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| Mel Gibson | ... | 'Mad' Max Rockatansky | |
| Tina Turner | ... | Aunty Entity | |
| Bruce Spence | ... | Jedediah the Pilot | |
| Adam Cockburn | ... | Jedediah Jr. | |
| Frank Thring | ... | The Collector | |
| Angelo Rossitto | ... | The Master | |
| Paul Larsson | ... | The Blaster | |
| Angry Anderson | ... | Ironbar | |
| Robert Grubb | ... | Pig Killer | |
| George Spartels | ... | Blackfinger | |
| Edwin Hodgeman | ... | Dr. Dealgood | |
| Bob Hornery | ... | Waterseller | |
| Andrew Oh | ... | Ton Ton Tattoo | |
| Ollie Hall | ... | Aunty's Guard | |
| Lee Rice | ... | Aunty's Guard | |
| Max Worrall | ... | Aunty's Guard | |
| Susan Leonard | ... | Aunty's Guard | |
| Robert Simper | ... | Aunty's Guard | |
| Virginia Wark | ... | Aunty's Guard | |
| Geeling Ng | ... | Aunty's Guard (as Geeling) | |
| Ray Turnbull | ... | Aunty's Guard | |
| Brian Ellison | ... | Aunty's Guard | |
| Gerard Armstrong | ... | Aunty's Guard | |
| Helen Buday | ... | Savannah Nix | |
| Mark Spain | ... | Mr. Skyfish | |
| Mark Kounnas | ... | Gekko | |
| Rod Zuanic | ... | Scrooloose | |
| Justine Clarke | ... | Anna Goanna | |
| Shane Tickner | ... | Eddie | |
| Toni Allaylis | ... | Cusha | |
| James Wingrove | ... | Tubba Tintye | |
| Adam Scougall | ... | Finn McCoo | |
| Tom Jennings | ... | Slake | |
| Gerry D'Angelo | ... | Hunter | |
| Travis Latter | ... | Hunter | |
| Miguel López | ... | Hunter (as Miguel Lopez) | |
| Paul Daniel | ... | Hunter | |
| Tushka Bergen | ... | Guardian (as Tushka Hose) | |
| Emily Stocker | ... | Guardian | |
| Sandie Lillingston | ... | Guardian | |
| Adam Willits | ... | Mr. Scratch | |
| Ben Chesterman | ... | Gatherer | |
| Liam Nikkinen | ... | Gatherer | |
| Dan Chesterman | ... | Gatherer | |
| Christopher Norton | ... | Gatherer | |
| Katharine Cullen | ... | Gatherer | |
| Heilan Robertson | ... | Gatherer | |
| Gabriel Dilworth | ... | Gatherer | |
| Hugh Sands | ... | Gatherer | |
| Rebekah Elmaloglou | ... | Gatherer | |
| Marion Sands | ... | Gatherer | |
| Shari Flood | ... | Gatherer | |
| Kate Tatar | ... | Gatherer | |
| Rachael Graham | ... | Gatherer | |
| Pega Williams | ... | Gatherer | |
| Emma Howard | ... | Gatherer | |
| Tarah Williams | ... | Gatherer | |
| Joanna McCarroll | ... | Gatherer | |
| Daniel Willits | ... | Gatherer | |
| Toby Messiter | ... | Gatherer | |
| Tonya Wright | ... | Gatherer | |
| Charlie Kenney | ... | Little One | |
| Amanda Nikkinen | ... | Little One | |
| Flynn Kenney | ... | Little One | |
| Luke Panic | ... | Little One | |
| William Manning | ... | Little One | |
| James Robertson | ... | Little One | |
| Adam McCreadie | ... | Little One | |
| Sally Morton | ... | Little One | |
| rest of cast listed alphabetically: | |||
| Margaret Dupre | ... | Barter Town Girl (uncredited) | |
| James Napier | ... | Little One (uncredited) | |
Directed by | |||
| George Miller | |||
| George Ogilvie | |||
Writing credits | ||
| Terry Hayes | (written by) & | |
| George Miller | (written by) | |
Produced by | |||
| Steve Amezdroz | .... | associate producer | |
| Marcus D'Arcy | .... | associate producer | |
| Terry Hayes | .... | co-producer | |
| George Miller | .... | producer | |
| Doug Mitchell | .... | co-producer | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Dean Semler | |||
Film Editing by | |||
| Richard Francis-Bruce | |||
Casting by | |||
| Alison Barrett | |||
Production Design by | |||
| Graham 'Grace' Walker | |||
Art Direction by | |||
| Anni Browning | |||
Set Decoration by | |||
| Martin O'Neill | |||
Costume Design by | |||
| Norma Moriceau | |||
Makeup Department | |||
| Rosalina Da Silva | .... | makeup artist (as Rosalina Silva) | |
| Nick Dorning | .... | prosthetics assistant | |
| Helen Evans | .... | makeup artist | |
| Elizabeth Ann Fardon | .... | key makeup artist | |
| Marjory Hamlin | .... | assistant makeup artist | |
| Sherry Hubbard | .... | assistant makeup artist | |
| Cheryl Newton | .... | wig maker | |
Art Department | |||
| Alan Armytage | .... | scenic painter | |
| Simon Baume | .... | set builder | |
| Tom Beavem | .... | construction assistant | |
| Chris Bellet | .... | set builder | |
| John Bell | .... | construction assistant | |
| Wayne Black | .... | set builder | |
| Peter Bower | .... | set builder | |
| John Buttimore | .... | fibreglasser | |
| Brendyn Byrnes | .... | set builder | |
| Toby Churchill-Brown | .... | art department runner | |
| Matthew Connors | .... | set builder | |
| Pauline Cotter | .... | tent maker | |
| Michael Davis | .... | art department coordinator | |
| Robert Fisher | .... | set builder | |
| John Friedman | .... | construction runner | |
| Chris Gibson | .... | set builder | |
| Errol Glassenbury | .... | construction foreman | |
| Marian Gorsky | .... | construction assistant | |
| Scott Gribble | .... | set builder | |
| Keron Hansen | .... | construction foreman | |
| Kate Highfield | .... | art department coordinator | |
| Tony Hunt | .... | property buyer | |
| Romaine Joseph | .... | draughtswoman | |
| Billy Kennedy | .... | scenic painter | |
| Ross Kens | .... | tent maker | |
| Steve King | .... | set builder | |
| Kirk Lovett | .... | set builder | |
| Nicholas Lyons | .... | construction assistant | |
| Steve Lyons | .... | storyboard artist | |
| Michael Makin | .... | set builder | |
| Billy Malcolm | .... | head scenic artist | |
| Paul McIver | .... | set builder | |
| Rod McKeown | .... | set builder | |
| Paul McKey | .... | construction foreman | |
| Karan Monkhouse | .... | stand-by props | |
| Ken Moore | .... | art department assistant | |
| Mark Morgan | .... | set builder | |
| Ron Morrison | .... | tent maker | |
| Anthony Moss | .... | signmaker | |
| Michael Patterson | .... | set builder | |
| Ray Pedler | .... | scenic artist | |
| Shane Pentland | .... | set builder | |
| Rob Ricketson | .... | construction foreman | |
| John Rowe | .... | scenic painter | |
| Carsten Schimmanowski | .... | set builder | |
| Dennis Smith | .... | construction supervisor | |
| Marcus Smith | .... | set builder | |
| Tom Spellman | .... | set builder | |
| John Sprowle | .... | construction assistant | |
| David Stack | .... | set builder | |
| Jennifer Towne | .... | tent maker | |
| Suzanne Wallen | .... | tent maker | |
| Daniel Webber | .... | fibreglasser | |
| Graham Wood | .... | construction assistant | |
| Max Worrall | .... | construction foreman | |
| Harry Zettel | .... | stand-by props | |
Sound Department | |||
| Sue Blainey | .... | assistant dialogue editor | |
| Lloyd Carrick | .... | production sound recordist | |
| Craig Carter | .... | sound effects editor | |
| Tim Chau | .... | sound effects editor | |
| Philip Dickson | .... | assistant dialogue editor (as Phil Dickson) | |
| John Herron | .... | dialogue re-recordist | |
| Tim Jordan | .... | dialogue editor | |
| Phil Judd | .... | additional sound | |
| Doron Kipen | .... | 8-track operator | |
| Bruce Lamshed | .... | sound designer | |
| Bruce Lamshed | .... | sound mixer | |
| Sue Lamshed | .... | assistant sound effects editor | |
| Frank Lipson | .... | sound effects editor | |
| Roger Savage | .... | sound mixer | |
| Roger Savage | .... | sound supervisor | |
| Annabelle Sheehan | .... | dialogue editor | |
| Joe Spinelli | .... | boom operator | |
| Andrew Steuart | .... | foley editor | |
| Yvonne Van Gyen | .... | assistant sound effects editor | |
| Rex Watts | .... | assistant sound effects editor | |
| Karin Whittington | .... | dialogue editor | |
| Steve Burgess | .... | foley recordist (uncredited) | |
| Steve Burgess | .... | sound editor (uncredited) | |
| James Mather | .... | sound assistant (uncredited) | |
| Philip Rogers | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Steve Courtley | .... | special effects coordinator | |
| Brian Cox | .... | special effects technician | |
| Ray Fowler | .... | special effects assistant | |
| Doug Head | .... | special effects assistant | |
| Barrie Mackie | .... | special effects assistant | |
| Robert Podhadsky | .... | special effects assistant | |
| Brian Rallston | .... | special effects assistant | |
| Steve Volich | .... | special effects assistant | |
| David Ward-Fear | .... | special effects assistant | |
| Brian Wood | .... | special effects assistant | |
| Michael Wood | .... | special effects supervisor (as Mike Wood) | |
| David Young | .... | special effects assistant | |
| John Bowring | .... | special effects armorer (uncredited) | |
Visual Effects by | |||
| David Adams | .... | model assistant | |
| Ken Arlidge | .... | camera operator: model unit | |
| Eddie Blazkow | .... | rigger: model unit | |
| Geoff Brown | .... | louma crane operator: model unit | |
| Simon Butler | .... | model assistant | |
| Michael Chorney | .... | scenic artist: model unit | |
| Chris Cole | .... | camera assistant: model unit | |
| Roger Cowland | .... | opticals | |
| Paul Geros | .... | model assistant | |
| Petra Henniger | .... | model maker | |
| Kim Hilder | .... | model maker | |
| Romaine Joseph | .... | model maker | |
| Alan Maxwell | .... | special effects coordinator: model unit | |
| Suza Maybury | .... | model maker (as Susan Maybury) | |
| Suza Maybury | .... | model painter (as SusanMaybury) | |
| Bart Melocco | .... | rigging assistant: model unit | |
| Richard Merryman | .... | camera operator: model unit | |
| Roy Mico | .... | grip: model unit | |
| John Murch | .... | model maker | |
| Dennis Nicholson | .... | model coordinator | |
| Robert O'Keefe | .... | model assistant | |
| Andy Pollard | .... | scaffold supervisor: model unit | |
| Nui Russell | .... | rigging assistant: model unit | |
| Paul Shopis | .... | model assistant | |
| Peter Terakes | .... | camera assistant: model unit | |
| Jennifer Towne | .... | model assistant | |
| Walter Van | .... | model assistant | |
| Richard Weight | .... | model maker | |
| Guy Williams | .... | assistant grip: model unit | |
| Syd Dutton | .... | special visual effects (uncredited) | |
Camera and Electrical Department | |||
| Brian Bosisto | .... | camera crane operator | |
| John Brock | .... | additional focus puller | |
| Dean Bryan | .... | electrician | |
| David Burr | .... | additional camera operator | |
| David Dunkley | .... | camera maintenance | |
| Alan Dunstan | .... | best boy | |
| Tex Foote | .... | generator operator | |
| John Goldney | .... | additional assistant grip | |
| Gary Hill | .... | electrician | |
| Neil Howell | .... | assistant grip | |
| Louis Irving | .... | camera operator | |
| Ian Jones | .... | additional Steadicam operator | |
| John Mahaffie | .... | Steadicam focus puller | |
| Darren McLaughlin | .... | electrical apprentice | |
| Irvine G. McLaughlin | .... | key grip | |
| Richard Merryman | .... | camera operator | |
| Robin Morgan | .... | additional key grip | |
| John Morton | .... | gaffer | |
| Pat Nash | .... | grip | |
| Toby Phillips | .... | Steadicam operator | |
| Toby Phillips | .... | camera operator | |
| John Platt | .... | Steadicam clapper loader | |
| Jim Sheldon | .... | still photographer | |
| Mark Sullivan | .... | clapper loader | |
| Jon Waller | .... | camera crane assistant | |
| Roydon Johnson | .... | additional focus puller (uncredited) | |
Casting Department | |||
| Mike Fenton | .... | casting: USA | |
| Linda Pavilack | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Lyn Askew | .... | stand-by wardrobe | |
| Jenni Bolton | .... | costume supervisor | |
| Susan Bowden | .... | costume designer's assistant | |
| Phil Eagles | .... | stand-by wardrobe | |
| Robyn Elliot | .... | wardrobe assistant | |
| Julie Frankham | .... | seamstress | |
| Lisa Meagher | .... | wardrobe assistant | |
| Anna Nolan | .... | wardrobe assistant | |
| Susan Pullen | .... | wardrobe assistant | |
Editorial Department | |||
| Arthur Cambridge | .... | color grader | |
| Miriam Cortes | .... | negative matcher | |
| Louise Innes | .... | first assistant editor | |
| Claire O'Brien | .... | first assistant editor | |
Music Department | |||
| Maurice Jarre | .... | conductor | |
| Dick Lewzey | .... | music recordist (as Dick Lewsey) | |
Transportation Department | |||
| Helen Folden | .... | transportation | |
| Jeff Reeder | .... | transportation | |
| David Thomas | .... | action vehicle coordinator | |
Other crew | |||
| Billy Allen | .... | additional personnel | |
| Dale Aspin | .... | animal coordinator | |
| David Atkins | .... | additional personnel | |
| Gillian Bailey | .... | additional personnel | |
| Catherine Barber | .... | financial controller (as Cathy Barber) | |
| Ken Barnett | .... | leatherworker | |
| Catherine Bishop | .... | production assistant | |
| Tony Bremner | .... | additional personnel | |
| Jenny Brown | .... | additional personnel | |
| Richard Carroll | .... | pig wrangler | |
| Beverley Clarke | .... | additional personnel | |
| Robin Clarke | .... | additional personnel | |
| Lynda Collings | .... | production accountant | |
| Chantal Cordy | .... | leatherworker | |
| Peter Dons | .... | assistant to accountant | |
| Deidre Eagles | .... | nurse | |
| Justin Fitzpatrick | .... | additional personnel | |
| Catalina Forsyth | .... | additional personnel | |
| Bill Gooley | .... | laboratory liaison | |
| Nicole Gooley | .... | additional personnel | |
| Marguerite Grey | .... | additional personnel | |
| Ollie Hall | .... | assistant: Angelo Rossitto | |
| Cassie Hanlon | .... | additional personnel | |
| Alistair Jenkins | .... | additional personnel | |
| Hine Knapp | .... | additional personnel | |
| Ray Kubacki | .... | mechanic | |
| David Lee | .... | additional personnel | |
| Terry Lee | .... | helicopter pilot | |
| George Mannix | .... | location manager | |
| John May | .... | additional personnel | |
| Bob McCarron | .... | prosthetics manufacture | |
| Sue McKay | .... | additional personnel | |
| Garry McQuinn | .... | production runner | |
| Steve Michaelson | .... | mechanic | |
| Keiron O'Connell | .... | bike builder | |
| Christopher Palmer | .... | assistant: Mr. Jarre | |
| Daphne Paris | .... | script supervisor | |
| Margaret Pavletich | .... | additional personnel | |
| Anne Phillips | .... | additional personnel | |
| Jake Piggeries | .... | pigs supplier | |
| Richard Piorkowski | .... | laboratory liaison | |
| Jenny Quigley | .... | additional personnel | |
| Jason Rogers | .... | additional personnel | |
| Phillip Roope | .... | tutor | |
| Rick Simshauser | .... | additional personnel | |
| Chris Smith | .... | caterer | |
| David Smith | .... | assistant to accountant | |
| Warner Smith | .... | mechanic | |
| John Stark | .... | monkey wrangler | |
| Romana Toson | .... | additional personnel | |
| Alfonso Valencia | .... | metro security | |
| Rod Venables | .... | air truck pilot | |
| P.J. Voeten | .... | unit runner | |
| Jim Walker | .... | pigs supplier | |
| Irene Walls | .... | additional personnel | |
| Glen Walsh | .... | mechanic | |
| Jenny Wilson | .... | assistant: Doug Mitchell | |
| Elizabeth Wright | .... | production secretary | |
| Lyndie Wylie | .... | additional personnel | |
| Michelle Zeisel | .... | assistant: George Miller | |
| Barry Elliott | .... | camel wrangler (uncredited) | |
Thanks | |||
| Stephen Hayes | .... | thanks | |
| Byron Kennedy | .... | dedicatee | |
| Ross Steele | .... | thanks (as Professor Ross Steele) | |
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Mad Max 3 has shown me that this Australian film franchise is continuing to be big and successful. Part way through watching this movie, I felt that Mel Gibson was born to play the role of Mad Max, as he suits the character that was created. I was thinking that this film might have had a very 'Hollywood' feel to it. But to my surprise, I was glad to see and hear a very Australian flavour continuing, which has accompanied all the Mad Max movies to date.
Two men enter. One man leaves. That is the law in Bartertown's Thunderdome arena. But lawmaker Aunty Entity will soon add another: Do not get Max mad! Max is back as the hero who takes on the barbarians of the post-nuclear future - and this time becomes the savior of a tribe of lost children. However, the power-mad Aunty Entity, a dominatrix, is determined to use Max to tighten her stranglehold on Bartertown.
What was lacking in the second of the Mad Max movies was its script, which seemed to be underdeveloped, so I was hoping that the 'Beyond Thunderdome' would be better. Thankfully it was, as there was a lot more dialogue, some intriguing characters, and an even better story, which contained a lot of entertaining elements. I especially like the location of Bartertown, as it still had an 'Australian feel' to it, the idea of the Thunderdome was well explained and shown through the story. Then to have Max, be the protector of all these children made the story just that much better. MM3 was written once again by George Miller and Terry Hayes.
But George Miller also did so much more. He directed the third movie, giving it all the necessary touches that have made Mad Max, the movies they are today. Helping Miller in the director's chair is another George, director George Ogilvie. Having two directors I think only enhances the movie all the more. I like the way we see the famous 'Thunderdome' fighting scene, as Miller and Ogilvie focused very much on that event and the many elements within it. I also like the grand view of the open desert that we see numerous times through out the film, as both directors certainly wanted us to see that the conditions surrounding Bartertown were pretty harsh to both humans and animals. Credit for this section of the movie has to also go to the cinematographer, Dean Semler, who shot some great camera angles of the deserts.
MM3 also had some fine performers. Mad Max (Mel Gibson) shows that he is still a force to be reckoned with. His introduction to Aunty Entity (Tina Turner) was highly entertaining, as Max takes an impossible situation to show that he is a person not to be taken lightly. Max, for part of this movie, has long hair, which I believe gives Max an even more silent, heroic, darker edge to his character. However I was not a big fan of Tina Turner's performance in the film, as she did not seem at all in her place as an actress, but the look of her character was effective. Tina sings the song 'We don't need another hero' for the movie's soundtrack.
I also liked the actors with minor roles in the film. Max is told to separate Master-blaster, who is two identities. There is the very small and intelligent Master (Angelo Rossitto), and the very muscular Blaster (Paul Larsson), who Max has the huge encounter with in the Thunderdome. There was also a very Australian feel to this cast. Pigkiller (Robert Grubb) was a peculiar character that I immediately liked. He genuinely wants to help Max's cause in any way he can. Of the nastier looking guys, you have Ironbar (Angry Anderson), who might not have much to say, but has many lives in the film. In fact, many incidents with him are humorous and breathtaking as well. Back in MM3 is Jedediah (Bruce Spence), who now has a son, Jedediah Jnr. (Adam Cockburn). Max and Jedediah have a very clear understanding, which continues here. Another major component to the film is the use of pigs. I will not say why they are used here, just that I liked their presence every time they were onscreen.
There are some amazing scenes attached to MM3. I have to agree that the film contains one the best movie fight scenes ever, as Max and gladiatorial Blaster face off with maces, chainsaws and anything not nailed down inside Thunderdome. It is truly an exhilarating scene to see playing out, (although I cringed when I saw Max drop-start the chainsaw). However the customary car chase scene, which MM is famous for, was not as great here, as in the previous two movies. But it did have the fun sequence showing Ironbar barely escaping with his life many times. I enjoyed the lead up scenes to the car chase, as they had a lot of action and involvement of many people from the cast.
While, I like the characters we see in this movie, I do not believe they are as well developed as the people created for the first movie, as they were a lot easier to get to know, love and understand. I guess the big question after this movie is, 'which Mad Max is better, one or three?' I am still a bigger fan of the original, as it is a great film, showing that a small budget filmmaking can be very successful. That does not mean I am not a fan of this film, because I am. 'Beyond Thunderdome' had such a fine conclusion, that perhaps they should have left the 'status quo'. But hearing that a 4th film in the series is being made as we speak, says to me, that Mel Gibson, George Miller and his talented crew have more in store for Mad Max fans. I cannot wait!
CMRS gives 'Mad Max - Beyond Thunderdome': 3.5 (Good - Very Good Film)