Boss | .... | stunts | |
| Roger Creed | .... | stunt driver | |
| Richard Epper | .... | stunts | |
| Cindy Folkerson | .... | stunts | |
| Jerry Gatlin | .... | stunt coordinator | |
| Joie Gatlin | .... | stunt utility | |
| Gene Hartline | .... | stunt driver | |
| Johnny Hock | .... | stunts (as John Hock) | |
| Walt La Rue | .... | stunts (as Walt LaRue) | |
| Mike H. McGaughy | .... | stunts (as Mike McGaughy) | |
| Shelly Peterson | .... | stunts | |
| Joan Randall | .... | stunts | |
| Walter Scott | .... | stunt driver | |
| Greg Walker | .... | stunts | |
| Chuck Waters | .... | stunt driver | |
Camera and Electrical Department | |||
| Rick Anderson | .... | camera operator: second unit | |
| Rob Archer | .... | best boy | |
| Vincent J. Baldino | .... | assistant camera (as Vince Baldino) | |
| Kathie Barrett | .... | special photography | |
| Robert W. Faison | .... | assistant camera (as Robert Faison) | |
| Maggie Fox | .... | assistant camera | |
| Gary Jay | .... | assistant camera | |
| Fred McClane | .... | assistant camera: second unit | |
| J. Michael McClary | .... | camera operator: second unit (as Michael McClary) | |
| Robert McClure | .... | gaffer | |
| Rexford L. Metz | .... | director of photography: second unit (as Rexford Metz) | |
| Frank Miller | .... | camera operator | |
| Edwin Myers | .... | camera operator (as Ed Myers) | |
| Mark A. Parsons | .... | key grip (as Mark Parsons) | |
| Mary Phelps | .... | special photography | |
| Ron Phillips | .... | still photographer | |
| Manny Vouniozos | .... | key grip: second unit | |
Casting Department | |||
| Leslie Danis | .... | casting assistant | |
| Karen Standard | .... | extras casting | |
Costume and Wardrobe Department | |||
| Julie Starr Dresner | .... | costume supervisor | |
| George L. Little | .... | costumer: men (as George Little) | |
| Sher Williams | .... | wardrober | |
Editorial Department | |||
| Cheryl Bloch | .... | assistant editor | |
| Cari Coughlin | .... | assistant editor | |
Music Department | |||
| Ira Hearshen | .... | orchestrator | |
| Lee Holdridge | .... | orchestrator | |
| Joel Rosenbaum | .... | orchestrator | |
| Greg Fulginiti | .... | music engineer (uncredited) | |
Transportation Department | |||
| Michael Kern | .... | transportation captain | |
| Ron Kern | .... | transportation coordinator | |
| Russ Powell | .... | transportation captain | |
| Marti Wells | .... | driver (uncredited) | |
Thanks | |||
| Kim Walnes | .... | special thanks: riding sequences | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Parents, this movie is not for kids. I got this movie because my girls like horses and I wanted to see Melissa Gilbert in a different role. However, Melissa is no longer the innocent young girl from Little House on the Prairie; gratuitous profanity, sexual references, and frontal nudity during an attempted rape scene disqualify this as a family movie. It's unfortunate because the story line is actually good. Her hard work and dedication bring her to a decision point that will impact the rest of her life. As another review elsewhere wrote: while entirely predictable, and the story of a come-from-nowhere horse and rider may be cliché, the acting is believable and the riding shots are well-done.