| Photos (see all 15 | slideshow) | Videos |
| Bernie Worrell | ... | Keyboards | |
| Alex Weir | ... | Guitar and Vocals | |
| Steven Scales | ... | Percussion (as Steve Scales) | |
| Lynn Mabry | ... | Backing Vocals | |
| Ednah Holt | ... | Backing Vocals (as Edna Holt) | |
| Tina Weymouth | ... | Bass, Percussion and Vocals | |
| Jerry Harrison | ... | Guitar, Keyboards and Vocals | |
| Chris Frantz | ... | Drums and Vocals | |
| David Byrne | ... | Vocals and Guitar |
Directed by | |||
| Jonathan Demme | |||
Writing credits(in alphabetical order) | ||
| Jonathan Demme | writer | |
| Talking Heads | writer | |
Produced by | |||
| Gary Goetzman | .... | producer | |
| Gary Kurfirst | .... | executive producer | |
Original Music by | |||
| Chris Frantz | |||
| Jerry Harrison | |||
| Talking Heads | |||
| Tina Weymouth | |||
Cinematography by | |||
| Jordan Cronenweth | |||
Film Editing by | |||
| Lisa Day | |||
Sound Department | |||
| Rick Coberly | .... | sound | |
| Walter A. Gest | .... | sound re-recordist | |
| Stan Horine | .... | sound | |
| Steve Maslow | .... | sound re-recording mixer | |
| Charles Butch Watson | .... | sound | |
Visual Effects by | |||
| Sandy McLeod | .... | visual consultant | |
Camera and Electrical Department | |||
| Mike Chevalier | .... | camera operator | |
| Dave Friedman | .... | still photographer | |
| John Graham | .... | film loader | |
| Ernest Holzman | .... | assistant camera | |
| Johnny E. Jensen | .... | camera operator | |
| Bernie Schwartz | .... | grip | |
| Robert Seaman | .... | camera operator | |
| Greg Walters | .... | assistant camera | |
Editorial Department | |||
| Catherine Peacock | .... | assistant film editor | |
| Barbara Pokras | .... | additional editor | |
Other crew | |||
| John Chimples | .... | slide wrangler | |
| Pablo Ferro | .... | title designer: main title sequence | |
| Sandy McLeod | .... | visual consultant | |
| W. Thomas Snyder | .... | production coordinator | |
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| The Last Waltz | Gimme Shelter | The Concert for Bangladesh | Standing in the Shadows of Motown | Message to Love: The Isle of Wight Festival |
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Most concert films really miss the mark. Woodstock is almost unwatchable today. The Talking Heads "Stop making Sense" show was one of the best concerts that I've ever seen. Thank God for Jonathan Demme catching it so wonderfully on film. The only other concert film that compares to this is "Gimme Shelter." It contains the most powerful message of any rock film ever made. It is the anti-woodstock. But "Stop Making Sense" is simply a joy.