| Photos (see all 9 | slideshow) |
| Sting | ... | Baron Charles Frankenstein | |
| Jennifer Beals | ... | Eva | |
| Anthony Higgins | ... | Clerval | |
| Clancy Brown | ... | Viktor | |
| David Rappaport | ... | Rinaldo the Midget | |
| Geraldine Page | ... | Mrs. Baumann | |
| Alexei Sayle | ... | Magar | |
| Phil Daniels | ... | Bela | |
| Veruschka von Lehndorff | ... | Countess (as Veruschka) | |
| Quentin Crisp | ... | Dr. Zalhus | |
| Cary Elwes | ... | Capt. Josef Schoden | |
| Timothy Spall | ... | Paulus (as Tim Spall) | |
| Ken Campbell | ... | Pedlar | |
| Guy Rolfe | ... | Count | |
| Andy de la Tour | ... | Priest (as Andrew De La Tour) | |
| Tony Haygarth | ... | Tavern keeper | |
| Matthew Guinness | ... | First Patron | |
| Tony Brutus | ... | Second Patron | |
| Gary Shail | ... | First Circus Hand | |
| Carl Chase | ... | Second Circus Hand | |
| Bernard Padden | ... | Houseboy | |
| Janine Duvitski | ... | Serving Girl | |
| John Sharp | ... | Bailiff | |
| Jack Birkett | ... | Blind Man | |
| Gerry Crampton | ... | Gentleman | |
| Fenella Fletcher | ... | Masked Lady | |
| Joe Kaye | ... | Frankenstein's Groom | |
| Harold Coyne | ... | Vernon | |
| Stromboli | ... | Circus Performer | |
| Karen Furness | ... | Circus Performer | |
| John Alexander | ... | Circus Performer | |
| Jacqueline Russell | ... | Circus Performer | |
| Tod Cody | ... | Circus Performer | |
| Laurence Temple | ... | Circus Performer | |
| Gerard Naprous | ... | Circus Performer | |
| Vera De Vel | ... | Circus Performer | |
| Sally Oultram | ... | Circus Performer | |
| Joëlle Baland | ... | Circus Performer (as Joel Baland) | |
| Miss Irta | ... | Circus Performer | |
| Andy Barrat | ... | Circus Ringmaster (as Andy Barratt) | |
| Annie Roddam | ... | Countess's Daughter | |
| rest of cast listed alphabetically: | |||
| Harry Fielder | ... | Circus man (uncredited) | |
Directed by | |||
| Franc Roddam | |||
Writing credits | ||
| Mary Shelley | (novel "Frankenstein") | |
| Lloyd Fonvielle | (writer) | |
Produced by | |||
| Keith Addis | .... | executive producer | |
| Victor Drai | .... | producer | |
| Lloyd Fonvielle | .... | associate producer | |
| Chris Kenny | .... | co-producer | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Stephen H. Burum | |||
Film Editing by | |||
| Michael Ellis | |||
Casting by | |||
| Ellen Chenoweth | |||
Production Design by | |||
| Michael Seymour | |||
Art Direction by | |||
| Bryan Graves | (supervising art director) | ||
Set Decoration by | |||
| Tessa Davies | |||
Costume Design by | |||
| Shirley Russell | |||
Makeup Department | |||
| Tricia Cameron | .... | assistant hair stylist | |
| Sallie Evans | .... | assistant makeup artist | |
| Sarah Monzani | .... | head of makeup | |
| Aaron Sherman | .... | prosthetics creator | |
| Maralyn Sherman | .... | prosthetics creator | |
| Maureen Stephenson | .... | assistant makeup artist | |
| Chris Taylor | .... | hair stylist | |
Production Management | |||
| Bernard Mazauric | .... | production manager | |
| Ted Morley | .... | production manager | |
Art Department | |||
| Andrew Ackland-Snow | .... | draughtsman | |
| Bruce Bigg | .... | property master | |
| Roy Evans | .... | construction manager | |
| Robin Heinson | .... | painter | |
| Martin Hitchcock | .... | draughtsman | |
| Damien Lanfranchi | .... | art director: France | |
| David McHenry | .... | assistant art director | |
| Grahame Ménage | .... | scenic artist | |
| Brian Read | .... | prop buyer | |
| James Whiting | .... | laboratory designer (as Jim Whiting) | |
Sound Department | |||
| Peter Bond | .... | footsteps/dialogue editor | |
| John Ireland | .... | sound editor | |
| David John | .... | sound mixer | |
| Matthew Launay | .... | sound assistant | |
| Hugh Strain | .... | dubbing mixer | |
| Len Tremble | .... | assistant sound editor | |
Special Effects by | |||
| Peter Fern | .... | special effects technician | |
| Peter Hutchinson | .... | special effects supervisor | |
| Peter Skehan | .... | special effects technician | |
| Bob Wiesinger | .... | wire specialist | |
Stunts | |||
| Roy Alon | .... | stunts | |
| Gerry Crampton | .... | stunt coordinator | |
| Dorothy Ford | .... | stunts | |
| Tony Friel | .... | stunt double: Rinaldos | |
| Nick Gillard | .... | stunts | |
| Dinny Powell | .... | stunts | |
| Denise Ryan | .... | stunts | |
| Alan Stuart | .... | stunts | |
| Malcolm Weaver | .... | stunts | |
| Jason White | .... | stunts | |
Camera and Electrical Department | |||
| David Budd | .... | assistant camera | |
| John Clarke | .... | best boy | |
| Tony Cridlin | .... | key grip | |
| W.C. 'Chunky' Huse | .... | key grip: Grip House (as Chunky Huse) | |
| Simon Mills | .... | camera loader | |
| John Palmer | .... | camera operator | |
| Bob Penn | .... | still photographer | |
| Ronnie Fox Rogers | .... | second camera operator | |
| Laurie Shane | .... | gaffer | |
| Carlos Melville | .... | electrician (uncredited) | |
Casting Department | |||
| Joyce Gallie | .... | additional casting | |
| Caroline Mazauric | .... | extras casting | |
| Sally Wignall | .... | assistant casting: UK | |
Costume and Wardrobe Department | |||
| Rebecca Breed | .... | wardrobe mistress | |
| Janet Macklam | .... | wardrobe assistant | |
| Don Mothersill | .... | wardrobe assistant | |
| Richard Pointing | .... | wardrobe supervisor | |
Editorial Department | |||
| Paul Hodgson | .... | first assistant editor | |
| Christopher Young | .... | second assistant editor | |
Music Department | |||
| Robin Clarke | .... | music editor | |
| Maurice Jarre | .... | conductor | |
| Dick Lewzey | .... | music mixer | |
| Michel Mention | .... | orchestrator | |
| Christopher Palmer | .... | orchestrator | |
Other crew | |||
| Andy Birmingham | .... | production accountant | |
| Carina Cooper | .... | assistant: Mr. Roddam | |
| Michèle Girot | .... | production accountant: France | |
| Joanna Gollins | .... | location manager | |
| Pauline Granby | .... | assistant accountant | |
| Yvonne Heeks | .... | assistant accountant | |
| Cheryl Leigh | .... | script supervisor | |
| Don Levy | .... | publicist | |
| Derek Lyons | .... | stand-in | |
| Marilyse Morgan | .... | production coordinator | |
| Christine Raspillère | .... | location manager | |
| Patricia Reid-Douglas | .... | production secretary: France (as Patricia Reid) | |
| Antoine Sabarros | .... | location manager | |
| Dena Vincent | .... | contact: London | |
| Lisa M. Violé | .... | assistant to producer (as Lisa Violé) | |
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| The Curse of Frankenstein | The Fly | Frankenstein | Bride of Frankenstein | La figlia di Frankenstein |
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A beautiful movie! It was really quite lusciously filmed, where everything - the set designs, the costumes, outdoor locations, and luscious depiction of an early 18th century Transylvania setting are absolutely top-notch, and give the film an almost magical sort of quality. This is "must see" film making.
The movie basically deals with the lives and fates of two living creations of Dr. Frankenstein (played by Sting): one, Viktor, (whom you might think of as "Frankenstein's Monster") is a big scary guy. The other, Eva (played by Jennifer Beals), is a beautiful young woman. Both have been created from spare body parts, and then brought to life by Dr. Frankenstein in the laboratory. There is a storm and a fire, the tower in which the laboratory is housed is destroyed, and Viktor escapes to fend for himself out in the countryside of Transylvania. Eva is taken care of by Dr. Frankenstein who, along with others in the castle, helps to educate the helpless young woman.
That, essentially, is the setting for the movie, and it is told in a surprisingly effective "dual tales" sort of technique. In one story, we watch as Viktor goes out on his own, and meets up with Rinaldo, a sly but very lovable midget (played by David Rappaport). Rinaldo convinces Viktor that the two of them would make a good living by going off to join the circus, and so off they go, getting involved in a couple of amusing scrapes along the way. Eventually they do indeed end up with the circus, where both are mercilessly exploited by the circus entrepreneurs Magar and Bela (played by Alexei Sayles and Phil Daniels).
Meanwhile, back at the castle... We watch how Eva is carefully groomed and schooled in the finest European fashion, and meticulously transformed, Eliza Doolittle-style, into quite the proper upper class young lady.
The movie carefully, and with nicely-timed pacing, switches back and forth between these two stories, and these stories prove to be very enjoyable watching.
I didn't find it distracting whatsoever to see Sting playing Dr. Frankenstein. Sure, they could have found a different and arguably better actor to play the good (?) doctor, but at the time this movie was made (1985) Sting was "the Man" you know, the dude with the star-power name who could pull in the teenagers. And probably the same could be said for Jennifer Beals, who was still riding high from her recent fame in 1983's Flashdance. They need to fill those seats in the theaters, folks! No, they aren't that bad: don't let that deter you from seeing the movie. (And if you are a Sting fan or a Jennifer Beals fan (and we know how painful THAT can be) then you will be even more delighted with this film).
Oh yes, I said in the summary bar above that this is also a thought-provoking story. Well, basically, both Viktor and Eva are subjected to varying degrees of exploitation by their "benefactors," and one can't help but feel that the movie is an allegory for how the strong exploit the weak. This was especially true back in the days of old, where man exploited man. Now, thankfully, we live in a modern and enlightened age, and it's just the opposite!