| Photos (see all 13 | slideshow) |
| Jane Fonda | ... | Dr. Martha Livingston | |
| Anne Bancroft | ... | Mother Miriam Ruth | |
| Meg Tilly | ... | Sister Agnes | |
| Anne Pitoniak | ... | Dr. Livingston's Mother | |
| Winston Rekert | ... | Det. Langevin | |
| Gratien Gélinas | ... | Father Martineau | |
| Guy Hoffman | ... | Justice Joseph Leveau | |
| Gabriel Arcand | ... | Monsignor | |
| Françoise Faucher | ... | Eve LeClaire | |
| Jacques Tourangeau | ... | Eugene Lyon | |
| Janine Fluet | ... | Sister Marguerite | |
| Deborah Grover | ... | Sister Anne | |
| Michele George | ... | Sister Susanna | |
| Samantha Langevin | ... | Sister Jeannine | |
| Jacqueline Blais | ... | Sister David Marie | |
| Françoise Berd | ... | Sister Thérèse | |
| Mimi D'Estée | ... | Sister Elizabette | |
| Rita Tuckett | ... | Sister Geraldine (as Rita Tucket) | |
| Lillian Graham | ... | Sister Madeline Marie | |
| Norma Dell'Agnese | ... | Sister Geneviève | |
| Muguette Moreau | ... | Sister Luke | |
| Janice Bryan | ... | Sister Mary Joseph | |
| Agnes Middleton | ... | Sister Paul | |
| France Arbour | ... | Housekeeper | |
| Laurel Lyle | ... | Helen the Receptionist | |
| Victor Désy | ... | Librarian (as Victor Desy) | |
| Charlotte Laurier | ... | Young Prostitute | |
| Peter Langley | ... | Sister Geneviève's Family | |
| Nicole Marie Abbat | ... | Sister Geneviève's Family | |
| Matthew Armstrong | ... | Sister Geneviève's Family | |
| Chava Mandlsohn | ... | Sister Geneviève's Family | |
| Charles S. Pottie S.J. | ... | Sister Geneviève's Family | |
| Gerry Huckstep | ... | Paramedic | |
| Marc Denis | ... | Newscaster | |
| Herbert Luft | ... | TV Reporter | |
| André Lacoste | ... | Male Patient | |
| Jennifer Jewison | ... | Female Patient | |
| Carole Chatel | ... | Lab Technician | |
| Daniel Tremblay | ... | Police Detective |
Directed by | |||
| Norman Jewison | |||
Writing credits | ||
| John Pielmeier | (play) | |
| John Pielmeier | (screenplay) | |
Produced by | |||
| Norman Jewison | .... | producer | |
| Charles Milhaupt | .... | associate producer | |
| Bonnie Palef | .... | associate producer (as Bonnie Palef-Woolf) | |
| Patrick J. Palmer | .... | producer (as Patrick Palmer) | |
Original Music by | |||
| Georges Delerue | |||
Cinematography by | |||
| Sven Nykvist | |||
Film Editing by | |||
| Antony Gibbs | |||
Casting by | |||
| Gretchen Rennell | |||
Production Design by | |||
| Ken Adam | |||
Art Direction by | |||
| Carol Spier | |||
Set Decoration by | |||
| Jaro Dick | |||
Costume Design by | |||
| Renée April | |||
Makeup Department | |||
| Ann Brodie | .... | makeup artist | |
| Paul LeBlanc | .... | hair stylist | |
| Gary Liddiard | .... | makeup artist: Ms. Fonda | |
Production Management | |||
| Justis Greene | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| David Bailey | .... | third assistant director | |
| John Board | .... | first assistant director | |
| Madeleine Henrié | .... | second assistant director (as Madeleine Henrie) | |
| David Kelley | .... | third assistant director (uncredited) | |
Art Department | |||
| Daniel R. Bradette | .... | assistant property master | |
| J. Tracy Budd | .... | property master (as Tracy Budd) | |
| Dan Conley | .... | set dresser | |
| Martin Freedman | .... | set dresser | |
| Rolf Harvey | .... | assistant art director | |
| Barbra Matis | .... | assistant art director | |
| Richard Reseigne | .... | construction design coordinator | |
| John Dondertman | .... | assistant art director (uncredited) | |
Sound Department | |||
| Alison Clark | .... | sound editor | |
| Tony Currie | .... | sound editor | |
| Austin Grimaldi | .... | sound re-recording mixer | |
| Joe Grimaldi | .... | sound re-recording mixer | |
| Herb Heritage | .... | boom operator | |
| Sharon Lackie | .... | sound editor | |
| Richard Lightstone | .... | production sound mixer | |
| Andy Malcolm | .... | sound editor | |
| Michael O'Farrell | .... | sound editor | |
| Peter Thilaye | .... | supervising sound editor (as Peter Thillaye) | |
| Don White | .... | sound re-recording mixer | |
| Anke Bakker | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| Richard Huggins | .... | special blood effects: Theatre Magic | |
| Carrie Robbins | .... | special blood effects: Theatre Magic | |
| Ron Thiessen | .... | special effects coordinator | |
Stunts | |||
| David Rigby | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| David Crone | .... | Steadicam operator (as David C. Crone) | |
| Attila Dory | .... | still photographer (as Atilla Dory) | |
| Ralph Gerling | .... | camera operator | |
| Kevin Jewison | .... | first assistant camera | |
| Brian Montague | .... | gaffer | |
| Bill Pryde | .... | second assistant camera | |
| Shin Sugino | .... | still photographer | |
| Randy Tambling | .... | key grip | |
| Frank Teunissen | .... | second grip | |
| Rae Thurston | .... | best boy | |
Casting Department | |||
| Bonnie Finnegan | .... | casting assistant | |
| Karen Hazzard | .... | local casting: Ontario | |
| Helene Robitaille | .... | local casting: Quebec (as Hélène Robitaille) | |
Costume and Wardrobe Department | |||
| Fabienne April | .... | costumer | |
| Ursula Brooke | .... | assistant costumer | |
| Arthur Rowsell | .... | assistant costumer | |
| Mario Davignon | .... | assistant costume designer (uncredited) | |
Editorial Department | |||
| Mary Canty | .... | first assistant film editor | |
| Bruce Lange | .... | associate film editor | |
Music Department | |||
| Hayward Parrott | .... | music scoring mixer | |
| Richard Stone | .... | supervising music editor: Segue Music | |
| Ron Searles | .... | assistant scoring engineer (uncredited) | |
Transportation Department | |||
| Stuart Hughes | .... | transportation coordinator | |
| Charlotte Rose | .... | driver: Ken Adam (uncredited) | |
Thanks | |||
| Letitzia Adam | .... | thanks | |
| Gloria Demers | .... | thanks | |
| Andreas Drenters | .... | thanks | |
| Heather Drenters | .... | thanks | |
| Jeannine Edmunds | .... | thanks | |
| Father David Eley | .... | thanks | |
| Father Marc Gervals | .... | thanks | |
| Mother Mary Dominic | .... | thanks | |
| Larry Palef | .... | thanks | |
| Richard Pfeffer-Lapidese | .... | thanks (as Rachael Pfeffer-Lapidese) | |
| Sister Pierette | .... | thanks | |
| Father Charles S. Pottie | .... | thanks | |
| Sister Rolande | .... | thanks | |
| Roger Sherman | .... | thanks | |
| Daniel Tremblay | .... | thanks | |
| Margaret Westcott | .... | thanks | |
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| Sisters | Basic Instinct | Body Double | Les invasions barbares | Dead Again |
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A young nun is found in a convent to have given birth and then strangled the baby. An investigation ensues, but only seems to unearth more and more perplexing twists.
There is very little theology here and approaches it's subject matter in a very matter of fact way. It has the mindset that the majority of the viewers are non- religious or disgruntled ex-catholics. It portrays the church as a stubborn, age old institution that is slowly losing touch with our more modern sensibilities.
Yet, refreshingly, it also doesn't try to tear down the church with every chance it gets. There is a certain level of respect and objectivity here. The mother superior (Bancroft) is shown to be very human and multi-faceted. Her and Fonda make interesting adversaries. Their love-hate relationship is both interesting and enlightening. There is even a rare scene showing an excited young women being inducted into the sisterhood as her proud family looks on.
Fonda, with her liberated, modern women persona, seems a very obvious choice to play the no nonsense psychiatrist. She approaches the role with conviction, but her constant chain smoking seems affected and her emotionlism overwrought. I still say she is much better suited for comedy. (CAT BALLOU, NINE TO FIVE).
Bancroft is solid as usual. Yet it's Tilly that is really impressive. She portrays the innocence of her character with a incredible clarity. It is almost astounding.
The mystery unravels well and keeps you intrigued. Yet the ambiguous conclusion is a bit disappointing. The drama side fares better. It poses a few good insights and ends with a interesting perspective. The film is well done on all levels even though there is really nothing that memorable or distinctive to it (outside of Tilly's compelling performance.)