| David Broadnax | ... | Paul | |
| Rita Jenrette | ... | Sandy | |
| Tom Cantrell | ... | Steve | |
| Diane Clayre Holub | ... | Connie | |
| George Peters | ... | Whitney | |
| Ian McMillan | ... | Joe | |
| Dennis Stephenson | ... | Tour Guide | |
| Debbie Ewing | ... | Helen | |
| Kristina Marie Wetzel | ... | Barbie | |
| Harriet Rawlings | ... | Ethel | |
| Christopher Ferris | ... | Matt | |
| Ralph Monaco | ... | Jerry | |
| Deborah Jason | ... | Donna | |
| Tom Fitzsimmons | ... | Ed | |
| Bruce Sterman | ... | Hogan | |
| Luba Pincus | ... | Simmons | |
| Emmett Murphy | ... | George | |
| Trevor Reid | ... | Voodoo Priest | |
| Mignon Lowe | ... | Voodoo Priestess | |
| Oscar Lawson | ... | Creature |
Directed by | |||
| John N. Carter | |||
Writing credits(in alphabetical order) | ||
| David Broadnax | story | |
| Logan O'Neill | screenplay | |
| Logan O'Neill | story | |
| William Stoddard | screenplay | |
Produced by | |||
| David Broadnax | .... | producer | |
| Abraham Dabdoub | .... | producer | |
| Umberto Dileo | .... | producer | |
| Michael Malagiero | .... | producer | |
| Dennis Stephenson | .... | associate producer | |
Original Music by | |||
| Harry Manfredini | |||
Cinematography by | |||
| Robert M. Baldwin | |||
Film Editing by | |||
| John N. Carter | |||
Casting by | |||
| Sarah Hyde Hamlet | |||
Art Direction by | |||
| Srecko Gall | |||
Set Decoration by | |||
| Richard Russell | |||
Makeup Department | |||
| Ted Borrell | .... | hair stylist | |
| Dean Flowers | .... | assistant hair stylist | |
| Philip Goldblat | .... | assistant makeup artist | |
| Joan Russell | .... | assistant hair stylist | |
| Deborah Tischler | .... | makeup artist | |
Production Management | |||
| Lonnie Bailey | .... | unit production manager | |
| Pat Roy Hilton | .... | assistant production manager | |
| Robert Russell | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Harvey Portee | .... | assistant director | |
| Dwight Williams | .... | assistant director | |
Art Department | |||
| Dennis Brook | .... | carpenter | |
| Trevor Reid | .... | props | |
| John Wojtkielo | .... | props | |
Sound Department | |||
| Calvin Aberle | .... | assistant sound editor | |
| Jack Cooley | .... | re-recording mixer | |
| Rolf Pardula | .... | boom operator | |
| Alex Pfau | .... | sound editor | |
| Luba Pincus | .... | assistant sound | |
| Bill Sonnet | .... | sound | |
Special Effects by | |||
| Dennis Eger | .... | special effects makeup | |
| Steven Kirshoff | .... | special effects | |
Camera and Electrical Department | |||
| Samuel Bender | .... | gaffer | |
| Earl Campbell | .... | best boy | |
| Lloyd Clarke | .... | best boy | |
| David M. Dunlap | .... | first assistant camera (as David Dunlap) | |
| Cookie Kinkead | .... | still photographer | |
| Roderick 'Sprinter' Levy | .... | grip | |
| Dave Lowry | .... | grip | |
| Charles Meere | .... | gaffer (as Charley Meere) | |
| Charles Meere III | .... | best boy (as Charley Meere Jr.) | |
| Rex North | .... | key grip | |
| Patricia A. Portela | .... | still photographer | |
| Rick Raphael | .... | camera operator | |
| Richard Reis | .... | assistant camera | |
| Lenford Roye | .... | grip | |
| Clive Thompson | .... | grip | |
| Royburn 'Sugar' Thompson | .... | grip | |
| Eric Walker | .... | best boy | |
| Keith Wheeler | .... | best boy | |
| Jimmy Williams | .... | best boy | |
Costume and Wardrobe Department | |||
| Trevor Reid | .... | wardrobe | |
Editorial Department | |||
| Lillian Benson | .... | assistant editor | |
| Fontaine Carter | .... | apprentice editor | |
| Bert Feldman | .... | negative cutter | |
Transportation Department | |||
| O.T. Bobby | .... | bus driver | |
| Dale Raos | .... | driver | |
| Tony | .... | bus driver | |
Other crew | |||
| Sidney Gecker | .... | script supervisor | |
| Rodney Gordon | .... | mask | |
| Diane Gurwitz | .... | production assistant | |
| Chuck Jones | .... | publicist | |
| Mignon Lowe | .... | production coordinator | |
| Mary Munroe Lozito | .... | production assistant | |
| Diane Morris | .... | production assistant | |
| Lori Peters | .... | production assistant | |
| Sally E. Sterman | .... | production auditor | |
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| Zombies | Raw Force | The Slayer | Black Snake | Piranha Part Two: The Spawning |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
The word "zombie" was added to the title to titillate--as was the presence of Rita Jenrette--as nymphet whose 15 minutes of fame came when talked publicly about her and her congressman husband's supposed tryst on the steps of the Capitol building. Normally, the adventures of a horny lady such as Jenrette would have quickly fizzled in the public's mind had she not subsequently posed for Playboy and starred in this cheap exploitation picture.
Those looking for zombies will no doubt be disappointed, though if you are looking for horny tourists who take off their clothes with little provocation (especially Ms. Jenrette) you will no doubt be satisfied. Heck, the film should have been more appropriately titled "Horny Island Massacre" as indeed there is lots of gratuitous killing and there's something about that tropical air that turns people into horn-dogs! Of course, given the title, the fact it was made by Troma Films AND the sleazy advertising campaign that accompanied the movie's debut, none of this should come as much of a surprise. It's NOT to be mistaken for Shakespeare and you can hardly expect more than you get.
The film has no stars (other than perhaps Jenrette--the Paris Hilton of her day) and has a rather low budget. The writing is pretty dim and there are only a few surprises along the way. One of the particularly silly bits is when the remaining five people wander into a mansion at night. It's totally dark outside, yet one of them almost instantly finds a small handgun hidden in the bushes!! He couldn't have found it faster if he'd had a map! There are also some really dumb people who act almost like they WANT to be killed they behaved so stupidly! I also loved the way Jenrette emoted when her movie husband was killed--it was so embarrassingly bad it gave me a chuckle.
Overall, the film is worth seeing only for the first two minutes, as you get to see an awful lot of the lovely Mrs. Jenrette--an AWFUL lot! After that, it's all down hill! A film worth watching only for bad film fan and the curious who want to catch a glimpse of Jenrette naked. All others beware!