The Black Cauldron (1985)

User Rating:

6.3/10   

Directors:

Ted Berman
Richard Rich

Writers:

Lloyd Alexander (novel)
David Jonas (story) ...

Release Date:

24 July 1985 (USA)

Genre:

Animation | Adventure | Family | Fantasy | Mystery

Tagline:

Seven years in the making - In the celebrated Disney tradition comes our 25th animated motion picture.

Plot:

A young boy and a bunch of misfit friends embark on a quest to find a dark magic item of ultimate power before a diabolical tyrant can.

Plot Keywords:

Cauldron | King | Pig | Princess | Magic

Cast

Grant Bardsley	...	Taran (voice)
Susan Sheridan	...	Eilonwy (voice)
Freddie Jones	...	Dallben (voice)
Nigel Hawthorne	...	Fflewddur Fflam (voice)
Arthur Malet	...	King Eidilleg (voice)
John Byner	...	Gurgi / Doli (voice)
Lindsay Rich	...	Fairfolk (voice)
Brandon Call	...	Fairfolk (voice)
Gregory Levinson	...	Fairfolk (voice)
Eda Reiss Merin	...	Orddu (voice)
Adele Malis-Morey	...	Orwen (voice)
Billie Hayes	...	Orgoch (voice)
Phil Fondacaro	...	Creeper / henchman (voice)
Peter Renaday	...	Henchman (voice) (as Pete Renaday)
James Almanzar	...	Henchman (voice)

Also Known As:

Taran and the Magic Cauldron

MPAA:

Rated PG for some scary images.

Runtime:

80 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)

Certification:

Canada:F (Ontario) | Canada:G (Nova Scotia/Quebec) | Canada:PG (Manitoba) | South Korea:All | Netherlands:AL | Argentina:Atp | Australia:PG | Chile:TE | Finland:K-10 | France:U | Sweden:7 | UK:U | USA:PG | West Germany:6 (w) | Australia:G (DVD rating) | Peru:PT

Filming Locations:

Llechwedd Slate Caverns, Llechwedd Slate Mine, Blaenau Ffestiniog, Gwynedd, Wales, UK

Company:

Silver Screen Partners II

Trivia:

The first Disney animated feature to use computer technology.

Goofs:

Continuity: When Taran escapes the Horned King's Castle, he leaves the sword's sheath behind. However, when he is outside, he has the sheath again.

Quotes:

[first lines]
Narrator: Legend has it, in the mystic land of Prydain, there was once a king so cruel and so evil, that even the Gods feared him. Since no prison could hold him, he was thrown alive into a crucible of molten iron. There his demonic spirit was captured in the form of a great, black cauldron. For uncounted centuries, the black cauldron lay hidden, waiting, while evil men searched for it, knowing whoever possessed it would have the power to resurrect an army of deathless warriors...

Movie Connections:

Featured in "Troldspejlet: (#28.13)" (2002)

Doesn't deserve to be dismissed as harshly as it has been

Always curious about The Black Cauldron, I finally got around to it after seeing a DVD at the rental store. Despite a lot of grating elements, I ended up liking it overall.

The movie starts off on the wrong foot. The voices come across as recorded at low fidelity, and when combined with the sometimes hard-to-understand British accents, can be somewhat off-putting. Issues with voice and script become even more pronounced with characters such as Gurgi and his Gollum-esquire speech patterns. Indeed, the second time I watched the DVD I threw the English subtitles on, and not just for Gurgi.

Other problems with voicing include an exceedingly dull lead actor for Taran (he simply can't emote), and an overly chirpy female lead for Eilonwy.

Most other elements of the film proved passable if predictable in the Disney mold of plot, hero design, sidekicks, etc. Where it branches out for the better is in avoiding any and all musical interludes and along the way offering some scenarios and graphic effects that are more mature than most other Disney animated feature films (though later in the '90s the likes of The Lion King, Hunchback, and Tarzan would also tangle with mature themes).

Animation is also spectacularly mixed in quality, an odd distinction among Disney films but a distinction nonetheless. Usually solid, there are high points such as external shots of a dark castle or a visceral chase sequence. There are also low points such as unnatural shifts in hair color that overemphasize different environments, or obvious spots where animation was rushed (a rock slide sequence).

Yet for all these lows and highs, as an animation fan I ended up siding with the high points. Many sequences are inviting to re-watch, even if the entirety of the movie may not be. For all the talk of failure that continues to surround this movie, one can see in the film itself elements of a more mature Disney that could have been extremely promising with a more seasoned batch of animators and a world less hostile to PG animated fare.