| Photos (see all 16 | slideshow) |
| John Cusack | ... | Walter (Gib) Gibson | |
| Daphne Zuniga | ... | Alison Bradbury | |
| Anthony Edwards | ... | Lance | |
| Boyd Gaines | ... | Jason | |
| Tim Robbins | ... | Gary Cooper | |
| Lisa Jane Persky | ... | Mary Ann Webster | |
| Viveca Lindfors | ... | Professor Taub | |
| Nicollette Sheridan | ... | The Sure Thing | |
| Marcia Christie | ... | Julie | |
| Robert Anthony Marcucci | ... | Bobby | |
| Sarah Buxton | ... | Sharon | |
| Lorrie Lightle | ... | Lucy | |
| Joshua Cadman | ... | Jimbo | |
| Krystal Richards | ... | Girl in Photo | |
| John Putch | ... | Mastin | |
| Steve Pink | ... | Football Player | |
| Tracy Reiner | ... | Alison's Friend | |
| Martin J. Layton | ... | Frat Guy | |
| Amy Resnick | ... | Marsha | |
| Robert Bauer | ... | Moke | |
| Frantz Turner | ... | Cop | |
| Garry Goodrow | ... | Pick-Up Driver | |
| Robert Snively | ... | Bus Station Clerk | |
| Carmen Filpi | ... | Bus Station Bum | |
| Richard Hamilton | ... | Bartender | |
| George Memmoli | ... | Man in Bar | |
| Rosalind Moreland | ... | Barmaid | |
| Sunshine Parker | ... | Cowboy Guy | |
| Fran Ryan | ... | Lady in Car | |
| Teresa Baxter | ... | Rose Lady | |
| Larry Hankin | ... | Trucker | |
| Jimmy Baron | ... | Guy at Frat Party | |
| Julie Ow | ... | Girl in Sarong | |
| Noelle Williams | ... | Katherine | |
| rest of cast listed alphabetically: | |||
| Christopher Rydell | ... | Charlie | |
| Tamara Carrera | ... | Fantasy Girl (uncredited) | |
| David Connella | ... | Student (uncredited) | |
| Helen Kelly | ... | Bar Girl (uncredited) | |
| John Richard Petersen | ... | Frat Guy on Stairs (uncredited) | |
Directed by | |||
| Rob Reiner | |||
Writing credits(in alphabetical order) | ||
| Steve Bloom | writer | |
| Jonathan Roberts | writer | |
Produced by | |||
| Roger Birnbaum | .... | producer | |
| Andrew Scheinman | .... | co-producer | |
| Jeffrey Stott | .... | associate producer | |
| Henry Winkler | .... | executive producer | |
Original Music by | |||
| Tom Scott | |||
Cinematography by | |||
| Robert Elswit | |||
Film Editing by | |||
| Robert Leighton | |||
Casting by | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
Production Design by | |||
| Lilly Kilvert | |||
Set Decoration by | |||
| Lisa Fischer | |||
Costume Design by | |||
| Durinda Wood | |||
Makeup Department | |||
| Patricia Messina | .... | makeup artist | |
| Michele Payne | .... | hair stylist | |
Production Management | |||
| Steve Nicolaides | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Brian James Ellis | .... | second assistant director | |
| Sam Epstein | .... | second assistant director | |
| Thomas Lofaro | .... | first assistant director | |
Art Department | |||
| David Brisbin | .... | lead man | |
| Mickie Cecchini | .... | assistant painter | |
| Buddy Cone | .... | art department assistant | |
| Amanda J. Flick | .... | scenic artist | |
| David L. Glazer | .... | property master | |
| Mark 'Digger' Green | .... | assistant props (as Mark Green) | |
| Dennis Hoerter | .... | carpenter | |
| Richard Hoover | .... | assistant art director | |
| Thierry Verrier | .... | set dresser | |
| Frank Viviano | .... | construction coordinator | |
Sound Department | |||
| Douglas B. Arnold | .... | boom operator (as Doug Arnold) | |
| Beth Bergeron | .... | post-production sound | |
| John Brasher | .... | post-production sound | |
| David E. Campbell | .... | sound re-recording mixer | |
| Roberta Doheny | .... | post-production sound | |
| Robert Eber | .... | sound mixer (as Bob Eber) | |
| Alia Kahn | .... | post-production sound | |
| Lars Nelson | .... | post-production sound | |
| Tony Ray | .... | post-production sound | |
| John T. Reitz | .... | sound re-recording mixer | |
| Gregg Rudloff | .... | sound re-recording mixer (as Gregg C. Rudloff) | |
Special Effects by | |||
| John Frazier | .... | special effects | |
| Jeffrey A. Wischnack | .... | special effects assistant (as Jeff Wischnack) | |
Camera and Electrical Department | |||
| Paul Amorelli | .... | electrician | |
| Greg Bridges | .... | grip | |
| François Duhamel | .... | unit photographer | |
| Kevin Kelley | .... | best boy electric | |
| Martin J. Layton | .... | assistant camera (as Marty Layton) | |
| Michael Meek | .... | grip | |
| Ron Meurrier | .... | lamp operator: Stockton | |
| Jack Palinkas | .... | key grip | |
| Lee Phillips | .... | gaffer | |
| Chris Rao | .... | assistant camera | |
| George Ressler | .... | best boy grip (as George Resler) | |
| Thomas Vanghele | .... | assistant camera | |
| Devik Wiener | .... | electrician | |
| Roland Young | .... | electrician | |
Casting Department | |||
| Eve Brandstein | .... | casting executive | |
Costume and Wardrobe Department | |||
| May Hart | .... | wardrobe assistant | |
| Constance Sech | .... | costumer | |
Editorial Department | |||
| Christine Cholvin | .... | assistant film editor (as Chris Cholvin) | |
| Terry Haggar | .... | color timer | |
| Jack Hooper | .... | negative cutter | |
| Cathy Rosenstein | .... | post-production coordinator | |
| Adam Weiss | .... | assistant film editor | |
Music Department | |||
| Kenneth Karman | .... | music editor | |
| Alexandra Leviloff | .... | assistant music editor | |
| Gary Lubow | .... | music recording engineer | |
| Elliot Lurie | .... | music coordinator | |
| Becky Mancuso-Winding | .... | music supervisor (as Becky Shargo) | |
Transportation Department | |||
| Ken Day | .... | driver | |
| Bo Falck | .... | transportation co-captain | |
| Pat Gordon | .... | driver | |
| Thomas A. Gordon | .... | driver (as Tom Gordon) | |
| Greg Landis | .... | driver | |
| Ronald Linxwiler | .... | driver (as Ron Linxwiler) | |
| Tim Roslan | .... | transportation captain | |
| Dusty Saunders | .... | driver | |
| David Shaffer | .... | driver (as Dave Shaffer) | |
| Larry Sims | .... | driver | |
Other crew | |||
| Robert Breech | .... | location manager: Los Angeles | |
| William Burke | .... | location manager: Stockton | |
| Leslie Cornyn | .... | assistant production accountant | |
| Leigh French | .... | looping coordinator | |
| Elizabeth Galloway | .... | production coordinator | |
| Walter Hart | .... | production assistant | |
| Edward Hersom | .... | craft service: Stockton | |
| Lisa Lynn Kearsley | .... | production secretary: Los Angeles | |
| Cathy Lerner | .... | secretary: Mr. Birnbaum | |
| Leslie 'Tinker' Linville | .... | production assistant (as Leslie Linville) | |
| Mitch Marcus | .... | production assistant | |
| Anne Rapp | .... | script supervisor (as Anne Rapp-Dowd) | |
| Cathy Rosenstein | .... | assistant: Rob Reiner | |
| Eric Silvern | .... | craft service: Los Angeles | |
| Joan Thompson | .... | studio teacher | |
| Mary Vigna | .... | production secretary: Stockton | |
| Joyce Wagner | .... | unit publicist | |
| Zelig Walters | .... | caterer | |
| Ron Welch | .... | caterer | |
| Ruth Whittle | .... | production accountant | |
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Having fallen for John Cusack's engaging performance as Rob in 'High Fidelity', I jumped at the chance to watch one of his earliest films, 'The Sure Thing'. And, despite a life-long hatred of "girly" films and all things romantic comedy, this slice of 80s college cheese surprisingly hit the spot.
The story is nothing new: boy (an effervescent Cusack as Walt Gibson) meets girl (Daphne Zuniga), and an antagonistic relationship is formed. He hates her studious, organised approach to life; she frowns upon his laddish, devil-may-care attitude. Inevitably, they are soon thrown together - namely by Gib's trip to California on the promise of a blond, beautiful "sure thing" from best friend Lance (Anthony Edwards) coinciding with her journey to visit her boyfriend - and opposites begin to attract.
Yet to complain that the plot is predictable would be to miss the point. You know the ending within the first five minutes: it is the journey there which is important. Director Rob Reiner handles the script with a necessarily light touch, and allows the humour to be more character-driven than situational. To the writers' credit, even the film's most obvious scenes are always relieved through it's witty and eminently quotable dialogue.
What elevates 'The Sure Thing' above the ranks of its genre contemporaries is Reiner's deft hand with a character; in particular his ability to transcend stereotypes yet create instantly recognisable, believable people, a feat he later put to effective use in 'Stand By Me'. This is underpinned by Cusack's energetic performance, showcasing what has become his staple character: the spikily droll male whose shining qualities just avoid being undermined by his easily discernible flaws.
'The Sure Thing' is also notable for its treatment of - and fondness for - the minor characters, few of whom suffer from the "obvious spare part" phenomenon of so many high school based films. Particularly commendable are Tim Robbins' disappointingly brief turn as one half of the cutesy couple from hell, and a remarkably young-looking Anthony Edwards in the long-term buddy role (notable especially for what must be one of the worst 80s fashion statements since Vanilla Ice decided on baggy trousers - see the pool scene featuring Lance's phone call from California).
Despite its premise, this film always endeavours to be about love rather than sex. A refreshing angle on a well-worn tale, 'The Sure Thing' provides a welcome escape from the 'American Pie' view of teenage romance. With consistently endearing performances from both Cusack and Zuniga, this is one romantic comedy I would happily give a second viewing.