Mad Max Beyond Thunderdome (1985)

Directors:

George Miller
George Ogilvie

Writers:

Terry Hayes (written by) &
George Miller (written by)

Release Date:

10 July 1985 (USA)

Genre:

Action | Sci-Fi | Adventure

Tagline:

Max is back...and Tina's got him!

Plot:

Mad Max becomes a pawn in a decadent oasis of technological society, and when exiled, becomes the deliverer of a colony of children.

Plot Keywords:

Children | Desert | Mad Max | Gladiator | Australian Outback

Awards:

Nominated for Golden Globe. Another 1 win & 5 nominations

Cast

Mel Gibson	...	'Mad' Max Rockatansky
Tina Turner	...	Aunty Entity
Bruce Spence	...	Jedediah the Pilot
Adam Cockburn	...	Jedediah Jr.
Frank Thring	...	The Collector
Angelo Rossitto	...	The Master
Paul Larsson	...	The Blaster
Angry Anderson	...	Ironbar
Robert Grubb	...	Pig Killer
George Spartels	...	Blackfinger
Edwin Hodgeman	...	Dr. Dealgood
Bob Hornery	...	Waterseller
Andrew Oh	...	Ton Ton Tattoo
Ollie Hall	...	Aunty's Guard
Lee Rice	...	Aunty's Guard

Also Known As:

Mad Max 3
Mad Max III (Philippines: English title)

Runtime:

107 min

Country:

Australia | USA

Language:

English

Color:

Color

Aspect Ratio:

2.20 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)

Certification:

Finland:K-16 (1988) | Finland:K-18 (1985) | Canada:A (Nova Scotia) | Iceland:12 | Argentina:13 | Brazil:14 | Italy:T | New Zealand:PG | Australia:M | France:U | Norway:15 | Norway:16 (1985) | Sweden:15 | UK:15 | USA:PG-13 | West Germany:16 | Singapore:PG | Canada:13+ (Quebec)

Filming Locations:

Coober Pedy, South Australia, Australia

Company:

Kennedy Miller Productions

Trivia:

WILHELM SCREAM: Ironbar yells out when Max throws him face first out of Auntie's open window.

Goofs:

Revealing mistakes: When the children see the record player, the put the record that they've tried to use as a radio on it. Max puts the needle on to show them it's a record made to emit sound. The needle move inside out - record needles actually move on a record from the outside in.

Quotes:

Dr. Dealgood: Listen all! This is the truth of it. Fighting leads to killing, and killing gets to warring. And that was damn near the death of us all. Look at us now! Busted up, and everyone talking about hard rain! But we've learned, by the dust of them all... Bartertown learned. Now, when men get to fighting, it happens here! And it finishes here! Two men enter; one man leaves.

Movie Connections:

Referenced in Infestation (2009)

Soundtrack:

One of the Living

Underrated

When I first saw Mad Max Beyond Thunderdome, I felt disappointed. It was a letdown from its amazing predecessor. I knew its reputation as an unworthy sequel, but I still realized there was something good about it, something I had never heard from other people's points of view.

It wasn't until some time later when I watched the series a second time that I noticed what it was.

Those who think MMBT is not as exciting as The Road Warrior would be right. But those that think MMBT sucks because it is not as exciting as The Road Warrior would be missing the point. What makes MMBT a worthy sequel is its way of establishing a greater scope of the setting the series takes place in. The dredges of civilization were what set the stage for the series in the original Mad Max. The barren world of desert wastelands and sparse outposts take the idea of a post-apocalyptic world one step further in The Road Warrior. A squalid setting such as Bartertown and an oasis where the tribe of children lived in MMBT once again builds on the elaborate fantasy that makes the series as popular as it is. The final, chilling realization of just what became of civilization in the closing moments of the movie are more than enough explanation as to why the the world the viewer sees in the trilogy is the way it is.

I was too young when I first saw MMBT to understand this. It wouldn't be until I saw it again some time later, with more movie-viewing experience under my belt that I realized that what makes Mad Max Beyond Thunderdome tick is not action set pieces, but a far more subtle approach of atmospheric setting.