| Videos |
Nancy Dowd (written by)
(more)
13 April 1984 (USA) more
When America marched off to war the women marched into the factory. From then on...nothing was the same.
A woman finds romance when she takes a job at an airport plant to help make ends meet after her husband goes off to war. full summary | add synopsis
Nominated for Oscar. Another 1 win & 1 nomination more
Twilight’s Catherine Hardwicke and Speed Racer’s Emile Hirsch Teaming Up For Modern Day American Hamlet
(From Slash Film. 3 June 2009, 9:24 AM, PDT)
Hawn: "I Will Never Marry Russell"
(From WENN. 16 May 2005)
the towel! more (20 total)
| Goldie Hawn | ... | Kay Walsh | |
| Kurt Russell | ... | Mike 'Lucky' Lockhart | |
| Christine Lahti | ... | Hazel | |
| Fred Ward | ... | Archibald 'Biscuits' Touie | |
| Ed Harris | ... | Jack Walsh | |
| Sudie Bond | ... | Annie | |
| Holly Hunter | ... | Jeannie | |
| Patty Maloney | ... | Laverne | |
| Lisa Pelikan | ... | Violet | |
| Susan Peretz | ... | Edith | |
| Joey Aresco | ... | Johnny Bonnaro | |
| Morris 'Tex' Biggs | ... | Clarence | |
| Reid Cruickshanks | ... | Spike | |
| Danny Darst | ... | Deacon (as Daniel Dean Darst) | |
| Dennis Fimple | ... | Rupert George | |
| Chris Lemmon | ... | Lt. O'Connor (as Christopher Lemmon) | |
| Charles Napier | ... | Moon Willis | |
| Stephen Tobolowsky | ... | French de Mille / Documentary Narrator | |
| Laura Hawn | ... | Ethel, Spike's Wife | |
| Marvin Miller | ... | Rollo | |
| Susan Barnes | ... | Skinny | |
| Beth Henley | ... | Bible Pusher | |
| Gene Borkan | ... | MP at embarcation | |
| Alana Stewart | ... | Frankie Parker | |
| Phillip Christon | ... | Recruit at Egyptian | |
| Penny Johnson | ... | Genevieve | |
| Isabell O'Connor | ... | Rita (as Isabell Monk) | |
| Maggie Renzi | ... | First Interviewer | |
| Sandy McLeod | ... | Second Interviewer (as Sandi McLeod) | |
| George 'Red' Schwartz | ... | Cribman (as George Schwartz) | |
| Alan Toy | ... | Assistant Cribman | |
| Oceana Marr | ... | Ladies' Room Inspector | |
| Richard K. Way | ... | Factory Soldier | |
| Harold Jackson | ... | Piano Player at Sorrentino's | |
| Don Carrara | ... | Drunk Soldier | |
| Todd Allen | ... | Col. Bobby Danzig | |
| Gary Goetzman | ... | Swing Shift bandleader | |
| Belinda Carlisle | ... | Jamboree Singer | |
| Lissette LeCorn | ... | Peggy age 3 | |
| Jessica Gaynes | ... | Peggy age 7 | |
| Deena Marie | ... | Piper Girl | |
| Roger Rook | ... | Bellhop | |
| Joseph Hutton | ... | Seaman Amtzie | |
| Harry Northup | ... | New Year's Eve Marine #1 | |
| David B. Carlton | ... | New Year's Eve Marine #2 | |
| Lisa Chadwick | ... | Vocalist at Kelly's | |
| Eddie Smith | ... | Waiter at Kelly's | |
| Eugene Jackson | ... | Bartender at Kelly's (as Eugene W. Jackson) | |
| Chino 'Fats' Williams | ... | Bouncer at Kelly's | |
| Belita Moreno | ... | Mabel Stoddard | |
| Roger Corman | ... | Mr. MacBride | |
| rest of cast listed alphabetically: | |||
| Cynthia Lea Clark | ... | Dancer (uncredited) | |
| Doug Savant | ... | (uncredited) | |
Directed by | |||
| Jonathan Demme | |||
Writing credits | ||
| Nancy Dowd | (written by) (as Rob Morton) | |
| Bo Goldman | uncredited | |
| Ron Nyswaner | uncredited | |
Produced by | |||
| Jerry Bick | .... | producer | |
| Charles Mulvehill | .... | associate producer | |
| Arlene Sellers | .... | executive producer | |
| Alex Winitsky | .... | executive producer | |
Original Music by | |||
| Patrick Williams | |||
Cinematography by | |||
| Tak Fujimoto | (director of photography) | ||
Film Editing by | |||
| Gib Jaffe | |||
| Craig McKay | |||
Production Design by | |||
| Peter Jamison | |||
Art Direction by | |||
| Bo Welch | |||
Set Decoration by | |||
| Jeff Haley | |||
| R. Chris Westlund | |||
Costume Design by | |||
| Joe I. Tompkins | |||
Makeup Department | |||
| Kathryn Blondell | .... | hair stylist (as Kathryn L. Blondell) | |
| E. Thomas Case | .... | makeup artist (as Tom Case) | |
| Jerry O'Dell | .... | makeup artist (as Gerald O'Dell) | |
| Kim Samson | .... | hair stylist | |
Production Management | |||
| Charles Mulvehill | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Carla Brand Breitner | .... | second second assistant director | |
| Michael Looney | .... | second assistant director | |
| Sharon Mann | .... | second second assistant director (as Sharon S. Mann) | |
| Charles Myers | .... | first assistant director (as C.A. Myers) | |
| Evelyn Purcell | .... | second unit director | |
| Cynthia Riddle | .... | trainee assistant director | |
Art Department | |||
| Dennis DeWaay | .... | construction coordinator | |
| Scott W. Leslie | .... | set dresser | |
| William Kemper Wright | .... | leadman (as William Wright) | |
Sound Department | |||
| Gary Alexander | .... | sound re-recording mixer | |
| Charles L. Campbell | .... | supervising sound editor | |
| Larry Carow | .... | sound editor | |
| Chris Jenkins | .... | sound re-recording mixer | |
| Dennis Jones | .... | boom operator | |
| Tom Overton | .... | sound mixer (as Tommy Overton) | |
| David Pettijohn | .... | sound editor | |
| Norman B. Schwartz | .... | adr dialogue editor | |
| Larry Stensvold | .... | sound re-recording mixer | |
| Roger Sword | .... | sound editor | |
| John Roesch | .... | foley artist (uncredited) | |
Special Effects by | |||
| Rodney M. Byrd | .... | special effects | |
| Richard Lea | .... | special effects | |
Camera and Electrical Department | |||
| Jamie Anderson | .... | camera operator | |
| Edward Brown Jr. | .... | assistant camera | |
| Adam Glick | .... | set lighting technician | |
| Melton Maxwell | .... | gaffer | |
| John T. Ramsey | .... | key grip | |
| Dwayne Redlin | .... | best boy grip | |
| Peter Santoro | .... | assistant camera | |
| John R. Shannon | .... | still photographer (as John Shannon) | |
| Albert Hood | .... | electrician (uncredited) | |
| Paul Jacobsen | .... | electrician: practical fixtures (uncredited) | |
| Michael T. Travers | .... | grip (uncredited) | |
Casting Department | |||
| Marion Dougherty | .... | casting | |
Costume and Wardrobe Department | |||
| Michele Dittrick | .... | costumer | |
| Silvio Scarano | .... | costume supervisor: men | |
| Pamela Wise | .... | costume supervisor: women | |
Editorial Department | |||
| Gib Jaffe | .... | additional film editor | |
Music Department | |||
| Beth Bergeron | .... | music editor | |
| Jack Hayes | .... | orchestrator: Patrick Williams | |
| Billy May | .... | orchestrator: Patrick Williams | |
| Michael Moores | .... | orchestrator: Patrick Williams | |
| Morgan Cavett | .... | music contractor (uncredited) | |
Other crew | |||
| Nancy E. Barr | .... | production coordinator: re-takes | |
| Pablo Ferro | .... | title designer | |
| Jim Gerwig | .... | caterer | |
| Marie Kenney | .... | script supervisor | |
| Sam Mercer | .... | location manager | |
| Eileen Omaye | .... | assistant: Jerry Bick | |
| June Petersen | .... | assistant: Mr. Demme | |
| W. Thomas Snyder | .... | production assistant | |
| Phillip Christon | .... | intern (uncredited) | |
100 min
Color (Technicolor)
1.85 : 1 more
Fort MacArthur, San Pedro, Los Angeles, California, USA more
The original script was written by Nancy Dowd and then rewritten by others. When the film was released, the writing credit was assigned to the fictional "Rob Morton". more
[final lines]
Kay Walsh:
Hazel... we showed 'um didn't we.
Hazel:
Boy, did we ever.
[both hug and cry]
more
Referenced in "The Directors: The Films of Jonathan Demme (#2.27)" (????) more
Serenade in Blue more
|
|
|
|
|
| Pearl Harbor | So Proudly We Hail! | From Here to Eternity | Blue, White and Perfect | The Final Countdown |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
I just watched a video copy of Swing Shift. I wasn't aware of the infamous towel scene with Ed Harris, so when he sat down with his beer and certain parts of his male anatomy were revealed, I couldn't believe my eyes! In fact, I immediately re-wound and played that scene three more times in order to make sure I wasn't seeing things! It's amazing that Ed's "parts" were flashed because 22 years later, male frontal nudity is still rare in films. I assume Goldie and Demme left this quick little scene in the movie to be funny. The rest of the film is nudity-free. Even the bedroom scene with Kurt and Goldie doesn't show them nude.