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515 comments in total

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189 out of 209 people found the following comment useful :-
Remember yourself, 31 March 2003
Author: hazel_inverse from Winnipeg, Manitoba, Canada

We all remember being a teenager. A crazy, intense time when your high were higher and your lows were lower, and every experience was that much more significant.

John Hughes movie brilliantly captures that environment, that era in our lives, and all the social rifts that we all helped to create for ourselves. I have heard it said that "The Breakfast Club" is melodramatic, overacted, and simplistic. If you subscribe to that flippant perspective you might as well join Vernon in his office because you are doing the same thing that he did. Seeing the movie as you want to see it, in the simplest terms and the most convenient definitions.

If you really want to understand this film, think back to your own high school days. Think about your last year there. Dig out your old diary or book of angstful poems and reaquaint yourself with who you were then, when you felt things more deeply. "The Breakfast Club" does not exist not for highschool kids, as some suggest. Why would they need it? They live there. It exists for all of us who have already been through there, who feel that they are above it now. It exists so that we can remember what it was like and better understand ourselves, and the next generation. Because you can't dismiss something you understand.

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162 out of 181 people found the following comment useful :-
The cream of the crop in 80's fare., 30 May 2000

Author: PlainIce from Onario, Canada

This movie is one of the best, if not THE best, 80's film there is. The fact is, every teen character in this movie can be related to someone we knew in high-school. As a child of the 80's, I can honestly say that this is a representative cross-section of every high school in North America. The geek, the jock, the outcast, the rich pretty-girl snob, and the future criminal. They all exist, to some degree or another, in the classrooms of every high school on the continent.

What makes this film rise above the rest is the character development. Every character in this film is three-dimensional. They all change, in one way or another, by the end of the film. Whether or not things remain the way they are long after this film ends is unknown, and that adds to the rama. The most important scene in this film is when the characters, as a group, all open up to one-another and describe the hell that their daily school routines are in a personal fashion. Nobody likes the role they must inevitably portray in the high-school scene, but the fact is, it is often inescapable. This film gives the viewer some insight into how the other people around them might have felt during that particular time in their lives.

Each of the main characters in this film shines, but Judd Nelson (John Bender) and Emilio Estevez (Andrew Clark) rise above the rest. Simply put, these two actors each put their heart and soul into their respective characters, and it shows.

At the end of the film, the viewer is left to make their own conclusions as to how things will carry forth. And I'm sure that most people will do that. This is one movie that left me feeling both happy and sad for each of the characters, and it isn't easy to make me care about a film in that way. Even if you aren't a fan of the 80's genre, this isn't one you would want to miss.

My Rating: 10/10

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127 out of 149 people found the following comment useful :-
Don't you forget about me, 23 October 2004
Author: loz4cs from London

This film is one of the most influential films I have ever watched. It reaches out to you - and your touched by it. No matter what little sub-culture you were shifted into whilst going through the trials and tribulations of Secondary school you could relate to it.

It may have been clichéd but what film isn't, we like certain elements we can relate to otherwise what would we take from films.

Judd Nelson gives a convincing performance of 'Bender' the criminal. He managed to sway from angry to emotional - making you feel for him when he is describing what things are like at 'his house'. He seemed to have a lot of great lines including the Manilow comment! The emotion in this film is immense considering it is a teenage film - and touches on 5 lost characters who seem to be searching for some type of approval or acceptance. (Just like our-selves) Ringwald shows just how versatile she is, and very different from Pretty in Pink. I heard that Ally Sheedy originally went for Ringwalds part and they swapped?

Emilio Estevez carrys his role off very well as a Jock - it gets a little cringe worthy when hes high at the end - and rushing around like a loony. But the end with Ally Sheedy certainly makes up for it.

The ending is good, however even ten years later after I first saw this film I always wanted to know what they did the next day!

This is such a great film, I can relate to it so much! I love it is truly the best, you can watch over and over and never get tired of it.

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98 out of 118 people found the following comment useful :-
One of my (personal) favorite comedies. John Hughes strikes again!, 7 January 2004

Author: MovieAddict2009 from UK

Parents have never understood the youth of the world. Elvis used to be evil. Now he's too tame for modern music enthusiasts. Just imagine how tame Eminem will seem years from now. And as a scarier thought, who (or what) could be worse than some of the singers on today's market?

John Hughes is locked in a time capsule, still bearing the mind of a teenager, and he is able to tap into these feelings of teenage angst. That is what separates "The Breakfast Club" from, say, "The New Guy," or one of those other stupid teen films of recent years.

And the jerk, played by Judd Nelson, isn't meant to be cool. He is a jerk, and if older viewers took the time to pay attention to the film, they would perhaps realize that the point of the film, from the very beginning, is to establish that this so-called jerk is only acting like one to get attention. Because he is obviously shunned at home. He's an outcast. And unlike other films that refuse to establish their characters, "The Breakfast Club" introduces him as a jerk, and proceeds to explain why he is that way. This is what makes this movie tick.

I knew a kid like Bender (Nelson) once when I was in school, and generations of kids continue to go through the exact same things. Once they reach a certain age, though, it seems as though all adults suddenly break away from the teenage emotions. John Hughes never did, I guess. (Although he certainly tapped into adult behavior with his best film, "Planes, Trains and Automobiles" [1987], a welcome introduction to Hughes' adult comedy, hinted at in "Vacation" [1981], which he wrote.)

The film opens with a quote from David Bowie that just about sums the entire film up. We are introduced to five kids spending eight hours of detention at Shermer High School in Illinois. They are: Andrew the Jock (Emilio Estevez), Brian the Nerd (Anthony Michael Hall), Bender the Criminal (Judd Nelson), Claire the Princess (Molly Ringwald), and Allison the Basketcase (Ally Sheedy). They are looked over by the school principal (Paul Gleason), who assigns them the task of writing a report on why they are here in detention and what they did to get there.

To say that the outcome is predictable is an understatement. We know who's going to get together with whom from the beginning, but getting there's all the fun. Watching the characters come to appreciate their differences and learn that they're more than just billboard examples of angry teenagers is more than half the fun.

Teenagers are not as unaware of who they are as some people always think. John Hughes knew this, and deliberately tapped into this state of mind as no other director has done before -- or since, for that matter. Sure, they've tried. (Hughes' "Ferris Bueller's Day Off" was just about the only other film that tried to show teenagers as something more than stupid hormone-crazy rambunctious adolescents, but as young adults who were trying to grow up fast -- the scene where Ferris and Sloane pretend their water is wine is good evidence of this.)

Hughes' teenage characters were not the clichés they are now when "The Breakfast Club" came out in 1985 -- this film has proved to be the steeple of teen clichés (many of them poked fun at in "Not Another Teen Movie," which features a cameo by Ringwald). Think of "2001" or "Halloween" -- the drifting spaceships and psycho killers chasing sex-hungry teenagers is now routine, but it wasn't then. The Jock, The Nerd, The Criminal, The Princess, and The Basketcase weren't clichéd back then, either -- although Hughes purposely chose these references to the characters in order to let Brian, The Nerd, say that they were more than just that in the beginning of the film when he's reading his essay in voice-over narrative.

I seriously doubt whether this film is any better than the work of Coppola, Cortiz, Kurosawa, Scorsese, Welles, et al. If I were assembling a list of "the greatest movies ever made," I'd never include this.

But sometimes the greatest films aren't just the films that are technically perfect, but those that connect to you on one level or another. I know that my all-time favorite comedy ("Planes, Trains and Automobiles") may not be considered better than something such as "Some Like it Hot," but that film doesn't affect me the same way. I either don't connect with the story, the characters, the feelings, or I just don't appreciate the film as a whole. I appreciate "The Breakfast Club" in many ways, and for that reason it will always be considered one of my favorite films. Even if it is kinda sappy.

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92 out of 116 people found the following comment useful :-
A love letter to all high school loners, 5 July 2001

Author: wheevandor

I must admit that I was a true loner in high school, and essentially I'm now at 33 I'm still a loner who has become a bit more jaded with the passage of time. With that said, John Hughes "The Breakfast Club" seems to me to be a sort of love letter to all of us who just seemed to blend into the background during our high school years. Of course like everyone I also have a favorite character in the film, and my choice is Allison who is wonderfully played by Ally Sheedy. So, my advice to all who have read this far is to try and watch this film with your emotions rather than trying to analyze the film to death.

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58 out of 81 people found the following comment useful :-
Quite simply one of the best teen films of the 80s, 11 December 2002

Author: Wayne Malin (wwaayynnee51@hotmail.com) from United States

Five teenagers are assigned detention on a Saturday morning and afternoon. They are a jock (Emilio Estevez), a hood (Judd Nelson), a rich girl (Molly Ringwald), a geek (Anthony Michael Hall) and a basket case (Ally Sheedy). During the course of the detention (and with a little help from marijuana) they open up and talk and begin to know each other.

A dead on target examination of teen life in 1984/85. This was a very challenging thing to do--release a film about teens just talking and relating to each other. It also was (unjustly) awarded an R rating for the frequent swearing--but that's how high schoolers talk!

I was in college when this came out, but I saw it with a friend who was still in high school. According to him the movie got everything right--the clothes, dialogue, styles and music were accurate. He said it was one of the few movies that showed how he felt. But the movie isn't all serious and depressing...there are some truly hilarious lines.

The cast: Estevez (what ever happened to...) is just great as the jock. He gives a very believable and moving performance especially in a speech about his father. Nelson, however, is horrible as the hood. He looks the part but he's way too eloquent and his acting was pretty bad. Ringwald and Hall are perfect in their roles, but they WERE teenagers when this was filmed. Sheedy does what she can with a criminally underwritten role. John Kapelos (as a janitor) is hardly in it (I'm assuming his part was severely cut) and Paul Gleason (a good actor) is given a very 1-dimensional role--the evil adult. He does what he can with it.

The movie isn't perfect--parents are the root of all the kids problems; there are annoying lapses in logic (like how does Ringwald get to see Nelson at the end and Sheedys character wasn't assigned detention, so wouldn't Gleason know that) and there is a whole dance sequence squeezed in.

Still--a truly great teenage movie. A definite must-see. A bonus is that the movie opens with one of the best songs of the 1980s (and a big hit)--Simple Minds "Don't You Forget About Me"

"Who'd your mom marry--Mr. Rogers?" "No--Mr. Johnson"

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42 out of 50 people found the following comment useful :-
Classic 80s for all Generations, 5 December 2004
Author: Shannon from Virginia, USA

Ah the Breakfast Club. Although I am a child of the 80's, I came along at the tail end of Generation X. The cast of The Breakfast Club were actors that I looked up to as a child, and still enjoy as an adult. I remember my own mother was a big fan of this movie, even though she was an adult with children.

Of all the "Brat Pack" movies, this remains my favorite. Even over two decades later, the movie still holds generations of people captive and sends us all into deep thoughts of our own glory days when we thought that life was BS, and that we had it tough. We were just a few years shy of seeing how tough life would be once we escape the protective circus tent known as high school.

Over and over you hear people wishing that a sequel to this film had been made. I am very glad there was not one. Surely we can't imagine this would have been a happily ever after for these characters. They came together one day, but like most high school relationships, all good things must come to an end. The closest thing to a sequel for this movie would be "St. Elmo's Fire" and again.....all good things must come to an end.

One thing that I loved most about this movie was the tell tale showing of intelligence in the least thought of places; the school janitor. The movie portrayed the janitor as being a hell of a lot smarter than the assistant principal. I have found in my life's experience this is quite believable. It's also sad. I believe that those employed by the education system could learn a very important lesson about young adults and the way their minds work. Youth knows when it's elders have forgotten how to see things. Youth knows how to use that against them. The moral is simple; stay young!

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37 out of 44 people found the following comment useful :-
One of the best movies ever, 6 May 2003

Author: B from San Antonio, Texas

After reading some of the negative comments made about this movie, i decided to make some of my own. Yes, to younger viewers,this movie will appear to be outdated. The only thing "outdated" is the clothing styles and the music. It doesnt matter what year you went to high school or what school you even went to, there will always be a "criminal", a "jock", a "princess", a "nerd", and a "basket case". This movie is the best teenage movie, no matter when you are a teenager!

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45 out of 62 people found the following comment useful :-
You pay after you play., 15 March 2003

Author: Michael O'Keefe from Muskogee OK

One of the best if not the best brat pack flick. John Hughes writes and directs this dramatic comedy about five Chicago high school kids that are from different circles and stations in life being forced to spend a Saturday together in detention. Before the day is over this group finds out that they have more in common than they thought and even some friendships are created. The very impressive cast includes:Emilio Estevez, Ally Sheedy, Judd Nelson, Anthony Michael Hall and Molly Ringwald. Paul Gleason plays the hapless teacher trying to contain the group and then there is John Kapelos as the custodian. This is a don't miss and is fun to watch over and over again. Spit that gum out and remember to ask for a hall pass.

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7 out of 8 people found the following comment useful :-
"I don't like what I see, I really don't.", 22 February 2001

Author: The_Movie_Cat from England

*** This comment may contain spoilers ***

WARNING: REVIEW CONTAINS MAJOR SPOILERS. ONLY READ IF YOU'VE SEEN THE FILM

This was one of the ultimate "cool to like" films in the eighties, a film that had all teens doting on it because, well, it has so much ... meaning... doesn't it? Actually, no. Five students, at least three of them one-dimensional blandies, spend eight hours in detention where they allegedly "find themselves." Except only one of them has anything interesting to say.

It opens with a written quote from David Bowie, the hallmark of student pretension, which then explodes into shards. Whoo, rock and roll! This is revolutionary filmmaking at its peak. Worst thing about the movie is that it temporarily convinced a significant proportion of society that Simple Minds were actually worth listening to.

How old was John Hughes when he wrote this film? Fourteen, and full of angst? Like some awful sixth-form play, The Breakfast Club is filled with clumsily written amateur psychology. Molly Ringwald gets the brunt of it, and all the worst lines. Gems like "You know why guys like you knock everything? Cos you're afraid" meet "I have just as many feelings as you do, and it hurts just as much when someone steps all over them." Other characters get to say things like "When you grow up, your heart dies" and "If you love someone, it's okay."

Judd Nelson chiefly carries the film as the only interesting character, and the one with the best lines. Saying "eat my shorts" four years before The Simpsons, and telling a teacher "Does Barry Manilow know that you raid his wardrobe?" he's by far the most appealing element of the movie. However, his describing of being beaten at the hands of his father is marred by loud incidental synth music, the hallmark of the eighties. Thankfully, there are no skinny ties or mullet haircuts, meaning it hasn't otherwise dated too badly in that regard.

Some ill-advised comedy moments - The Bridge on the River Kwai parody, Anthony Michael Hall being stoned and Emilio Estivez breaking a glass door by shouting at it - work against the piece, and are quite cringingly embarrassing to watch. The film then takes on issues that the characters in the film seem to think are hugely important, but are really just everyday and banal. The group seem desperate to hold on to the secret that three of them are virgins, or that they don't get along with their parents, but such things are hardly Earth-shattering.

Where the film really falls down is in the climax, where the group - who are now suddenly inseparable soul mates - turn into a bunch of bleeding hearts, mewling and wailing over what are really pretty much run of the mill problems. Judd Nelson aside, the rest of this crew has no cause for social dysfunction that isn't above the killingly ordinary. Maybe that's the point, but, like Flatliners, where a group of young students had their sins come to haunt them, the fact that people of that age won't have done anything of real note is called into question. Ringwald is cut up about the fact that her parents are so rich, and she has to agree with all her friends. "You just don't understand all the pressures they can put on you." Oh, shame. Sporty Estivez, meanwhile, is a high-school jock who once taped a man's buttocks together because he was trying to impress his dominant father. Okay, not nice, but not exactly the skeleton in the closet you'd wait ninety minutes to hear, right? I'm sure most athletic students do a lot worse things, every day of the week.

Anthony Michael Hall, the least of the "Where Are They Now?" entrants, as no-one hires nerds for Hollywood films any more, was contemplating suicide because he couldn't make a ceramic elephant. Ally Sheedy, in the most thankless role, acts weird because her parents ignore her and she just wants people to notice her.

All of which would be fine, and, indeed, despite the criticisms I've made, The Breakfast Club is nicely directed, acted and imminently watchable. But what cripples the film is its overreaching pretension, particularly the trite closing monologue, which is cliched and squalid. Like the tagline for the movie - "They met only once, but it changed their lives forever" - it smacks of corny movie trailer dialogue and is overearnest. Pat resolution has the group coupled off (except for poor Hall), with Estivez clinging on to Sheedy after finding she doesn't look that bad with different makeup. Rather a shallow indictment. Though the weirdest thing is, despite watching this and regarding it as a deeply flawed movie, I still voted it 6/10.

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