Death of a Salesman (1985) (TV)

Director:

Volker Schlöndorff

Writer:

Arthur Miller (play)

Release Date:

15 September 1985 (USA)

Genre:

Drama

Tagline:

Its passion cannot be overstated. Its power must not be overlooked.

Plot:

An aging traveling salesman recognizes the emptiness of his life and tries to fix it.

Plot Keywords:

Dysfunctional | Atmospheric | Father | Aging | Family Conflict

Awards:

Won Golden Globe. Another 6 wins & 10 nominations

Cast

Dustin Hoffman	...	Willy Loman
Kate Reid	...	Linda Loman
John Malkovich	...	Biff Loman
Stephen Lang	...	Harold 'Happy' Loman
Charles Durning	...	Charley
Louis Zorich	...	Ben Loman
David S. Chandler	...	Bernard, Charley's son
Jon Polito	...	Howard, Willy's Boss
Kathryn Rossetter	...	Woman from Boston (as Kathy Rossetter)
Tom Signorelli	...	Stanley the waiter at Frank's Chop House
Linda Kozlowski	...	Miss Forsythe
Karen Needle	...	Letta, Forsythe's friend
Anne McIntosh	...	Jenny
Michael Quinlan	...	Waiter

Also Known As:

Tod eines Handlungsreisenden, Der (West Germany)

Runtime:

130 min

Country:

USA | West Germany

Language:

English

Color:

Color

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono

Certification:

Australia:PG | Finland:K-12 | Netherlands:AL (DVD rating) | Sweden:11 | UK:PG | USA:PG | West Germany:12 (bw)

Filming Locations:

Astoria Studios, Astoria, Queens, New York City, New York, USA

Company:

Bioskop Film

Trivia:

In his autobiography "Timebends", Arthur Miller speculates that his unconscious mind picked the name "Loman" for Willy Loman, the protagonist of "Death of a Salesman", based on his conscious experience of being thrilled by _Testament des Dr. Mabuse, Das (1933)_, which featured a character named "Commisioner Lohmann".

Goofs:

Continuity: When Willy is playing cards with his neighbor, the cards he's holding change between shots.

Quotes:

Biff Loman: I run out of that building and I see... the sky. I see all the things I love in this world. The work, the food, the time to sit and smoke. And I look at this pen and I ask myself, "What the hell am I grabbing this thing for? Why am I trying to become something I don't wanna become when all I want is out there waiting for me the minute I say I know who I am?"

Movie Connections:

Referenced in "Saturday Night Live: Tobey Maguire/Sisqo (#25.17)" (2000)

filled with enough strengths to mostly overpower any complaints

Volker Schlondorff's adaptation of Arthur Miller's bed-rock of an American tragedy, Death of a Salesman, is one of the best made-for-TV movies of the 80's (odd how it never got a theatrical release though). It gives the star power of Dustin Hoffman in the iconic role of Willy Loman, and for a great theater actor-turned-screen star (though mostly low-key through his career), John Malkovich, and some fine character acting as well. If you've read the play, you might envision something else entirely, and if you've seen it on stage it might bring more disappointment. It is the sort of play you end up going through whether you want to or not in English class(es), particularly in college. It is an important film to see/play to read when you're around this age bracket, as the struggles of Willy and Biff collide alongside each other, and some kind of catharsis needs to come for both- one who's life has almost gone up in smoke, and one who needs to figure it out.

It's not worth talking about much of the actual plot or story of the film/play, although it is of note that one of the very best (or at least most effective) scenes for me comes when Willy visits Howard at the office. This exchange, and the drama that unfolds, is a truly heart-breaking little moment, among some others in the film, where you see a collision of "old-school" salesmanship and the always now recycling form of BS that goes with the salesman/business world. Really, what's worth talking about is the acting, and certain things with the style, for if you are wanting to check out the film before (or after) seeing the play, it's worth it to know what you'll be in for. In short, Hoffman is quite powerful and true in the film, though in ways that aren't really expectable.

An image from reading the play of Willy (that he might be bigger than life, though perhaps little in the mind, and out of shape) might go against a low-energy actor like Hoffman. But somehow, it seems to work, because there's heart and fire in the performance. Same goes for Malkovich, though on a different level. Their scenes together, or on their own, are like watching pro boxers have a go at each other, old timer versus a new champ; there is one other scene, when Biff catches Willy in the hotel room with his 'lady friend' that is likely one of the best scenes either actor has ever done (even if it's questionable if overall the performances are among their best).

As far as stylistics go, Schlondorff usually does the right thing: let these actors have their way around, and just try to film it without too much getting in the way. He does this, and at the same time is clever with certain camera sweeps and timing in the narrative (Miller's play was one of the first to jump around, like a novel or even a some films). The music by Alex North is one of my least favorite aspects to th film, as it chimes in some emotional cues that aren't right at all (though when it gets to the jazzy 40's style music then it's not bad). This version of Death of a Salesman is definitely recommended by me, but it may not be the absolute definitive version for some.