at Crackle

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Joe Eszterhas (written by)
4 October 1985 (USA) more
When a murder case is this shocking, which do you trust... your emotions or the evidence? more
San Francisco heiress Page Forrester is brutally murdered in her remote beach house. Her husband Jack... more | add synopsis
Nominated for Oscar. Another 3 nominations more
Exclusive: Ray Romano's Men of a Certain Age Casts Robert Loggia
(From TVGuide - Breaking News. 26 October 2009, 9:47 AM, PDT)
Joe Eszterhas Is Back
(From EmpireOnline. 5 August 2009, 11:57 PM, PDT)
has a better cast than it deserves; Ezstherhas hadn't hit his stride yet more (65 total)
| Glenn Close | ... | Teddy Barnes | |
| Maria Mayenzet | ... | Page Forrester | |
| Jeff Bridges | ... | Jack Forrester | |
| Peter Coyote | ... | Thomas Krasny | |
| Dave Austin | ... | Policeman | |
| Richard Partlow | ... | Policeman | |
| Lance Henriksen | ... | Frank Martin | |
| William Allen Young | ... | Greg Arnold | |
| Ben Hammer | ... | Dr. Goldman | |
| James Karen | ... | Andrew Hardesty | |
| Sanford Jensen | ... | Scott Talbot | |
| Woody Eney | ... | Austin Lofton | |
| Al Ruscio | ... | Carl Siegal | |
| Sharon Hanian | ... | Assistant D.A. | |
| Sarah Cunningham | ... | First Judge | |
| Ann Walker | ... | Ms. Barnes' Secretary | |
| James Winkler | ... | Ted Fitzpatrick (as James Winker) | |
| Bruce French | ... | Richard Duffin | |
| Brandon Call | ... | David Barnes | |
| Christina Hutter | ... | Jenny Barnes | |
| John Furlong | ... | Butler | |
| Karen Wonnell | ... | Stablehand | |
| Sharon Madden | ... | City Editor | |
| Guy Boyd | ... | Matthew Barnes | |
| Phyllis Applegate | ... | Mrs. Stiles | |
| Robert Loggia | ... | Sam Ransom | |
| Michael Dorn | ... | Dan Hislan | |
| John Clark | ... | Dr. Holloway | |
| Louis Giambalvo | ... | Fabrizi | |
| John Dehner | ... | Superior Court Judge Clark Carrigan | |
| David Wiley | ... | Court Clerk | |
| Leigh Taylor-Young | ... | Virginia Howell | |
| Jay Crimp | ... | Ms. Barnes' Assistant | |
| Mike Mitchell | ... | Bailiff | |
| Diane Erickson | ... | Eileen Avery | |
| Marshall Colt | ... | Bobby Slade | |
| Walter Brooke | ... | Duane Bendix | |
| Karen Austin | ... | Julie Jensen | |
| Bill Gratton | ... | Jury Foreman | |
| Joyce Shank | ... | TV Interviewer | |
| Dean Webber | ... | Newscaster | |
| John X. Heart | ... | Reporter | |
| Brenda Huggins | ... | Reporter | |
| Richard Marion | ... | Reporter | |
| Edwina Moore | ... | Reporter | |
| Sue Rihr | ... | Reporter | |
| Suzanne Lodge | ... | Reporter | |
| Judith Siegfried | ... | Reporter | |
| Sally Train | ... | Reporter | |
| Abigail Van Alyn | ... | Reporter | |
| Terry Wills | ... | Reporter | |
| Biff Yeager | ... | Reporter |
Directed by | |||
| Richard Marquand | |||
Writing credits(in alphabetical order) | ||
| Joe Eszterhas | written by | |
Produced by | |||
| Michele Connors Raley | .... | associate producer (as Michele Connors-Raley) | |
| Martin Ransohoff | .... | producer | |
| Don Carmody | .... | assistant producer (uncredited) | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Matthew F. Leonetti | |||
Film Editing by | |||
| Sean Barton | |||
| Conrad Buff IV | (as Conrad Buff) | ||
Casting by | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Gene Callahan | |||
Art Direction by | |||
| Peter Landsdown Smith | (as Peter J. Smith) | ||
Set Decoration by | |||
| Jerry Wunderlich | |||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Pete Altobelli | .... | makeup artist (as Peter Altobelli) | |
| Barbara Lorenz | .... | hair stylist | |
| Bob Mills | .... | makeup supervisor | |
Production Management | |||
| Terry Carr | .... | production manager | |
Art Department | |||
| Rene Auda | .... | stand-by painter | |
| Nigel A. Boucher | .... | lead man (as Nigel Boucher) | |
| Christopher Burian-Mohr | .... | set designer | |
| Stan Cockerell | .... | property master | |
| Beverli Eagan | .... | set designer | |
| Bill Iiams | .... | general construction foreman | |
| Roger Irvin | .... | construction coordinator | |
| Charles R. Lipscomb | .... | lead man (as Charles Lipscomb) | |
| John Warnke | .... | set designer | |
Sound Department | |||
| Wayne Artman | .... | sound re-recording mixer | |
| Tom Beckert | .... | sound re-recording mixer | |
| Raul A. Bruce | .... | boom operator (as Raul Bruce) | |
| Milton C. Burrow | .... | sound editor | |
| Gene S. Cantamessa | .... | production sound mixer (as Gene Cantamessa) | |
| Tom E. Dahl | .... | sound re-recording mixer (as Tom Dahl) | |
| Fred Judkins | .... | sound editor | |
| William L. Manger | .... | sound editor | |
| Joseph A. Mayer | .... | adr editor (as Joe Mayer) | |
| Tom McCarthy Jr. | .... | sound editor | |
| Jack Wolpa | .... | cable person | |
| Joseph Holsen | .... | sound editor (uncredited) | |
| John Roesch | .... | foley artist (uncredited) | |
| Lionel Strutt | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Stan Parks | .... | special effects | |
Visual Effects by | |||
| Jena Holman | .... | matte paintings | |
Stunts | |||
| Loyd Catlett | .... | stunts (uncredited) | |
| Richard Epper | .... | stunts (uncredited) | |
| Debby Porter | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Douglas E. Beal | .... | assistant camera | |
| Hugo Cortina | .... | chief lighting technician | |
| John R. Leonetti | .... | focus puller | |
| John J. Linder | .... | key grip (as John Linder) | |
| Elliott Marks | .... | still photographer | |
| Michael St. Hilaire | .... | camera operator | |
| Joseph F. Valentine | .... | camera operator | |
| Jesse Mather | .... | lighting technician (uncredited) | |
| Jeffrey Ray Strong | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Michael Dennison | .... | costumer: men | |
| Bruce Ericksen | .... | costume supervisor (as Bruce Erickson) | |
| Barbara Matera | .... | costumes executed by | |
| Elizabeth Pine | .... | costumer: women | |
Editorial Department | |||
| William Goldenberg | .... | apprentice editor | |
| Peter Ransohoff | .... | assistant editor | |
Music Department | |||
| John Barry | .... | conductor | |
| Tom Jung | .... | music engineer | |
Transportation Department | |||
| Gary Hellerstein | .... | transportation coordinator (as Gary M. Hellerstein) | |
Other crew | |||
| John Bush | .... | location manager | |
| Jonathan Elias | .... | synthesizer | |
| Michael Hill | .... | production accountant | |
| Arthur Leeds | .... | legal advisor | |
| Don Levy | .... | unit publicist | |
| Cathleen Moore | .... | assistant: Mr. Marquand | |
| Julie Pitkanen | .... | script supervisor | |
| David C. Thomas | .... | location manager (as David Thomas) | |
| Joan Wolpert | .... | production coordinator (as Joan M. Wolpert) | |
108 min
Color (Metrocolor)
1.85 : 1 more
Iceland:16 | Canada:R (Ontario) | Singapore:M18 | Germany:16 | Argentina:16 | Australia:M | Chile:18 | Finland:K-16 | Norway:15 | Norway:16 (1986) | Sweden:15 | UK:18 | USA:R
Visible in David and Jenny Barnes' bedroom is a poster for Star Wars: Episode VI - Return of the Jedi (1983), also directed by Richard Marquand. more
Continuity: Teddy's clothes change several times while giving her opening statement to the jury. more
Thomas Krasny: The guy had a rap sheet as long as my dick. more
Referenced in In the Cold of the Night (1990) more
| Recent Posts (updated daily) | User |
|---|---|
| The ending makes no sense | dazfiddy |
| Anyone else think Jeff Bridges was miscast? | ms moss |
| santa CRUZ | robin2877 |
| Scary?? | slimsage |
| Name of character | jet5572 |
| questions SPOILERS | laurelczamara-2 |
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| Kasoor | Basic Instinct | Presumed Innocent | The Two Jakes | Fracture |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
| Add this title to MyMovies |
Let's face facts, folks, Joe Ezstherhas is one of the guiltiest pleasures in screen writing of the 90s, or just in general in the past twenty or so years. His work is so trashy it's close to being the essence of pot-boilers, even if one has to remember that it's good for being so rotten, in its own way (Basic Instinct and Showgirls are the most notable examples). Jagged Edge, on the other hand, tries to be somewhat respectable despite its pulpier roots. He throws in several curve-balls (all of them, sadly, can be seen before they're pitched), and delivers some good, solid courtroom drama, but mostly the actors have to carry much of the picture to keep from getting too... well, bland, really. The first half hour feels the most of this brunt of not really being very exciting, as its predictable story develops like we've heard it dozens of times before.
As I mentioned, by the time the courtroom drama picks up, and the intrigue gets juicier, there are some moments of interest. But it's trying to be a legitimately "good" movie, when if trashier it could be just as crazy and awfully lovable as other scripts by him. Thankfully, and this is more-so to director Richard Marquand's credit (keeping a steady hand at the helm, not doing anything too flashy), it's cast so well that one just goes along for the ride. Bridges is the kind of actor that works perfectly, as a guy you want to like so much that it gets tricky to figure out if he's good or bad- his charisma and talent is that strong. Close also fits in well, if a tad TOO well, as a lawyer with a lot to prove and a lot to lose emotionally with the murder case. And also of note is Robert Loggia as her partner/counsel, who provides the bulk of the cursing and most of the common sense. And lest not forget Peter Coyote (only better choice would've been the main prosecutor from Law & Order Sam Waterston).
It's maybe worth a look-see on a Sunday afternoon, and if one is fans of the actors or interested in other things from Return of the Jedi helmer Marquand. But for Ezstherhas... it's meh.