| Photos (see all 6 | slideshow) |
| Charles Bronson | ... | Paul Kersey | |
| Deborah Raffin | ... | Kathryn Davis | |
| Ed Lauter | ... | Insp. Richard S. Shriker | |
| Martin Balsam | ... | Bennett Cross | |
| Gavan O'Herlihy | ... | Manny Fraker | |
| Kirk Taylor | ... | Giggler | |
| Alex Winter | ... | Hermosa | |
| Tony Spiridakis | ... | Angel | |
| Ricco Ross | ... | The Cuban | |
| Tony Britts | ... | Tulio | |
| David Crean | ... | Hector | |
| Nelson Fernandez | ... | Chaco | |
| Alan Cooke | ... | Punk at Car #1 | |
| Bob Dysinger | ... | Punk at Car #2 | |
| Topo Grajeda | ... | Garcia | |
| Barbie Wilde | ... | Female Punk | |
| Ron Hayes | ... | Lieutenant | |
| Jerry Phillips | ... | Street Punk | |
| Joseph Gonzalez | ... | Manny Rodriguez | |
| Francis Drake | ... | Charley | |
| Leo Kharibian | ... | Eli Kaprov | |
| Hana Maria Pravda | ... | Erika Kaprov | |
| John Gabriel | ... | Emil | |
| Mildred Shay | ... | Magda Emil | |
| Kenny Marino | ... | Used Car Seller | |
| Birdie M. Hale | ... | Mugging Victim | |
| Marina Sirtis | ... | Maria Rodriguez | |
| Hayward Morse | ... | Intern #1 | |
| Ronald Fernee | ... | Intern #2 | |
| Sandy Grizzle | ... | Rape Victim | |
| Dinah May | ... | Nurse #1 | |
| Steffanie Pitt | ... | Nurse #2 | |
| Billy J. Mitchell | ... | Fraker's Lawyer | |
| Lee Patterson | ... | TV Newscaster | |
| Olivia Ward | ... | Protesting Lady | |
| Manning Redwood | ... | Capt. Sterns | |
| Joe Cirillo | ... | Policeman | |
| Ralph Monaco | ... | Policeman | |
| William Roberts | ... | Policeman | |
| Mac McDonald | ... | Policeman | |
| Sam Douglas | ... | Policeman | |
| Ron Travis | ... | Policeman | |
| Mark Stewart | ... | Policeman | |
| Peter Banks | ... | Policeman | |
| Tom Hunsinger | ... | Policeman | |
| Nic D'Avirro | ... | Policeman | |
| rest of cast listed alphabetically: | |||
| Derek Lyons | ... | Detective (uncredited) | |
| Frank Patton | ... | Cop (uncredited) | |
| Tip Tipping | ... | Creep (uncredited) | |
Directed by | |||
| Michael Winner | |||
Writing credits(in alphabetical order) | ||
| Brian Garfield | characters | |
| Don Jakoby | writer (as Michael Edmonds) | |
Produced by | |||
| Yoram Globus | .... | producer | |
| Menahem Golan | .... | producer | |
| Michael J. Kagan | .... | associate producer (as Michael Kagan) | |
| Michael Winner | .... | co-producer | |
Original Music by | |||
| Jimmy Page | |||
Cinematography by | |||
| John Stanier | |||
Film Editing by | |||
| Michael Winner | (as Arnold Crust) | ||
Casting by | |||
| Mike Kara | (as Michael Kara) | ||
| Gery Walker | |||
Production Design by | |||
| Peter Mullins | |||
Art Direction by | |||
| David Minty | |||
Set Decoration by | |||
| Gretchen Rau | |||
| Robin Tarsnane | |||
Costume Design by | |||
| Peggy Farrell | |||
Makeup Department | |||
| Ron Abrams | .... | hair stylist | |
| Sue Love | .... | hair stylist | |
| Richard Mills | .... | makeup artist | |
| Pattie Smith | .... | hair stylist | |
| Carla White | .... | makeup artist | |
Art Department | |||
| John Chisholm | .... | property master | |
| Ron Coleman | .... | construction manager | |
| Michael Curry Jr. | .... | set builder | |
| Michael Curry Sr. | .... | construction coordinator | |
| Karen Kates | .... | assistant property master | |
| Brian Lofthouse | .... | property master | |
| David Moon | .... | scenic artist | |
| Scott Rosenstock | .... | set dresser | |
| Ron Stone | .... | property master (as Ron C. Stone) | |
| James A. Taylor | .... | art director: USA (as James Taylor) | |
| Mark White | .... | props (uncredited) | |
Sound Department | |||
| Ross Adams | .... | first assistant sound editor | |
| Derek Ball | .... | sound recordist | |
| Mike Campbell | .... | sound editor | |
| Bill Daly | .... | sound recordist | |
| Nicolas Gaster | .... | sound editor (as Nick Gaster) | |
| Tony Lenny | .... | sound editor | |
| Brian Lintern | .... | sound editor | |
| Richard Murphy | .... | boom operator | |
| Ken Nightingall | .... | boom operator | |
| John Poyner | .... | sound editor | |
| Stanley Smith | .... | sound editor (as Stan Smith) | |
| Hugh Strain | .... | sound re-recordist | |
| Michael Redfern | .... | first assistant sound editor (uncredited) | |
Special Effects by | |||
| John Evans | .... | special effects | |
| Steven Kirshoff | .... | special effects | |
Stunts | |||
| Marc Boyle | .... | stunt coordinator | |
| Tim Condren | .... | stunts | |
| George Lane Cooper | .... | stunts | |
| Jack Cooper | .... | stunts | |
| Tom Delmar | .... | stunts | |
| Tracey Eddon | .... | stunts | |
| Elaine Ford | .... | stunts | |
| Ray Ford | .... | stunts | |
| Terry Forestal | .... | stunts | |
| Gene Hartline | .... | stunts | |
| Paul Heasman | .... | stunts | |
| Leslie Hoffman | .... | stunts | |
| Jazzer Jeyes | .... | stunts | |
| Harry Madsen | .... | stunt coordinator | |
| Sean McCabe | .... | stunts | |
| Lex Milloy | .... | stunts | |
| Alan Oliney | .... | stunts | |
| Ernie F. Orsatti | .... | stunt coordinator (as Ernest Orsatti) | |
| Frank Patton | .... | stunts | |
| Michael Russo | .... | stunts | |
| Rick Seaman | .... | stunts | |
| Stuart St. Paul | .... | stunts | |
| Rocky Taylor | .... | stunts | |
| Tip Tipping | .... | stunts | |
| Steve Whyment | .... | stunts | |
| Terry Cade | .... | stunts (uncredited) | |
| Gene Harrison | .... | stunts (uncredited) | |
| Phil Neilson | .... | stunt performer (uncredited) | |
| Shawn O'Neil | .... | stunt performer (uncredited) | |
| Gregg Smrz | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Alan Annand | .... | assistant camera | |
| Sam Bender | .... | gaffer | |
| John Dimond | .... | gaffer | |
| Steve Drellich | .... | assistant camera | |
| David Farrell | .... | still photographer | |
| Alan Gates | .... | dolly grip | |
| Roberto Jiménez | .... | best boy | |
| Richard C. Kerekes | .... | dolly grip | |
| Denis Kingston | .... | camera operator | |
| Mitchell Andrew Lillian | .... | key grip | |
| Edward J. Pei | .... | assistant camera | |
| John Seakwood | .... | still photographer | |
| Nigel Seal | .... | assistant camera | |
| Hamid Shams | .... | assistant camera | |
| Robert Wagner | .... | camera operator | |
| Zachary Winestine | .... | assistant camera | |
| Michael Woollard | .... | best boy | |
| David Wynn-Jones | .... | camera operator | |
| Tony Rowland | .... | grip: "b" camera (uncredited) | |
Costume and Wardrobe Department | |||
| Denise Andres | .... | assistant wardrobe: USA (as Denise Romano Andres) | |
| Ron Beck | .... | wardrobe supervisor | |
| Helen P. Butler | .... | key wardrobe: USA | |
| Janet Tebrooke | .... | wardrobe mistress | |
Editorial Department | |||
| Chris Barnes | .... | executive editor | |
| Omneya 'Nini' Mazen | .... | post-production assistant (uncredited) | |
Music Department | |||
| Richard Dodd | .... | music recordist | |
| Stuart Epps | .... | music recordist | |
| Alan Killick | .... | music editor | |
| Mike Moran | .... | conductor | |
| Mike Moran | .... | music arranger | |
| Mike Moran | .... | musician: additional synthesizer | |
| Jimmy Page | .... | musician: electric guitar and synthesizer | |
Other crew | |||
| Heidi August | .... | production auditor | |
| Eva Z. Cabrera | .... | script supervisor | |
| Valerie Chamberlain | .... | production assistant | |
| Polly Chung | .... | assistant production office coordinator | |
| John Fraser | .... | executive assistant: Mr. Winner | |
| Jody Milano | .... | production office coordinator | |
| Wildey Moore | .... | weapons technical advisor | |
| Hugh O'Donnell | .... | location manager | |
| Susi Oldroyd | .... | script supervisor (as Susan Oldroyd) | |
| Sue Wall | .... | production accountant | |
| Constance Willis | .... | script supervisor | |
| Al Cerullo | .... | helicopter pilot (uncredited) | |
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| Death Wish II | Death Wish | Live Free or Die Hard | New Jack City | Sudden Impact |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
Charles Bronson is back in his most famous role. In my opinion, this is by far the best film of the series and my favorite movie ever. This movie doesn't take itself seriously, because the filmmakers knew that all the social commentary that was necessary was put across in the first film. Golan and Globus made this film for Bronson fans, not for the critics, and it works. DW3 has been unfairly criticized as "trash" and "a weary entry in a worn out series." These statements would be true if the film was made to be taken seriously or to spread a statement, but it wasn't. If you take it as what it is, DW3 is just a fun, action packed romp, with Charlie doing to street punks what we all wish we could do. The action is non stop, the atmosphere is great, and the movie is just out and out the best Bronson flick ever made. You can tell that the penny pinching Cannon group spent a lot of money on this one. It is believed that Bronson thought this film was too violent, and that was the reason why Winner didn't direct any of the following entries. I can understand his concern, but as is always the case of sequels, you have to push the envelope even further to pass a previous entry. In any case, this movie was no more violent than any other movie made during this time. What makes DW3 the best of the series and my favorite film ever (not the best, just my favorite), is the action, Charlie's presence, memorable villains, and it's ability to get the viewers to jump on the bandwagon. The first film may be the most technically well made, but this one is the most fun. For once, Charlie actually has some clever lines (although he doesn't say much)and a halfway interesting story, photography, action, and direction to back him up. Charlie has never been more intense or super cool than in this one. Yes, it's exploitive, maybe it does promote stereotypes, and maybe it is the same story as before, but Bronson's films always have and always will stand for defending the common man and giving his audience what they want to see. Many argue that the DW series manipulates its' audience, my reply is that the movies don't manipulate us, the fans are the ones in charge. We demand that Bronson blow away deserving scum, and in turn Winner and Co. deliver the goods. And for those of you who still want to put it down, remember a few things. DW3 was the #1 movie in America when it came out and was among the viewing favorites of millions of people on video and television because they realize that not all films have to be epics, they just have to be fun. **********/10 You can't get any better. John Batchelor