| Videos (see all 5) |
| Mark Patton | ... | Jesse Walsh | |
| Kim Myers | ... | Lisa Webber | |
| Robert Rusler | ... | Ron Grady | |
| Clu Gulager | ... | Ken Walsh | |
| Hope Lange | ... | Cheryl Walsh | |
| Marshall Bell | ... | Coach Schneider | |
| Melinda O. Fee | ... | Mrs. Webber | |
| Tom McFadden | ... | Mr. Webber (as Thom McFadden) | |
| Sydney Walsh | ... | Kerry | |
| Robert Englund | ... | Freddy Krueger | |
| Edward Blackoff | ... | Biology Teacher | |
| Christie Clark | ... | Angela Walsh | |
| Lyman Ward | ... | Mr. Grady | |
| Donna Bruce | ... | Mrs. Grady | |
| Hart Sprager | ... | Teacher | |
| Allison Barron | ... | Girl on Bus | |
| JoAnn Willette | ... | Girl on Bus | |
| Steve Eastin | ... | Policeman | |
| Brian Wimmer | ... | Do-Gooder | |
| Robert Chaskin | ... | Bar-B-Que Boy | |
| Kerry Remsen | ... | Girlfriend | |
| Kimberly Lynn | ... | Patty | |
| Steven Smith | ... | Victim | |
| Jonathan Hart | ... | Spike |
Directed by | |||
| Jack Sholder | |||
Writing credits | ||
| David Chaskin | (written by) | |
| Wes Craven | characters | |
Original Music by | |||
| Christopher Young | |||
Cinematography by | |||
| Jacques Haitkin | |||
| Christopher Tufty | |||
Film Editing by | |||
| Bob Brady | |||
| Arline Garson | |||
Art Direction by | |||
| Maggie Martin | |||
Costume Design by | |||
| Gail Viola | |||
Makeup Department | |||
| Wendy Hogan | .... | assistant makeup artist | |
| Daniel Marc | .... | makeup artist | |
| Bart Mixon | .... | special makeup effects artist | |
| Robin L. Neal | .... | hair stylist | |
| Mark Shostrom | .... | transformation effects creator | |
| Kevin Yagher | .... | makeup and effects creator: Freddy Krueger | |
| Kevin Yagher | .... | special makeup effects | |
Production Management | |||
| Rachel Talalay | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Whitney R. Hunter | .... | second assistant director | |
| Marshall D. Moore | .... | third assistant director | |
| Mark Shostrom | .... | co-director second unit: transformation sequence (uncredited) | |
Sound Department | |||
| Larry Porche | .... | boom operator | |
| Ed White | .... | sound mixer | |
Special Effects by | |||
| Richard Albain | .... | special mechanical effects | |
| Paul Boyington | .... | special effects | |
| Rick Lazzarini | .... | special puppet effects creator | |
| Ron Nary | .... | special mechanical effects | |
| Kevin Yagher | .... | special effects | |
Visual Effects by | |||
| Oded Beckman | .... | miniatures | |
| Paul Boyington | .... | special visual effects designer and director | |
| Richard Delaney | .... | effects animator | |
| Loring Doyle | .... | effects animator | |
| Bridget Endman | .... | effects animator | |
| John M. Gonzalez | .... | live action | |
| Paul Huston | .... | miniatures | |
| Darius Khadjenouri | .... | miniatures | |
| Ian Kincaid | .... | live action | |
| Michael Litterback | .... | live action | |
| Wes Takahashi | .... | effects animator | |
Stunts | |||
| Dan Bradley | .... | stunt coordinator | |
| Dan Bradley | .... | stunts | |
| Scott Alan Cook | .... | stunts | |
| Christopher Doyle | .... | stunts (as Chris Doyle) | |
| Marneen Fields | .... | stunt performer | |
| Frank Lloyd | .... | stunts | |
| Ray Lykins | .... | stunts | |
| C.J. McBeath | .... | stunts | |
| Denney Pierce | .... | stunts (as Denny Pierce) | |
| Ray Shaffer | .... | stunts | |
| Lane Leavitt | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Matt Gulbin | .... | grips carpenter | |
| Christopher Tufty | .... | director of photography: additional photography | |
Other crew | |||
| John Blake | .... | assistant: Mark Shostrom | |
| Tom Calderaro | .... | synthesizer programmer | |
| Bundy Chanock | .... | set medic | |
| Wendy Cooke | .... | assistant: Kevin Yagher | |
| Earl Ellis | .... | assistant: Kevin Yagher | |
| Glenn Gaylord | .... | assistant accountant | |
| Bart Mixon | .... | assistant: Mark Shostrom | |
| Luc G. Nicknair | .... | production assistant | |
| Gregor Punchatz | .... | assistant: Mark Shostrom | |
| Anthony Showe | .... | assistant: Mark Shostrom | |
| Jayson Wall | .... | film restoration coordinator (2002 restoration) | |
| Don Wyse | .... | fire safety | |
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| A Nightmare on Elm Street | A Nightmare on Elm Street 4: The Dream Master | A Nightmare on Elm Street 3: Dream Warriors | Freddy vs. Jason | Halloween |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Fantasy section | IMDb USA section |
| Add this title to MyMovies |
You can't deny that Wes Craven's original "Nightmare on Elm Street" was horror of great significance and, although dreadfully overrated, it was a pretty clever and spooky film that introduced the legendary icon of Freddy Krueger. It was obvious right from the start that none of the several sequels would ever live up to the original and this first attempt immediately confirms so. Despite a dazzling intro, showing a school bus racing through a nightmarish wasteland with Freddy at the wheel, this is a very tame and soft teenage-horror flick, completely lacking coherence and logic. The story supposedly takes place 5 years after the initial Elm Street events and the house where Nancy lived has been sold to the Walsh family. The adolescent son Jesse begins to suffer from nightmares in which Freddy Krueger orders him to kill in his shape. The screenplay is a series of stupidities and continuity errors but the whole things basically is an excuse to show fairly impressive visual effects, so who cares about the story anyways? Jesse's transformations into Freddy Krueger are well staged and the murders he commits are decently gore. Several sequences and scenery don't make the slightest bit of sense (exploding parakeets, guard dogs with children's faces ) and the suspense-elements of the original have vanished entirely. The acting is considerably good, even though the hero screams like a little girl and the heroine looks like Meryl Streep's younger sister. At least in this first sequel, Robert Englund doesn't constantly fire off unfunny and embarrassing one-liners.