| Griffin Dunne | ... | Paul Hackett | |
| Rosanna Arquette | ... | Marcy Franklin | |
| Verna Bloom | ... | June | |
| Tommy Chong | ... | Pepe (as Thomas Chong) | |
| Linda Fiorentino | ... | Kiki Bridges | |
| Teri Garr | ... | Julie | |
| John Heard | ... | Thomas 'Tom' Schorr | |
| Cheech Marin | ... | Neil | |
| Catherine O'Hara | ... | Gail | |
| Dick Miller | ... | Diner Waiter (Pete) | |
| Will Patton | ... | Horst | |
| Robert Plunket | ... | Street Pickup | |
| Bronson Pinchot | ... | Lloyd | |
| Rocco Sisto | ... | Coffee Shop Cashier | |
| Larry Block | ... | Taxi Driver | |
| Victor Argo | ... | Diner Cashier | |
| Murray Moston | ... | Subway Attendant | |
| John P. Codiglia | ... | Transit Cop | |
| Clarke Evans | ... | Neighbor #1 | |
| Victor Bumbalo | ... | Neighbor #2 | |
| Joel Jason | ... | Biker #1 | |
| Rand Carr | ... | Biker #2 | |
| Clarence Felder | ... | Club Berlin Bouncer | |
| Henry Judd Baker | ... | Jett (as Henry Baker) | |
| Margo Winkler | ... | Woman with Gun | |
| Victor Magnotta | ... | Dead Man | |
| Robin Johnson | ... | Punk Girl | |
| Stephen Lim | ... | Club Berlin Bartender (as Stephen J. Lim) | |
| Frank Aquilino | ... | Angry Mob Member | |
| Maree Catalano | ... | Angry Mob Member | |
| Paula Raflo | ... | Angry Mob Member | |
| Rockets Redglare | ... | Angry Mob Member | |
| rest of cast listed alphabetically: | |||
| Charles Scorsese | ... | Club Berlin Patron (uncredited) | |
| Martin Scorsese | ... | Club Berlin Searchlight Operator (uncredited) | |
Directed by | |||
| Martin Scorsese | |||
Writing credits | ||
| Joseph Minion | (written by) | |
Produced by | |||
| Robert F. Colesberry | .... | producer | |
| Griffin Dunne | .... | producer | |
| Amy Robinson | .... | producer | |
| Deborah Schindler | .... | associate producer | |
Original Music by | |||
| Howard Shore | |||
Cinematography by | |||
| Michael Ballhaus | |||
Film Editing by | |||
| Thelma Schoonmaker | |||
Casting by | |||
| Mary Colquhoun | |||
Production Design by | |||
| Jeffrey Townsend | |||
Art Direction by | |||
| Stephen J. Lineweaver | |||
Set Decoration by | |||
| Leslie A. Pope | (as Leslie Pope) | ||
Costume Design by | |||
| Rita Ryack | |||
Makeup Department | |||
| Medusah | .... | hair stylist | |
| Valli O'Reilly | .... | makeup artist (as Valli) | |
Production Management | |||
| Michael Nozik | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sarah M. Brim | .... | second assistant director | |
| Christopher Griffin | .... | second assistant director | |
| Stephen Lim | .... | first assistant director (as Stephen J. Lim) | |
| Tomaz Remec | .... | dga trainee | |
| Jeffrey Townsend | .... | second unit director (uncredited) | |
Art Department | |||
| David Allen | .... | set dresser | |
| Tommy Allen | .... | property master (as Tom Allen) | |
| Joel A. Blumenau | .... | set dresser (as Joel Aaron Blumenau) | |
| Nora Chavooshian | .... | sculptor | |
| Anthony Dunne | .... | set builder (as Tony Dunne) | |
| Leigh Kyle | .... | assistant art director | |
| Anamarie Michnevich | .... | assistant property master | |
| Timothy Main | .... | carpenter (uncredited) | |
Sound Department | |||
| Michael Berenbaum | .... | apprentice sound editor | |
| Louis Bertini | .... | assistant sound editor | |
| Marko A. Costanzo | .... | foley artist | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Keith Gardner | .... | boom operator | |
| Chat Gunter | .... | sound mixer | |
| Michael Jacobi | .... | sound editor | |
| Neil L. Kaufman | .... | sound editor (as Neil Kaufman) | |
| Skip Lievsay | .... | supervising sound editor | |
| Marissa Littlefield | .... | assistant sound editor | |
| Barbara Minor | .... | assistant sound editor | |
| Magdaline Volaitis | .... | sound editor | |
| Dick Vorisek | .... | sound re-recording mixer | |
Stunts | |||
| Jordan H. Fischer | .... | stunts | |
| Harry Madsen | .... | stunt coordinator | |
| Shawn O'Neil | .... | stunts | |
| Shawn O'Neil | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Florian Ballhaus | .... | second assistant camera | |
| Jan Sebastian Ballhaus | .... | second assistant camera (as Sebastian Ballhaus) | |
| Arthur Blum | .... | key grip | |
| Stefan Czapsky | .... | gaffer | |
| David M. Dunlap | .... | first assistant camera | |
| Anthony Dunne | .... | grip (as Tony Dunne) | |
| Morris Flam | .... | best boy | |
| Charlie Marroquin | .... | grip | |
| Larry McConkey | .... | Steadicam operator | |
| Michael Papadapolous | .... | electrician | |
| Susan Starr | .... | second assistant camera | |
| Michael Trim | .... | electrician | |
| Barry Wetcher | .... | still photographer | |
| Gilles Fortier | .... | best boy (uncredited) | |
Costume and Wardrobe Department | |||
| Paulette Aller | .... | wardrobe assistant (as Paulette Aller Shelton) | |
| Barbara Shulman Breslin | .... | assistant to costume designer | |
| John A. Dunn | .... | assistant to costume designer (as John Dunn) | |
| Charles Scorsese | .... | wardrobe assistant | |
| Deirdre N. Williams | .... | wardrobe supervisor (as Deirdre Williams) | |
Editorial Department | |||
| Molly Bernstein | .... | editing intern | |
| Arthur Blum | .... | editing intern | |
| James Y. Kwei | .... | second assistant editor (as James Kwei) | |
| Victoria Martin | .... | first assistant editor | |
Music Department | |||
| Thomas S. Drescher | .... | music editor (as Thomas Drescher) | |
Transportation Department | |||
| Joseph Fanning | .... | transportation captain (as Joe Fanning) | |
Thanks | |||
| Dan DeCarlo | .... | special thanks (as Dan De Carlo) | |
| Tom Fleischman | .... | special thanks | |
| Antonio Sodda | .... | special thanks | |
| Nancy Sullivan | .... | special thanks | |
| Todd M. Thaler | .... | special thanks (as Todd Thaler) | |
| Robert Warshavsky | .... | special thanks | |
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| Suspect Zero | Grosse Pointe Blank | El maquinista | Black Christmas | Maximum Risk |
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Out of all the Scorsese films - I would have to admit this ranks in the top five. After Hours draws you into it's dark and surreal world with fantastical wonder. The characters are all interesting, the acting superb - especially Griffin Dunne - and the pacing is great.
It was made in 1985, and I can already see the techniques Scorsese used in Goodfellas - and the quick editing. It is directed and edited really well. So if you were a fan of Scorsese's frantic camera work in Goodfellas and Casino, this film is for you.
It really does put you on edge - as a viewer, you really want Dunne's character to get back home - but everything possible that could happen to him - happens. This is not just a evocation of soHo in the early 80's - it is a deeply black comedy. All the rules go out the window for Dunne's character, because after all it is after hours.
Scorsese really is the best living director at the moment - so do yourself a favour and watch this movie - it's fantastic.