| Videos |
| Rutger Hauer | ... | Martin | |
| Jennifer Jason Leigh | ... | Agnes | |
| Tom Burlinson | ... | Steven | |
| Jack Thompson | ... | Hawkwood | |
| Fernando Hilbeck | ... | Arnolfini | |
| Susan Tyrrell | ... | Celine | |
| Ronald Lacey | ... | Cardinal | |
| Brion James | ... | Karsthans | |
| John Dennis Johnston | ... | Summer | |
| Simón Andreu | ... | Miel | |
| Bruno Kirby | ... | Orbec | |
| Kitty Courbois | ... | Anna | |
| Marina Saura | ... | Polly | |
| Hans Veerman | ... | Father George | |
| Jake Wood | ... | Little John | |
| Héctor Alterio | ... | Niccolo | |
| Blanca Marsillach | ... | Clara | |
| Nancy Cartwright | ... | Kathleen | |
| Jorge Bosso | ... | Sterz | |
| Mario De Barros | ... | Herman | |
| Ida Bons | ... | Roly Poly | |
| Jaime Segura | ... | Lord of the Castle | |
| Bettina Brenner | ... | Lady of the Castle | |
| Siobhan Hayes | ... | Child of the Castle | |
| Susan Beresford | ... | Sturdy Woman | |
| Mònica Lucchetti | ... | Tongueless Girl | |
| rest of cast listed alphabetically: | |||
| Anne Lockhart | ... | Wife (uncredited) | |
Directed by | |||
| Paul Verhoeven | |||
Writing credits(in alphabetical order) | ||
| Gerard Soeteman | screenplay | |
| Gerard Soeteman | story | |
| Paul Verhoeven | writer | |
Produced by | |||
| José Antonio Sáinz de Vicuña | .... | associate producer | |
| Gijs Versluys | .... | producer (as Gys Versluys) | |
Original Music by | |||
| Basil Poledouris | |||
Cinematography by | |||
| Jan de Bont | |||
Film Editing by | |||
| Ine Schenkkan | |||
Art Direction by | |||
| Félix Murcia | |||
Costume Design by | |||
| Yvonne Blake | |||
Makeup Department | |||
| Francisca Guillot | .... | hair stylist | |
| Kathy Kühne | .... | makeup artist | |
| Miguel Sesé | .... | chief makeup artist (as Miguel Sese) | |
Production Management | |||
| Malcolm R. Harding | .... | production supervisor (as Mack Harding) | |
| David Middlemas | .... | post-production supervisor | |
| Carlos Orengo | .... | local production manager | |
| Marta Pérez Ferrándiz | .... | first assistant production manager | |
| Carlos Ramón | .... | first assistant production manager | |
| Remmelt Remmelts | .... | unit production manager | |
| Walter Saxer | .... | second unit manager | |
Second Unit Director or Assistant Director | |||
| Steven-Charles Jaffe | .... | second unit director | |
| Jindra Markus | .... | first assistant director | |
| Mischa Muller | .... | assistant director: spata | |
Art Department | |||
| César Benítez | .... | property master (as Cesar Benitez) | |
| Elly Claus | .... | artistic coordinator | |
| Julián Martín | .... | painter | |
| Laura Moreno | .... | second assistant art director | |
| Ramón Moya | .... | construction manager (as Ramon Moya) | |
| Luis Vallés | .... | assistant art director | |
Sound Department | |||
| Danniel Danniel | .... | sound editor | |
| Marcel De Hoogd | .... | head sound assistant | |
| Kees Linthorst | .... | sound editor | |
| Marc Nolens | .... | sound editor | |
| Ad Roest | .... | foley mixer | |
| Ad Roest | .... | foley recordist | |
| Ad Roest | .... | sound re-recording mixer | |
| Ad Roest | .... | sound | |
| John Tak | .... | sound recordist | |
| Tom Tholen | .... | sound | |
Special Effects by | |||
| Reyes Abades | .... | special effects chief technician | |
| Joe Digaetano | .... | special effects coordinator | |
| Carlos Paradela | .... | special effects makeup | |
| Antonio Parra | .... | special effects chief technician | |
| David Domeyer | .... | special effects (uncredited) | |
Stunts | |||
| Mario De Barros | .... | assistant stunt coordinator | |
| Juan Maján | .... | stunt coordinator | |
| Joaquin Olivas | .... | stunts | |
| José Panizo | .... | stunts | |
| Javier Piementel | .... | stunts | |
| José Sacristán | .... | stunts | |
| Victoriano Terrón | .... | stunts | |
| Camilo Vila | .... | stunts | |
Camera and Electrical Department | |||
| Peter De Bont | .... | operator: second unit | |
| Marc Koninckx | .... | Steadicam operator | |
| José Luis Martínez | .... | gaffer (as Jose Luis Martinez) | |
| Hugo Van Baren | .... | key grip | |
| Robert Wiesmann | .... | assistant camera | |
| Alexander Witt | .... | first assistant camera | |
Costume and Wardrobe Department | |||
| Adoración Almela | .... | wardrober | |
| Isabel Díaz | .... | wardrober | |
| Martín Díaz Porras | .... | wardrobe master | |
| Martín Díaz Solaz | .... | wardrober | |
| Pablo Espinosa | .... | wardrober | |
| Joaquín Montero | .... | wardrober | |
| Isabel Perales | .... | wardrober | |
| Delfín Prieto | .... | wardrober | |
| Marina Rodríguez | .... | wardrober | |
Editorial Department | |||
| Genevieve Saifi | .... | assistant editor | |
Other crew | |||
| Paco Ardura | .... | horse master | |
| Anastasio Diaz | .... | wrangler | |
| Robert Easton | .... | dialect coach | |
| Tom Elliott | .... | safety officer | |
| Francisco González | .... | wrangler | |
| Rachel Griffiths | .... | script supervisor | |
| John L. Hargreaves | .... | post-production representative | |
| Fabienne Hulsebos | .... | production secretary | |
| Timoteo Navado | .... | wrangler | |
| Susana Prieto | .... | production secretary | |
| Carlos Alonzo Roco | .... | wrangler | |
| Lucas Uranga | .... | wrangler | |
| Joyce van Rijn | .... | assistant to producer | |
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This film is definitely off the beaten track. I enjoyed it a lot, and thought that there were some truly stand-out performances here, notably Rutger Hauer and Jennifer Jason Leigh. Some other actors and actresses that I didn't recognize were excellent. The tone is relentlessly bleak as befits the times. A couple of scenes put the times in perspective. One is where Agnes and Stephen talk and flirt beneath the hanging corpses without giving much thought to what we would consider today the horrid nature of such a sight. Another is towards the end, when one of the women has been captured (Polly, I think) and is being raped, and the lord (Stephen's father) simply walks past, barely noticing. I don't know if they are simply there for shock value, or if Verhoeven is making the point that one cannot judge mores, morals, and customs of past ages by the standards of today. (Something done quite a bit these days, most notably about slavery.)
Some of the criticisms in other comments are valid. True, none of the characters are very likeable. I was sort of hoping that they would all be dead by the end of the movie. But, again, I'm judging them by 21st century standards. Also, about the plague. I'm sure Verhoeven knows that plague is spread by rat fleas, so all of the machinations about the plague has to be from people's points of view in 1501-2.
This film is worth viewing, but don't expect gallantry, chivalry, or even decency. And no, it's really not a "date movie" Grade: A