| Videos (see all 4) |
| Tom Cruise | ... | Jack | |
| Mia Sara | ... | Lili | |
| Tim Curry | ... | Darkness | |
| David Bennent | ... | Gump | |
| Alice Playten | ... | Blix | |
| Billy Barty | ... | Screwball | |
| Cork Hubbert | ... | Brown Tom | |
| Peter O'Farrell | ... | Pox | |
| Kiran Shah | ... | Blunder | |
| Annabelle Lanyon | ... | Oona | |
| Robert Picardo | ... | Meg Mucklebones | |
| Tina Martin | ... | Nell | |
| Ian Longmur | ... | Demon Cook | |
| Mike Crane | ... | Demon Cook | |
| Liz Gilbert | ... | Dancing Black Dress | |
| Eddie Powell | ... | Mummified Guard | |
| rest of cast listed alphabetically: | |||
| Mike Edmonds | ... | Tic (uncredited) | |
Directed by | |||
| Ridley Scott | |||
Writing credits | ||
| William Hjortsberg | (written by) | |
Produced by | |||
| Joseph P. Grace | .... | executive producer | |
| Tim Hampton | .... | co-producer | |
| Arnon Milchan | .... | producer | |
Original Music by | |||
| Eric Allaman | |||
| Christopher Franke | (as Tangerine Dream) | ||
| Edgar Froese | (as Tangerine Dream) | ||
| Jerry Goldsmith | (European version) | ||
| Johannes Schmölling | (as Tangerine Dream) | ||
Cinematography by | |||
| Alex Thomson | (director of photography) | ||
Film Editing by | |||
| Terry Rawlings | |||
Casting by | |||
| Noel Davis | |||
| Jane Feinberg | |||
| Mike Fenton | |||
| Donna Isaacson | |||
| Marci Liroff | |||
| Jeremy Zimmerman | |||
Production Design by | |||
| Leslie Dilley | |||
| Assheton Gorton | |||
Art Direction by | |||
| Norman Dorme | (supervising art director) | ||
Set Decoration by | |||
| Ann Mollo | |||
Costume Design by | |||
| Charles Knode | |||
Makeup Department | |||
| Rob Bottin | .... | special makeup effects creator | |
| Lois Burwell | .... | makeup artist | |
| Linda DeVetta | .... | makeup artist | |
| Nick Dudman | .... | prosthetic makeup artist | |
| Eithne Fennel | .... | hair stylist (as Eithne Fennell) | |
| Betty Glasow | .... | hair stylist | |
| Pauline Heys | .... | makeup artist | |
| Robert Lobetta | .... | hair stylist: Mia Sara | |
| Vincent Prentice | .... | lead special makeup artist | |
| Barbara Ritchie | .... | key hair stylist | |
| Peter Robb-King | .... | makeup artist | |
| Jane Royle | .... | makeup artist | |
| Joan White | .... | hair stylist | |
| Jean Ann Black | .... | makeup artist (uncredited) | |
Production Management | |||
| David Barron | .... | unit manager | |
| Joel Chernoff | .... | executive in charge of production | |
| Hugh Harlow | .... | production supervisor | |
Sound Department | |||
| Michael A. Carter | .... | dubbing mixer | |
| Roy Charman | .... | sound mixer | |
| Martin Crane | .... | footsteps editor | |
| Ken Dufva | .... | foley artist | |
| Glenn Freemantle | .... | assistant dubbing editor | |
| Chris Greenham | .... | supervising dialogue editor | |
| Graham V. Hartstone | .... | sound re-recording mixer | |
| Nicolas Le Messurier | .... | sound re-recording mixer | |
| Chris Reed | .... | assistant dialogue editor | |
| George Rice | .... | sound maintenance | |
| Jim Shields | .... | dubbing editor | |
| John Stevenson | .... | boom operator | |
| Lionel Strutt | .... | adr mixer | |
| Kevin Phelan | .... | dubbing theatre projectionist: De Lane Lea London (uncredited) | |
Special Effects by | |||
| Nick Allder | .... | special effects supervisor | |
| Henry Alvarez | .... | effects sculpturial designer: Rob Bottin Crew | |
| Max Alvarez | .... | effects crew: Rob Bottin Crew | |
| Bobby Belnap | .... | effects crew: Rob Bottin Crew | |
| Ed Branson | .... | effects crew: Rob Bottin Crew | |
| Patricia Brewer | .... | effects crew: Rob Bottin Crew | |
| Pat Cardamone | .... | effects crew: Rob Bottin Crew | |
| Ron Castro | .... | effects crew: Rob Bottin Crew | |
| Jerry Chin | .... | effects crew: Rob Bottin Crew | |
| Mike Cobos | .... | effects crew: Rob Bottin Crew | |
| Ralph Cobos | .... | craft shop supervisor: Rob Bottin Crew | |
| Guy Deel | .... | effects crew: Rob Bottin Crew | |
| Ken Diaz | .... | effects crew: Rob Bottin Crew | |
| Katalin Elek | .... | effects crew: Rob Bottin Crew | |
| Fernando Favila | .... | effects production assistant: Rob Bottin Crew | |
| Gunnar Ferdinandsen | .... | effects crew: Rob Bottin Crew | |
| Laura Filip | .... | effects crew: Rob Bottin Crew | |
| Tamara Fites | .... | effects crew: Rob Bottin Crew | |
| Art Flores | .... | effects crew: Rob Bottin Crew | |
| Camille Forcy | .... | effects crew: Rob Bottin Crew | |
| Susan Forrest | .... | effects crew: Rob Bottin Crew | |
| Eddie Garcia | .... | effects crew: Rob Bottin Crew | |
| Richard Glass | .... | contact lens consultant | |
| John Goodwin | .... | lab technician supervisor: Rob Bottin Crew | |
| Joe Griffith | .... | effects crew: Rob Bottin Crew | |
| Matthew Harlow | .... | special effects technician | |
| Mike Hill | .... | effects crew: Rob Bottin Crew | |
| Garth Inns | .... | special effects | |
| Jack Johnson | .... | effects crew: Rob Bottin Crew | |
| Clive Kay | .... | contact lens consultant | |
| Clive R. Kay | .... | special effects contact lenses | |
| Martin A. Kline | .... | effects crew: Rob Bottin Crew | |
| Phil Knowles | .... | special effects | |
| Iva Labianka | .... | effects production coordinator: Rob Bottin Crew | |
| Ralph M. Leo | .... | effects production auditor: Rob Bottin Crew | |
| Phil Mantione | .... | effects crew: Rob Bottin Crew | |
| Laurie Marems | .... | effects crew: Rob Bottin Crew | |
| John Markwell | .... | special effects | |
| Richard Medina | .... | effects crew: Rob Bottin Crew | |
| Chuck Montova | .... | effects production coordinator: Rob Bottin Crew | |
| Robert Newman | .... | effects crew: Rob Bottin Crew | |
| Becky Ochoa | .... | cosmetic paint supervisor: Rob Bottin Crew | |
| Roberto Olivas | .... | effects crew: Rob Bottin Crew | |
| Dennis Pawlik | .... | effects crew: Rob Bottin Crew | |
| Melvyn Pearson | .... | special effects | |
| Patrick Philben | .... | effects crew: Rob Bottin Crew | |
| Art Pimentel | .... | effects crew: Rob Bottin Crew | |
| Alan Poole | .... | special effects technician | |
| Margaret Prentice | .... | cosmetic paint supervisor: Rob Bottin Crew (as Margaret Beserra) | |
| Vincent Prentice | .... | lead special makeup artist: Rob Bottin Crew | |
| John Rizzo | .... | effects crew: Rob Bottin Crew | |
| Sheri Roskie | .... | effects crew: Rob Bottin Crew | |
| Richard Ruiz | .... | effects crew: Rob Bottin Crew | |
| Terry Schubert | .... | special effects | |
| Ernie Shelton | .... | effects crew: Rob Bottin Crew | |
| Dwight Shundo | .... | effects crew: Rob Bottin Crew | |
| Tom Small | .... | effects crew: Rob Bottin Crew | |
| Mike Sorrentino | .... | effects production coordinator: Rob Bottin Crew | |
| Wayne Strong | .... | effects crew: Rob Bottin Crew | |
| Jackie Tichenor | .... | effects crew: Rob Bottin Crew | |
| Josephine Turner | .... | effects crew: Rob Bottin Crew | |
| Richard White | .... | effects production manager: Rob Bottin Crew | |
Visual Effects by | |||
| John Blakeley | .... | modeler | |
| Andrew Eio | .... | visual effects technician | |
| Kent Houston | .... | visual effects | |
| Nick Kubicki | .... | modeler | |
| Allan Moss | .... | modeler | |
Stunts | |||
| Vic Armstrong | .... | stunts & doubles | |
| Terry Cade | .... | stunts & doubles | |
| Perry Davey | .... | stunts & doubles | |
| Anthony Georghiou | .... | stunts & doubles | |
| Nick Gillard | .... | stunts & doubles | |
| Paul Grant | .... | stunts & doubles | |
| Kevin Hudson | .... | stunts & doubles | |
| Wendy Leech | .... | stunts & doubles | |
| Danny Potts | .... | stunts & doubles | |
| Jordan Scott | .... | stunts & doubles | |
| Dean Shackelford | .... | stunts & doubles (as Dean Shackleford) | |
| Nick Gillard | .... | stunt double: Mr. Cruise (uncredited) | |
| Eddie Powell | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| George Beavis | .... | grip | |
| David Cadwallader | .... | grip | |
| Raymond Flindall | .... | rigger | |
| Martin Foley | .... | clapper loader | |
| Kenny Groom | .... | clapper loader | |
| Mark Hanlon | .... | electrician | |
| Martin Hume | .... | assistant camera | |
| Malcolm Huse | .... | grip | |
| Jordan Klein Jr. | .... | underwater camera operator | |
| Peter MacDonald | .... | camera operator (as Peter McDonald) | |
| Andy Matthews | .... | electrician | |
| Max Mowdray | .... | additional photographer | |
| Harry Oakes | .... | additional photographer | |
| Shaun O'Dell | .... | camera operator | |
| Andrew Shields | .... | video playback operator | |
| Stefan Stankowski | .... | focus puller | |
| Robert Toft | .... | video operator | |
| John Tythe | .... | gaffer | |
| Peter Versey | .... | assistant camera | |
| George Whitear | .... | still photographer | |
| Harry Woodley | .... | gaffer | |
| Carlos Melville | .... | electrician (uncredited) | |
| Chyna Thomson | .... | camera trainee (uncredited) | |
Costume and Wardrobe Department | |||
| Betty Adamson | .... | wardrobe supervisor | |
| Christopher Alderson | .... | costume supervisor | |
| Lola Boomer | .... | costume maker | |
| Sue Cable | .... | costume maker | |
| Zena Carter | .... | costume maker | |
| Elizabeth Charlesworth | .... | assistant costume designer | |
| Graham Churchyard | .... | assistant costume designer | |
| Karen Elton | .... | costume maker | |
| Barbara Gillett | .... | wardrobe assistant | |
| Helen Gill | .... | wardrobe assistant | |
| John Hilling | .... | wardrobe assistant | |
| Janet Lucas | .... | wardrobe assistant | |
| Karen McLean | .... | costume maker | |
| Penny McVitie | .... | costume supervisor | |
| Day Murch | .... | costume maker | |
| Patty Pope | .... | costume supervisor | |
| Barbara Rutter | .... | assistant costume designer | |
| Patrick Sharkey | .... | wardrobe assistant | |
| Ro Sylvester-Fisher | .... | costume maker (as Rosemary Sylvester Fisher) | |
Editorial Department | |||
| Pamela Power | .... | additional editor | |
| Gordon Stainforth | .... | assistant editor | |
Music Department | |||
| Michael Clifford | .... | music editor | |
| Alexander Courage | .... | orchestrator | |
| Ernie Locket | .... | music copyist | |
| Michael Redfern | .... | assistant music editor | |
| Mike Ross-Trevor | .... | music mixer (as Mike Ross) | |
| Jerry Goldsmith | .... | conductor (uncredited) | |
Other crew | |||
| Yarek Alfer | .... | technician | |
| Vic Armstrong | .... | unicorn master | |
| Tony Coroon | .... | production accountant | |
| Gordon Davis | .... | assistant accountant | |
| Kay Fenton | .... | script supervisor | |
| Bryan Ferry | .... | appears courtesy of I G Records, Ltd/Warner Bros. Records, Inc | |
| Andrea Fontaine | .... | assistant to director | |
| Geoff Freeman | .... | unit publicist | |
| Peter Govey | .... | title designer: main titles | |
| Danny Graber | .... | animal trainer | |
| Jordan Klein Sr. | .... | underwater team (as Jordan Klein) | |
| Sandy Langdale | .... | assistant accountant (as Sandra Langdale) | |
| Tim Lewis | .... | production runner | |
| John McCloughlin | .... | underwater team | |
| Gavin McKinney | .... | underwater team | |
| Arnon Milchan | .... | presenter | |
| Arlene Phillips | .... | choreographer | |
| Jean Simmons | .... | accounting assistant | |
| Joyce Turner | .... | production assistant | |
| Wayne Docksey | .... | animal master (uncredited) | |
Thanks | |||
| Scott Milne | .... | the producers gratefully acknowledge the assistance and co-operation of | |
| Bette Smith | .... | the producers gratefully acknowledge the assistance and co-operation of | |
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| Willow | Stardust | The Lord of the Rings: The Fellowship of the Ring | The Princess Bride | The Lord of the Rings: The Return of the King |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Fantasy section | IMDb USA section |
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Legend...
I can only say that this film, at least the European version, succeeds into the creation of a fantasy world that very very few other films have. And NEVER has a fairytale forest been realised so vividly and fantastically as here. The production design at Pinewood Studios is truly outstanding.
Of course, this film was a considerable flop. And looking at it, it isn't too hard to see why. A film that retains some semblance of morality - in this case the most basic, good versus evil - will not play to young audiences of the late 20th century. The tone of the film is perhaps too dark for young children, the overall theme of the film perhaps too juvenile for most adults. And so Legend finds itself in a cinematic limbo, a place without a core audience.
Of course, a cult audience has evolved around this film as it does around anything that misses its major target, and so Legend is a film that is either loved or loathed. Either way, Ridley Scott's stunning visual imaginings are realised with undeniable skill.
In addition to Scott's and his team's visual successes, this film - at least for European viewers - is embellished with one of the most beautiful scores ever written. Jerry Goldsmith has, during his transition from traditional to synthesied orchestra, created one of the richest scores ever bestowed on a film.
Quite what Warner Bros thought they were doing when they removed this score and cut chunks out of the film (and re-edited what was left) I will never understand. The film would and did flop in both versions, but that doesn't necessarily mean it shouldn't have been made.
If you are knew to this film, do yourself a favour and never watch the American version, unless it is the revamped widescreen version with the Goldsmith score back in place.
A visual dream, a beautiful score, a moral tale. Is there any wonder it flopped?