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Ran
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Ran (1985) -- An elderly lord abdicates to his three sons, and the two corrupt ones turn against him.

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Overview

User Rating:
MOVIEmeter: ?
Down 3% in popularity this week. See why on IMDbPro.
Director:
Writers:
Akira Kurosawa (screenplay) and
Hideo Oguni (screenplay) ...
(more)
Contact:
View company contact information for Ran on IMDbPro.
Release Date:
1 June 1985 (Japan) more
Genre:
Plot:
An elderly lord abdicates to his three sons, and the two corrupt ones turn against him. full summary | full synopsis
Plot Keywords:
Awards:
Won Oscar. Another 25 wins & 15 nominations more
NewsDesk:
(16 articles)
User Comments:
Greatest rendition of a Shakespearean Epic more (189 total)

Cast

  (in credits order) (verified as complete)
Tatsuya Nakadai ... Lord Hidetora Ichimonji
Akira Terao ... Taro Takatora Ichimonji
Jinpachi Nezu ... Jiro Masatora Ichimonji
Daisuke Ryu ... Saburo Naotora Ichimonji
Mieko Harada ... Lady Kaede
Yoshiko Miyazaki ... Lady Sue
Hisashi Igawa ... Shuri Kurogane
Peter ... Kyoami (as Pîtâ)
Masayuki Yui ... Tango Hirayama
Kazuo Kato ... Kageyu Ikoma
Norio Matsui ... Shumenosuke Ogura
Toshiya Ito ... Mondo Naganuma
Kenji Kodama ... Samon Shirane
Takashi Watanabe
Mansai Nomura ... Tsurumaru (as Takeshi Nomura)
Takeshi Katô ... Koyata Hatakeyama
Jun Tazaki ... Seiji Ayabe
Hitoshi Ueki ... Nobuhiro Fujimaki
Takao Zushi
Yoshitaka Zushi
Tetsuo Yamashita
Akihiko Sugizaki
Masaaki Sasaki
Yoshimitsu Yamaguchi
Masuo Amada
Masaru Sakurai

Sakae Kimura
Ryojiro Oki
Hanbei Kawai
Ryo Nagasawa
rest of cast listed alphabetically:
Yûichi Hibi
Tokie Kanda ... Sue's lady in waiting (uncredited)
Sawako Kochi ... Hidetora's concubine (uncredited)
Reiko Nanjo ... Hidetora's concubine (uncredited)
Kumeko Otowa ... Sue's lady in waiting (uncredited)
Heihachiro Suzuki ... Fujimaki's General (uncredited)
Haruko Togo ... Kaede's lady in waiting (uncredited)
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Directed by
Akira Kurosawa 
 
Writing credits
Akira Kurosawa (screenplay) and
Hideo Oguni (screenplay) and
Masato Ide (screenplay)

William Shakespeare  play "King Lear"

Produced by
Katsumi Furukawa .... executive producer
Masato Hara .... producer
Hisao Kurosawa .... associate producer
Serge Silberman .... producer
 
Original Music by
Tôru Takemitsu 
 
Cinematography by
Asakazu Nakai 
Takao Saitô 
Shôji Ueda 
 
Film Editing by
Akira Kurosawa 
 
Production Design by
Shinobu Muraki 
Yoshirô Muraki 
 
Set Decoration by
Jiro Hirai 
Miysuyuki Kimura 
Yasuyoshi Ototake 
Tsuneo Shimura 
Osumi Tousho 
 
Costume Design by
Emi Wada 
 
Makeup Department
Tameyuki Aimi .... makeup artist
Yoshiko Matsumoto .... hair stylist
Chihako Naito .... makeup artist
Noriko Sato .... hair stylist
Noriko Takamizawa .... makeup artist
Shoshichiro Ueda .... makeup artist
 
Production Management
Seikichi Iizumi .... production manager
Satoru Iseki .... production manager
Masayuki Motomochi .... unit manager
Teruyo Nogami .... production manager
Takashi Ôhashi .... production manager
Ulrich Picard .... general production manager (as Ully Pickard)
Tsutomu Sakurai .... unit manager
 
Second Unit Director or Assistant Director
Bernard Cohn .... first assistant director
Vittorio Dalle Ore .... assistant director
Ishirô Honda .... chief assistant director (as Inoshiro Honda)
Takashi Koizumi .... assistant director
Kunio Nozaki .... assistant director
Fumisake Okada .... assistant director
Kiyoko Watanabe .... assistant director
Ichirô Yamamoto .... assistant director
Okihiro Yoneda .... assistant director
 
Sound Department
Takayuki Goto .... assistant sound
Soichi Inoue .... assistant sound
Takenori Misawa .... assistant sound
Hideo Takeichi .... assistant sound
Claude Villand .... final mix
Fumio Yanoguchi .... sound recordist
Shôtarô Yoshida .... sound recordist
Jean-Marc Lentretien .... sound mix technician (uncredited)
 
Camera and Electrical Department
Kiyoshi Anzai .... assistant camera
Noburu Asono .... assistant camera
Koji Choya .... electrician
Daizaburo Harada .... still photographer
Hidehiro Igarashi .... assistant camera
Yoshio Iyama .... electrician
Koichi Kamata .... electrician
Nobuyuki Kito .... assistant camera
Mutsuo Komine .... electrician
Kosuke Matsushima .... assistant camera
Masakazu Oka .... assistant camera
Yuichi Oyama .... electrician
Makoto Sano .... electrician
Takeji Sano .... gaffer (as Takeharu Sano)
Yoshio Sato .... still photographer
Tetsuo Sawada .... electrician
Yoshinori Sekiguchi .... assistant camera
Satoru Suzuki .... assistant camera
Shigeo Suzuki .... assistant camera
Shintaro Tazaki .... electrician
 
Costume and Wardrobe Department
Akira Fukuda .... assistant wardrobe
Kazuko Numata .... assistant wardrobe
Noriko Taguchi .... assistant wardrobe
 
Editorial Department
Hideto Aga .... assistant editor
Hajime Ishihara .... assistant editor
Ryusuke Otsubo .... assistant editor
 
Music Department
Hiroyuki Iwaki .... conductor
 
Other crew
Anne Brav .... subtitler
Ishirô Honda .... director's counselling
Masahiko Kumada .... production assistant
Hisao Kurosawa .... production coordinator
Ko Nauri .... production assistant
Takeo Suga .... accountant
 
Crew verified as complete


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Additional Details

Also Known As:
Ran (UK) (USA)
Revolt (International: English title)
more
Runtime:
162 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Dolby (35 mm prints) | 70 mm 6-Track (70 mm prints)
Certification:
Iceland:16 | South Korea:15 (DVD rating) | Australia:M (TV rating) | Argentina:16 | Australia:PG | Chile:18 | Finland:K-16 | France:U | Japan:R | Norway:16 (1985) | Singapore:PG | Sweden:15 | UK:12 (video re-rating) (2004) | UK:15 (original rating) | UK:15 (video rating) (1986) | USA:R | West Germany:12 | Canada:13+ (Quebec)
Filming Locations:

Fun Stuff

Trivia:
The story was inspired by samurai legends, but also draws on William Shakespeare's "King Lear" as well. more
Quotes:
Saburo Naotora Ichimonji: Does a traitor betray himself? more
Movie Connections:
Referenced in Husbands and Wives (1992) more

FAQ

A Note Regarding Spoilers
Is this movie based on a novel?
How much sex, violence, and profanity are in this movie?
more
7 out of 8 people found the following comment useful.
Greatest rendition of a Shakespearean Epic, 3 July 2009
10/10
Author: Murtaza Ali from India

Ran is probably cinema's greatest rendition of a Shakespearean Epic, ironically coming from an oriental film-maker. Adapted by Kurosawa from Shakespeare's King Lear, Ran undoubtedly features amongst the best works of the master auteur. It captures with sheer vividness and surreal resplendence, the true essence of human struggle for survival, highlighting the cruelties associated with life. Ran is strictly indicative of the sole consistency of life i.e. change, an attribute that not only makes the humans vulnerable but also gives them the hope to rise after a fall.

The story focuses on a senile warlord, who owing to his senescence is rapidly losing his strength and his ferocious grandeur that he had earned through years of relentless savagery and ruthless slaughter, ergo he renounces to his three sons, hoping them to establish a sort of a triumvirate with the eldest son having a slight edge. His two elder sons accept the proposal with rapturous glee, but his youngest son seems bemused and questions the wits of the patriarch for taking the untimely decision. Though arrantly annoyed by his son's audacious defiance, he tries to console him, only to find him inconsolable. Deeply hurt by his son's impertinence and censure, he reluctantly banishes him and enthrones the two elder sons. The rest is rather worth a watch than a read, for there is nothing that can better the sumptuous elegance of Ran.

The brilliantly captured scenes are breathtaking to say the least, especially the war scene that depicts fate casting the final blow to the ruthless reign of the warlord. The brutality and the bloodshed depicted in the very scene can make even a cold-blooded appear jittery. Ran portrays the poetic justice in such a relentless and abominable fashion that one can't help but sympathize with the narcissistic warlord, who spent his life arrogating and annihilating the innocent souls. The plaintive score gives the movie a much desired tone, a mood that not only supports its melancholic backdrop, but also immensely adds to its poignant beauty. The final scene featuring the blind boy, deeply clutched by his haplessness and gross solitude, though doesn't feature an utterance of even a single syllable, the playback of the mystical flute makes the scene haunting as well as mesmerising and worth a thousand words. Ran is a classic example of Kurosawa's brilliance and perhaps a consummation of his apotheosis.

A must watch for eclectic viewers and admirers of pristine cinema. Highly recommended: 10/10.

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Death of Lady Kaede kpd0943
GREATEST MOTION PICTURE OF ALL TIME! craigjohnson20
Just watched it for the 1st time BurnItDwn
In the IMDB #250 and only one page of comments? ken-miller-4
anyone know what the music is... misterlego
RAN CRITERION DVD edwinkim1175
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