| Timothy Dalton | ... | Doctor Thomas Rock | |
| Jonathan Pryce | ... | Robert Fallon | |
| Twiggy | ... | Jennie Bailey | |
| Julian Sands | ... | Dr. Murray | |
| Stephen Rea | ... | Timothy Broom | |
| Phyllis Logan | ... | Elizabeth Rock | |
| Lewis Fiander | ... | Dr. Thornton | |
| Beryl Reid | ... | Mrs. Flynn | |
| T.P. McKenna | ... | O'Connor | |
| Patrick Stewart | ... | Prof. Macklin | |
| Siân Phillips | ... | Annabella Rock | |
| Philip Davis | ... | Billy Bedlam | |
| Philip Jackson | ... | Andrew Merry-Lees | |
| Danny Schiller | ... | Praying Howard | |
| Bruce Green | ... | Mole | |
| Toni Palmer | ... | Rosie | |
| David Bamber | ... | Cronin | |
| Nichola McAuliffe | ... | Alice | |
| Deirdre Costello | ... | Nelly | |
| Terry Neason | ... | Kate | |
| Paul Curran | ... | Tom the Porter | |
| Merelina Kendall | ... | Mrs. Webb | |
| Dermot Crowley | ... | Mr. Webb | |
| Sarah Melia | ... | Nora Webb | |
| Stephen Yardley | ... | Joseph | |
| John Horsley | ... | Dr. Mackendrick | |
| Jack May | ... | Dr. Stevens | |
| Rachel Herbert | ... | Mrs. Stevens | |
| Simon Shepherd | ... | Harding | |
| David Parfitt | ... | Billings | |
| Simon Adams | ... | Green | |
| Jeff Rawle | ... | Lambert | |
| William Morgan Sheppard | ... | Landlord | |
| Jennifer Jayne | ... | Barmaid | |
| Moira Brooker | ... | Molly the Maid | |
| P.G. Stevens | ... | Priest | |
| Roy Evans | ... | Sewerman | |
| Peter Burton | ... | Customer | |
| Leonard Maguire | ... | Nightwatchman | |
| Hedger Wallace | ... | Doctor | |
| Ray Dunbobbin | ... | Tinker | |
| Martin Herring | ... | Messenger | |
| Shaun Curry | ... | Policeman | |
| David Grahame | ... | Old Man | |
| Kevin Duffield | ... | Daniel | |
| Ray Armstrong | ... | Prison Guard | |
| Sam Bartlett | ... | Prison Guard | |
| rest of cast listed alphabetically: | |||
| Harry Fielder | ... | Thug (uncredited) | |
| Samantha Meaton | ... | Little Girl in Bar (uncredited) | |
Directed by | |||
| Freddie Francis | |||
Writing credits | ||
| Dylan Thomas | (earlier screenplay) | |
| Ronald Harwood | (writer) | |
Produced by | |||
| Mel Brooks | .... | executive producer | |
| Geoffrey Helman | .... | associate producer | |
| Jonathan Sanger | .... | producer | |
Original Music by | |||
| John Morris | |||
Cinematography by | |||
| Gerry Turpin | |||
| Norman Warwick | |||
Film Editing by | |||
| Laurence Méry-Clark | |||
Casting by | |||
| Maggie Cartier | |||
Production Design by | |||
| Brian Ackland-Snow | |||
| Robert W. Laing | |||
Set Decoration by | |||
| Peter James | |||
Costume Design by | |||
| Imogen Richardson | |||
Makeup Department | |||
| Naomi Donne | .... | makeup artist | |
| Sally Sutton | .... | hair stylist | |
Production Management | |||
| Derek Whitehurst | .... | location unit manager | |
Art Department | |||
| Bob Cross | .... | construction coordinator | |
| Paul Laugier | .... | draftsman | |
| Tony Teiger | .... | property master | |
| Bryn Siddall | .... | property buyer (uncredited) | |
Sound Department | |||
| Peter Bond | .... | dialogue editor | |
| Steve O'Brien | .... | boom operator | |
| Alan Paley | .... | sound editor | |
| Ken Weston | .... | sound mixer | |
Special Effects by | |||
| Alan Bryce | .... | special effects | |
Camera and Electrical Department | |||
| Wick Finch | .... | gaffer | |
| Gordon Hayman | .... | camera operator | |
| Tom Hilton | .... | still photographer | |
| Billy Merrell | .... | electrician (as Bill Merrell) | |
| George Parrish | .... | best boy | |
Editorial Department | |||
| Jeremy Gibbs | .... | first assistant editor | |
Music Department | |||
| Jack Hayes | .... | orchestrator | |
Other crew | |||
| Pamela Davies | .... | script supervisor | |
| Jane Golding | .... | unit publicist | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb UK section | Add this title to MyMovies |
Dr. Thomas Rock (Timothy Dalton) needs cadavers for medical study, and he prefers not to worry too much about morals and ethics; whatever the locals can obtain for him, he accepts. (The deciding factor is that the "fresher" the bodies, the better.) Scurrilous, creepy barflies Fallon (Jonathan Pryce) and Broom (Stephen Rea) get wind of this and figure to profit substantially. The problem is, these two don't hesitate to resort to outright murder to obtain bodies. As news of this breaks to the community, it threatens to destroy everything that Dr. Rock has worked for.
The story of real-life Victorian era fiends William Burke and William Hare has also been fodder for other film adaptations; one such example is the 1945 Val Lewton thriller "The Body Snatcher", starring Boris Karloff. The script, by Dylan Thomas, was completed back in the 1950's, yet remained unfilmed until the mid-80's, when old-style Gothic horror movies were no longer in vogue.
Although American-produced (comedy legend Mel Brooks, who is in actuality a big fan of old horror movies, presents it through his company), the very British feel of this movie is palpable. Old pro and Hammer Studios horror veteran Freddie Francis, with a long and distinguished career as both a director and cinematographer, guides this material with a very capable eye for detail and the visuals of this movie are, quite simply, extraordinarily stylish. The predominant color scheme of reds and browns gives it a great look; the re-creation of the time and place is equally strong. John Morris's score is magnificent and the pace is steady, with some striking images and sequences.
The top-notch British cast is compulsively watchable. Dalton has some wonderfully florid dialog to deliver and his performance is intense. Pryce is perhaps the standout of the movie as the morally bankrupt Fallon, who as accomplice Broom eventually points out, seems to be enjoying the act of murder too much. Both he and Rea make for a marvelous pair of scuzzy and greedy cretins. Julian Sands, Twiggy, Lewis Fiander, Phyllis Logan, Patrick Stewart, and Sian Phillips round out the cast.
The ethical dilemma posed here is interesting enough to provide some food for thought. Just what should be permissible in the name of study and progress? The other intriguing aspect of this story is the fact that Dr. Rock actually cares more for the impoverished and destitute people of his city than his colleagues. (The film-makers spare us nothing in depicting poverty on film.) The end result is that although we can admire Dr. Rock to a certain extent, ultimately his good intentions cannot justify his actions, although his own philosophy is that the ends always justify the means.
An unjustly overlooked and fine horror film, "The Doctor and the Devils" was a real change of pace in a decade known more for its excesses. It's worth checking out.
8/10