| Kurt Thomas | ... | Jonathan Cabot | |
| Tetchie Agbayani | ... | Princess Rubali | |
| Richard Norton | ... | Zamir | |
| Edward Bell | ... | Paley | |
| John Barrett | ... | Gomez | |
| Conan Lee | ... | Hao | |
| Bob Schott | ... | Thorg | |
| Buck Kartalian | ... | The Kahn | |
| Eric Lawson | ... | Colonel Cabot | |
| Sonny Barnes | ... | Western Trainer | |
| Tadashi Yamashita | ... | Eastern Trainer | |
| Sharan Lea | ... | Connie | |
| Zlatko Pokupec | ... | Mackle (as Z. Pokupec) | |
| Slobodan Dimitrijevic | ... | Tamerlane (as S. Dimitrijevic) | |
| Ivo Kristof | ... | Brockschmidt (as I. Kristof) |
Directed by | |||
| Robert Clouse | |||
Writing credits(in alphabetical order) | ||
| Charles Robert Carner | writer | |
| Dan Tyler Moore | novel "The Terrible Game" | |
Produced by | |||
| Rebecca Poole | .... | associate producer | |
| Fred Weintraub | .... | producer | |
Original Music by | |||
| Alfi Kabiljo | |||
Cinematography by | |||
| Godfrey A. Godar | |||
Film Editing by | |||
| Robert A. Ferretti | |||
Production Design by | |||
| Veljko Despotovic | |||
Art Direction by | |||
| William Maynard | |||
| Nemanja Petrovic | |||
Set Decoration by | |||
| Sherree Stivers | |||
Costume Design by | |||
| Drago Habazin | |||
Makeup Department | |||
| Alison Grant | .... | makeup artist (as Allyson Grant) | |
| Lamberto Marini | .... | makeup artist | |
| Angelo Mattei | .... | makeup artist | |
Production Management | |||
| Richard De Labio | .... | production manager (as Richard Delabio) | |
| Boris Gregoric | .... | production manager | |
| Dgorjan Tuzija | .... | production manager | |
Art Department | |||
| Milorad Kalanj | .... | property buyer | |
Sound Department | |||
| Richard Dwan Jr. | .... | dialogue editor | |
| Richard Dwan Jr. | .... | sound designer | |
| Richard Dwan Jr. | .... | sound effects editor | |
| Jay M. Harding | .... | sound re-recording mixer | |
| Marvin Kerner | .... | sound effects editor | |
| William L. McCaughey | .... | sound re-recording mixer (as William McCaughey) | |
| Lee Milliner | .... | production sound and sound effects editor: fight sequences | |
| Ray O'Reilly | .... | sound re-recording mixer | |
Stunts | |||
| Petar Buntic | .... | stunt coordinator | |
| Petar Buntic | .... | stunts | |
| Richard Norton | .... | fights choreographer | |
| Daniel Price | .... | stunts | |
| Aldo Toncic | .... | stunts | |
| Domagoj Vukusic | .... | stunts (as T. Vukusic) | |
Camera and Electrical Department | |||
| Malcolm MacIntosh | .... | camera operator | |
| Viktor Penezic | .... | assistant camera | |
Editorial Department | |||
| Roger Bondelli | .... | additional editor | |
| Mel Friedman | .... | additional editor | |
| Ranko Paukovic | .... | assistant editor | |
Transportation Department | |||
| Mladen Cernjak | .... | transportation coordinator | |
Other crew | |||
| John Barrett | .... | fight stager | |
| Zrinka Buljan | .... | production coordinator | |
| Drago Klincic | .... | accountant | |
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| Enter the Dragon | Deliverance | Jungle Drums of Africa | Puerto Vallarta Squeeze | Road House |
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| News articles | IMDb Action section | IMDb USA section |
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The average rating of 2.9 out of 10 for this film is a travesty. Anybody who watches this film and gives it less than 3 out of 10 is a fool who has completely missed the point. Let me explain: The acting...is not great. The plot...could be deeper. The direction and cinematography...second to many. However, all of those things (and probably many more) take a sideline when you watch the film. This is due entirely to the sheer fun of it all. It is not meant to be a serious work of art (at least I hope not), it is meant to be a fast paced, entertaining vehicle for showing off Kurt Thomas's ample gymnastic abilities in the most contrived situations imaginable (spot the high bar (and chalk) between two buildings). And in this capacity, the film really delivers as we follow Thomas (aka Jonathan Cabott) through a life or death race - that some people bizarrely seem to have volunteered for - across some very inhospitable ground with a bunch of well armed, evil looking locals on his tail. Sure, if you're a movie critic who has watched every film ever released since 1896, you'll probably think this is puerile rubbish. That is why I am so pleased not to be a movie critic, because I can sit down and watch a simple film and derive a simple pleasure from it. Simple as that.