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Directed by | |||
| Richard Donner | |||
Writing credits | ||
| Steven Spielberg | (story) | |
| Chris Columbus | (screenplay) | |
Produced by | |||
| Harvey Bernhard | .... | producer | |
| Richard Donner | .... | producer | |
| Kathleen Kennedy | .... | executive producer | |
| Frank Marshall | .... | executive producer | |
| Steven Spielberg | .... | executive producer | |
Original Music by | |||
| Dave Grusin | |||
Cinematography by | |||
| Nick McLean | (director of photography) | ||
Film Editing by | |||
| Michael Kahn | |||
| Steven Spielberg | (uncredited) | ||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
| Judy Taylor | |||
Production Design by | |||
| J. Michael Riva | |||
Art Direction by | |||
| Rick Carter | |||
Set Decoration by | |||
| Linda DeScenna | |||
Costume Design by | |||
| Richard La Motte | (as Richard LaMotte) | ||
Makeup Department | |||
| Jean Austin | .... | hair stylist | |
| Ellis Burman Jr. | .... | makeup creator: "Sloth" (as Ellis Burman) | |
| Ellis Burman Jr. | .... | makeup executor: "Sloth" (as Ellis Burman) | |
| Thomas R. Burman | .... | makeup creator: "Sloth" | |
| Thomas R. Burman | .... | makeup executor: "Sloth" | |
| Bari Dreiband-Burman | .... | makeup creator: "Sloth" (as Bari Dreiband Burman) | |
| Bari Dreiband-Burman | .... | makeup executor: "Sloth" (as Bari Dreiband Burman) | |
| Tony Lloyd | .... | makeup artist | |
| Charlene Murray | .... | hair stylist: second unit | |
| Craig Reardon | .... | makeup creator: "Sloth" | |
| William Turner | .... | makeup artist: second unit | |
Production Management | |||
| Scott U. Adam | .... | unit manager | |
| Robin S. Clark | .... | unit production manager | |
| James Herbert | .... | unit production manager | |
| Arthur F. Repola | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | first assistant director: second unit | |
| Steve Cohen | .... | second assistant director: second unit | |
| Patrick Cosgrove | .... | second assistant director | |
| Sharon Gerhard | .... | additional second assistant director | |
| Dan Kolsrud | .... | first assistant director | |
| Steven Spielberg | .... | second unit director (uncredited) | |
Special Effects by | |||
| Calvin Joe Acord | .... | special effects (as Calvin Joe Accord) | |
| William Aldridge | .... | special effects (as Bill Aldridge) | |
| Jon G. Belyeu | .... | special effects foreman (as Jon Belyeu) | |
| Ken Ebert | .... | special effects | |
| Guy Faria | .... | special effects | |
| Christopher Gilman | .... | special props | |
| Jerry Hart | .... | special effects | |
| John James | .... | special effects | |
| Greg C. Jensen | .... | special effects: second unit (as Greg Jensen) | |
| Richard Lopez | .... | special effects: second unit (as Rick Lopez) | |
| David Peterson | .... | special effects | |
| Donald Puck | .... | special effects (as Don Puck) | |
| Paul Sabourin | .... | special effects | |
| Harold Selig | .... | special effects | |
| Doyle Smiley | .... | special effects | |
| Michael P. Stipe | .... | special effects foreman: second unit (as Mike Stipe) | |
| Lucinda Strub | .... | special effects (as Lucinda M. Strub) | |
| Matt Sweeney | .... | special effects coordinator | |
| Christopher Gilman | .... | special effects assistant (uncredited) | |
| Audrey Stanzler | .... | special effects props (uncredited) | |
Visual Effects by | |||
| Carl Assmus | .... | stage technician: ILM | |
| Donna K. Baker | .... | ink & paint: ILM (as Donna Baker) | |
| Craig Barron | .... | matte camera supervisor: ILM | |
| Greg Beaumonte | .... | equipment engineering: ILM | |
| Patricia Blau | .... | production coordinator: ILM | |
| Barbara Brennan | .... | rotoscope artist: ILM | |
| Dave Carson | .... | visual effects art director: ILM (as David Carson) | |
| Lanny Cermak | .... | equipment engineering: ILM | |
| Dave Childers | .... | stage technician: ILM | |
| Wade Childress | .... | matte photography: ILM | |
| Donald Clark | .... | optical camera operator: ILM | |
| Jeff Doran | .... | optical technician: ILM | |
| John Ellis | .... | optical supervisor: ILM | |
| Christopher Evans | .... | matte painting supervisor: ILM | |
| Bob Finley III | .... | stage technician: ILM (as Bobby Finley III) | |
| Ron Fode | .... | production buyer: ILM | |
| Warren Franklin | .... | general manager: ILM | |
| Barbara Gallucci | .... | supervising model maker: ILM | |
| Tim Geideman | .... | optical technician: ILM | |
| Bill George | .... | chief model maker: ILM | |
| Ralph Gordon | .... | optical line-up: ILM | |
| Ned Gorman | .... | production buyer: ILM | |
| Caroleen Green | .... | matte artist: ILM | |
| David Hanks | .... | equipment engineering: ILM | |
| David Heron | .... | stage technician: ILM (as Dave Heron) | |
| Craig Hosoda | .... | equipment engineering: ILM | |
| Sandy Houston | .... | ink & paint: ILM | |
| Brad Jerrell | .... | stage technician: ILM | |
| Ed Jones | .... | optical line-up: ILM | |
| Paula Karsh | .... | production buyer: ILM | |
| Ellen E. Lichtwardt | .... | rotoscope artist: ILM (as Ellen Lichtwardt) | |
| John Lister | .... | stage technician: ILM | |
| Mike MacKenzie | .... | equipment engineering: ILM (as Michael MacKenzie) | |
| Kim Marks | .... | visual effects cameraman: ILM | |
| Michael J. McAlister | .... | visual effects supervisor (as Michael McAlister) | |
| Roberto McGrath | .... | still photographer: ILM | |
| Jack Mongovan | .... | rotoscope artist: ILM | |
| Michael Moore | .... | assistant editor: ILM | |
| Charlie Mullen | .... | animation supervisor: ILM | |
| Frank Ordaz | .... | matte artist: ILM | |
| Randy Ottenberg | .... | model maker: ILM | |
| Terrence Peck | .... | assistant editor: ILM (as Terry Peck) | |
| John Reed | .... | model maker: ILM | |
| Martin Rosenberg | .... | assistant cameraman: ILM (as Marty Rosenberg) | |
| Thomas Rosseter | .... | optical line-up: ILM (as Tom Rosseter) | |
| Kenneth Smith | .... | optical camera operator: ILM | |
| Howard Stein | .... | chief visual effects editor: ILM | |
| Peter Stolz | .... | stage technician: ILM | |
| Wes Takahashi | .... | animator: ILM | |
| Bess Wiley | .... | assistant cameraman: ILM | |
| Chuck Wiley | .... | model maker: ILM | |
| Catherine Craig | .... | effects camera operator (uncredited) | |
| Michael Pangrazio | .... | matte artist supervisor (uncredited) | |
| Jay Riddle | .... | animation cameraman (uncredited) | |
Stunts | |||
| Rick Brown | .... | stunts | |
| Doc D. Charbonneau | .... | stunts (as Doc Charbonneau) | |
| Denise Cheshire | .... | stunts | |
| Laura Dash | .... | stunts | |
| Cheryl E. Duncan | .... | stunts (as C.E. Duncan) | |
| Lila Finn | .... | stunts | |
| Sandra Lee Gimpel | .... | stunts (as Sandy Gimpel) | |
| Bob Harris | .... | stunts | |
| Kent Hays | .... | stunts (as Kent Hayes) | |
| Bob Herron | .... | stunts | |
| Jodi Hovak | .... | stunts | |
| Julie Johnson | .... | stunts | |
| Carey Loftin | .... | stunts | |
| Victor Paul | .... | stunts | |
| Lee Poppie | .... | stunts | |
| Spiro Razatos | .... | stunts | |
| Jerry Riley | .... | stunts | |
| George Robotham | .... | stunt coordinator | |
| John Robotham | .... | stunts | |
| J.P. Romano | .... | stunts | |
| Russell Saunders | .... | stunts (as Russ Saunders) | |
| Alex Sharp | .... | stunts | |
| Marilyn Stader | .... | stunts | |
| Paul Stader | .... | stunts | |
| Desiree Szabo | .... | stunts | |
| Edward J. Ulrich | .... | stunts (as Ed Ulrich) | |
| Richard Washington | .... | stunts | |
| Randell Dennis Widner | .... | stunt double: Sloth (as Randell Widner) | |
| Bobby Burns | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Roger Gallo Garcia | .... | costume supervisor: men | |
| Aida Swinson | .... | costume supervisor: women | |
Editorial Department | |||
| Craig Bassett | .... | assistant editor | |
| Donah Bassett | .... | negative cutter | |
| Kathryn Camp | .... | assistant editor | |
| Martin Cohen | .... | assistant editor | |
Music Department | |||
| Else Blangsted | .... | supervising music editor | |
| James Flamberg | .... | music editor (as Jim Flamberg) | |
| Dan Wallin | .... | score mixer (uncredited) | |
Transportation Department | |||
| William P. Davis | .... | driver (as Bill Davis) | |
| Sy Fuentes | .... | driver | |
| Dominick Marigliano | .... | driver | |
| Fred Moshier | .... | transportation captain | |
| John Orlebeck | .... | driver | |
| Ben Reade | .... | driver | |
| John Reade | .... | transportation coordinator | |
| Randy White | .... | transportation captain | |
Other crew | |||
| Tony Amatullo | .... | location manager | |
| Laurie Arnow-Epstein | .... | construction accountant (as Laurie Arnow) | |
| Kate Barker | .... | assistant: Ms. Kennedy | |
| Diane Dankwardt | .... | assistant accountant | |
| Jan Dennehy | .... | location auditor (as Janice Dennehy) | |
| Rhoda Fine | .... | teacher (as Rhoda C. Fine) | |
| Jane Goe | .... | production accountant | |
| Rob Harris | .... | unit publicist | |
| Laura Hoffman | .... | assistant: Mr. Bernhard | |
| Lisa Howard | .... | assistant accountant | |
| Patty Hughes | .... | production secretary | |
| Jennie Lew Tugend | .... | executive assistant: Mr. Donner (as Jennie Lew) | |
| Mark Marshall | .... | production office assistant: second unit | |
| Ruben Martinez | .... | craft service | |
| Julie Moskowitz | .... | assistant: Mr. Spielberg | |
| Lloyd Nelson | .... | script supervisor: second unit | |
| Betsy Norton | .... | script supervisor | |
| Tim Palladino | .... | production office assistant | |
| Bonne Radford | .... | controller (as Bonnie Radford) | |
| Mary T. Radford | .... | assistant: Mr. Marshall (as Mary Radford) | |
| Deborah Schildt | .... | production office assistant | |
| Ilyse Selwyn | .... | production office assistant | |
| Steven Spielberg | .... | presenter | |
| Michael Thau | .... | assistant: Richard Donner | |
| Judy Thomason | .... | assistant: Mr. Repola | |
| Jack Tice | .... | teacher (as Jack A. Tice) | |
| Julie Yarrish | .... | production office assistant | |
| Robert C. Campion | .... | assistant accountant (uncredited) | |
| Lina Shanklin | .... | script supervisor (uncredited) | |
| Mark Siegel | .... | creature maker (uncredited) | |
| Mark Siegel | .... | puppeteer (uncredited) | |
| Lynnanne Zager | .... | adr voice (uncredited) | |
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| The Incredibles | The Karate Kid | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | Pirates of the Caribbean: The Curse of the Black Pearl | Home Alone |
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There was a time when boys would spend a whole day watching their favorite heroes, dreaming of riding a crusade against Darth Vader's Empire or fighting the enemies among the Knights of the Round Table. Just like in the Fantasy Island, where Mr. Roarke and Tatoo would make all one's wishes come true, The Goonies has the special talent to bring our childhood fantasies back and remind us how great those years were.
In this 1985 movie, a bunch of kids find a map which indicates the spot where the evil pirate One-Eyed-Willie buried a big treasure stolen from English ships in the 1500's. As we can predict, they decide to seek for the gold and precious stones to help their parents who are about to be expelled from their homes because they can't make ends meet and also because some wealthy men want to put their houses down to build a country club on it's place. Dangers, traps and even a family of thieves - the Fratelli - are after them.
As the film goes on, we can see how closer the friends get and how supportive we all should be. They would always be there for each other, no matter how deep their problems are. Even a rich girl, Andy, is accepted by the group, in a very politically correct act, where no distinctions are made. The scene in which the guys are stuck in a hole, is very touching and really digs our sense of aid.
Richard Donner directed this movie and another famous director, Chris Columbus wrote the screenplay, based on a Steven Spielberg's story. Matt Sweeney was responsable for the special effects and the main theme ( They 'r good enough ) was written and performed by Cindy Lauper.
After the film, none of the kids became famous actors. Corey Feldman and Kerry Green took part in some teenage comedies, while Sean Astin showed up in "Memphis Belle" and Ke Huy Quan was the young Indiana Jone's chinese taxi driver in "The Temple of the Doom". The only one who joined some serious projects was Martha Plimpton.
But these are just technical details. What really counts in "The Goonies" are the two hours of humanity, pleasure, inocence, friendship - and even the first love - that only children can show in their eyes. In fact, it's a small journey to our past, to a time when your deepest worries were about the girl (or the boy) on the next chair.