Brazil (1985)

Director:

Terry Gilliam

Writers:

Terry Gilliam (screenplay) &
Tom Stoppard (screenplay) ...

Release Date:

18 December 1985 (USA)

Genre:

Comedy | Drama | Fantasy | Sci-Fi

Tagline:

It's only a state of mind.

Plot:

A bureaucrat in a retro-future world tries to correct an administrative error and himself becomes an enemy of the state.

Plot Keywords:

Bureaucracy | Terrorist | Dream | Bureaucrat | Technology

Awards:

Nominated for 2 Oscars. Another 8 wins & 1 nomination

Cast

Jonathan Pryce	...	Sam Lowry
Robert De Niro	...	Archibald 'Harry' Tuttle
Katherine Helmond	...	Mrs. Ida Lowry
Ian Holm	...	Mr. M. Kurtzmann
Bob Hoskins	...	Spoor
Michael Palin	...	Jack Lint
Ian Richardson	...	Mr. Warrenn
Peter Vaughan	...	Mr. Helpmann
Kim Greist	...	Jill Layton
Jim Broadbent	...	Dr. Jaffe
Barbara Hicks	...	Mrs. Alma Terrain
Charles McKeown	...	Harvey Lime
Derrick O'Connor	...	Dowser
Kathryn Pogson	...	Shirley
Bryan Pringle	...	Spiro

Also Known As:

1984 and 1/2 (UK) (working title)
1984½ (UK) (working title)

MPAA:

Rated R for some strong violence. (edited version)

Runtime:

132 min | USA:94 min (edited version) | 142 min (director's cut)

Country:

UK

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Canada:A (Nova Scotia) | Germany:12 (re-rating) (uncut) | Germany:18 (original rating) (cut) | Germany:12 (re-rating) (2003) | Brazil:14 | Argentina:16 | Australia:M | Canada:AA (Ontario) | Canada:G (Québec) | Canada:PA (Manitoba) | Chile:18 | Finland:K-16 | France:-12 | New Zealand:R13 | Norway:16 (1985) | Singapore:PG | South Korea:15 (DVD rating) | Spain:13 | Sweden:15 | UK:15 | USA:R | West Germany:18 (1985-2003)

Filming Locations:

Croydon, Surrey, England, UK

Company:

Embassy International Pictures

Trivia:

During the opening scene where you see the paperwork floor with all of the runners dropping and picking up receipts. There is actually only one row of typing stations they just pass forward and backward along the same set of stations.

Goofs:

Continuity: When Sam falls over Jill's truck's hood, she walks around and sees his right foot hanging on top of the grille over the truck's fog/turn lights. But when the angle reverses to show her, his foot is resting on the bumper, in front of the grille.

Quotes:

[first lines]
Singers: [TV commercial jingle] Central Services: We do the work, you do the pleasure.
TV commercial pitchman: Hi, there. I want to talk to you about ducts.

Movie Connections:

Referenced in Splinter Cell (2002) (VG)

Soundtrack:

Brazil

Orwell with a Python twist

This movie did not leave me with a happy feeling when I was done viewing it, but I definitely found it well worth the time. It posits a dark future world where the government has become a gigantic bureaucratic beast. The simplest exchange requires mountains of paperwork and a strict adherence to procedures has replaced anyone's ability to critically think about what they are doing or stand up to the brutality they know lurks around them. Sam Lowry is a man who seems more than happy to live as a cog in the giant machine. When he sleeps, however, he flies through beautiful blue skies towards the woman of his dreams. As he attempts to correct an "oversight" by the Ministry Of Information for whom he works (one of the more obvious nods to Orwell) which has resulted in an innocent man's death, he finds a woman who appears to be the one in his dreams. The line between his dreams and his reality blur ever further as he goes deeper and deeper into the government machine to find out who she is.

Terry Gilliam once again seems to have spared no expense in making sure every visual element of the world adds up to a cohesive whole which makes you feel as if you're really experiencing the characters' surroundings. And, of course, it is a world rendered realistically enough to feel feasible, and yet surrealistically enough to leave an unforgettable impression on you.

Despite the simplicity of the main plot, the movie is full of subtexts and images which carry a message even though you may not see them on the first viewing. In one scene, a man is buying "clean air" from a vending machine along the street. The sides of the highways are walls of billboards which hide the barren environment beyond. A group of people carry a banner that announces "Consumers for Christ" in a store decorated for the holidays as a small child tells Santa she wants a credit card for Christmas. Actually, therein lies one of the things that may turn some people off to this movie. It seems Gilliam had so many things to say about the state of society today that some people may find the movie lacks a coherent message once it's done. The ending will no doubt come as a shock to many people as well, but it was refreshing to me to see something well outside the Hollywood conventions for a change.

My only real complaint was that Robert De Niro's character was so enjoyable, but saw so little use. Other than that, however, I thought it was a film which presents some compelling things which deserve serious thought, even though most people probably won't be able to get past the trademark Gilliam visual quirkiness to see what he is saying. Eight and a half out of ten from me.