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Directed by | |||
| Michael Ritchie | |||
Writing credits | ||
| Gregory McDonald | (novel) | |
| Andrew Bergman | (screenplay) | |
Produced by | |||
| Peter Douglas | .... | producer | |
| Alan Greisman | .... | producer | |
| Gordon A. Webb | .... | associate producer | |
Original Music by | |||
| Harold Faltermeyer | |||
Cinematography by | |||
| Fred Schuler | |||
Film Editing by | |||
| Richard A. Harris | |||
Casting by | |||
| Patricia Mock | |||
Production Design by | |||
| Boris Leven | |||
Art Direction by | |||
| Todd Hallowell | |||
Set Decoration by | |||
| Marvin March | |||
Costume Design by | |||
| Gloria Gresham | |||
Makeup Department | |||
| Ken Chase | .... | makeup artist | |
| Bunny Parker | .... | hair stylist | |
Production Management | |||
| Gordon A. Webb | .... | unit production manager | |
Art Department | |||
| Michael Dale | .... | property assistant | |
| Leonard Early | .... | construction foreman | |
| Louis M. Mann | .... | set designer (as Louis Mann) | |
| Paul Myerberg | .... | lead man | |
| Pat O'Connor | .... | property master | |
| Richard Reseigne | .... | construction coordinator (as Dick Reseigne) | |
Sound Department | |||
| Greg Agalsoff | .... | boom operator | |
| James R. Alexander | .... | sound mixer (as Jim Alexander) | |
| David Franklin Bergad | .... | apprentice sound editor | |
| Karen Brocco | .... | assistant sound editor | |
| Vivien Hillgrove Gilliam | .... | adr editor | |
| Vivien Hillgrove Gilliam | .... | dialogue editor | |
| Ronald Jacobs | .... | supervising sound editor | |
| Michael Magill | .... | assistant sound editor | |
| Paul Miller | .... | sound recordist | |
| Richard Portman | .... | sound re-recording mixer (as Richard R. Portman) | |
| Robert Shoup | .... | sound editor | |
| Karen Spangenberg | .... | sound editor | |
| Dennie Thorpe | .... | foley artist | |
| Philip Rogers | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Cliff Wenger | .... | special effects | |
| Eric Roberts | .... | special effects (uncredited) | |
Stunts | |||
| Vince Deadrick Jr. | .... | stunts (as Vince Paul Deadrick Jr.) | |
| Richard L. Duran | .... | stunts (as Richard Duran) | |
| Jeannie Epper | .... | stunts | |
| Richard Epper | .... | stunts | |
| Joe Finnegan | .... | stunts | |
| George Fisher | .... | stunts | |
| Tim Gilbert | .... | stunts | |
| Dean Jeffries | .... | stunt coordinator | |
| Neal Kaz | .... | stunts | |
| Gene LeBell | .... | stunts | |
| Carey Loftin | .... | stunts (as William Carey Loftin) | |
| Ray Marek | .... | stunts | |
| John P. McGroarty | .... | stunts | |
| Rick Overton | .... | stunts | |
| John S. Platt | .... | stunts (as John Platt) | |
| J.N. Roberts | .... | stunts | |
| Walter Robles | .... | stunts | |
| Fred Scheiwiller | .... | stunts | |
| Bob Terhune | .... | stunts | |
| Dick Warlock | .... | stunts | |
| George P. Wilbur | .... | stunts (as George Wilbur) | |
| Lance Warlock | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| Lou Barlia | .... | camera operator | |
| Clyde E. Bryan | .... | assistant camera (as Clyde Bryan) | |
| Stephen Clark | .... | grip | |
| Earl Gilbert | .... | chief lighting technician | |
| Jeff Goldenberg | .... | assistant camera | |
| Rhio Haessig | .... | assistant chief lighting technician | |
| Jud Kehl | .... | assistant camera (as Judd Kehl) | |
| William Kenney | .... | grip (as Bill Kenney) | |
| Gary B. Kibbe | .... | director of photography: second unit (as Gary Kibbe) | |
| Henry M. Lebo | .... | camera operator (as Hank Lebo) | |
| Mike Mandel | .... | grip | |
| Gaylin P. Schultz | .... | key grip (as Gaylin Schultz) | |
| Raymond Stella | .... | camera operator (as Ray Stella) | |
| Randy Tepper | .... | still photographer | |
| Arvel Youngblood | .... | assistant chief lighting technician | |
| Kenneth D. Zunder | .... | assistant camera (as Ken Zunder) | |
Casting Department | |||
| Carol Lefko | .... | casting assistant | |
| Carlos Tappin | .... | extras casting | |
Costume and Wardrobe Department | |||
| James W. Tyson | .... | assistant costume designer (as Jim Tyson) | |
| James W. Tyson | .... | costumer: men (as Jim Tyson) | |
Editorial Department | |||
| Pamela Easley | .... | apprentice film editor | |
| Jack Garsha | .... | color timer | |
| Toni Morgan | .... | assistant film editor | |
| Wally Weber | .... | negative cutter | |
Music Department | |||
| Jeff Carson | .... | music editor | |
| Greg Fulginiti | .... | music engineer (uncredited) | |
Transportation Department | |||
| Ken Lubin | .... | transportation captain | |
| Craig Pinkard | .... | transportation coordinator | |
Other crew | |||
| Joe Bernard | .... | craft service | |
| Jonathan Burrows | .... | produced by special arrangement with | |
| Cheryl Burton | .... | assistant: Mr. Greisman | |
| Paul A. Calabria | .... | animal trainer (as Paul Calabria) | |
| Pamela Cederquist | .... | production assistant | |
| Karin Dew | .... | animal trainer | |
| Mark Fitzgerald | .... | production assistant | |
| Chip Fowler | .... | production coordinator | |
| Wolfgang Glattes | .... | production consultant | |
| Roz Glazer | .... | assistant: Mr. Douglas | |
| Phyllis Gardner Hirsen | .... | unit publicist | |
| Ray Whitehead Kuhn | .... | assistant: Mr. Ritchie | |
| James Maull | .... | auditor (as Jim Maull) | |
| George McDowell Agnew | .... | intern (as George McDowell) | |
| Ira S. Rosenstein | .... | location manager (as Ira Rosenstein) | |
| Marshall Schlom | .... | script supervisor | |
| Daniel Cameron | .... | security officer (uncredited) | |
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Chevy Chase plays investigative reporter Irwin M. Fletcher, nicknamed Fletch, who's disguising himself as a junkie on the beach to uncover a smuggling ring. He gets spotted by Tim Matheson, a real estate millionaire, who asks Fletch to kill him so his wife can receive the inherit. Fletch goes snooping around and finds out that his smuggling ring investigation might somehow be tied to the millionaire.
With a different leading man this film could very well have been a full blown thriller. Imagine John Frankenheimer directing and Robert De Niro starring. But, in dealing with what's at hand, Fletch is a good comedy where Chase can showcase his range of disguises and delivery of good one-liners. Chase absolutely smothers the film with wisecracks and the overall very well constructed mystery is nearly overlooked. With repeated viewings I've actually come to appreciate the film more for it's genuinely gripping detective story elements, it really does boast a solid mystery that unfolds well.
There's one thing for sure here; you have to be a fan of Chevy Chase for this film to work for you. Since I'm a fan the film is in high regard. Chase's wisecracks aren't all brilliant but they're mostly very good and here he's at the top of his game.
Fletch and Clark Griswold are the two characters Chevy Chase will most be remembered for.