| Photos (see all 54 | slideshow) |
Directed by | |||
| Leonard Nimoy | |||
Writing credits | ||
| Gene Roddenberry | (television series Star Trek) | |
| Harve Bennett | (written by) | |
Produced by | |||
| Harve Bennett | .... | producer | |
| Gary Nardino | .... | executive producer | |
| Ralph Winter | .... | associate producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Charles Correll | |||
Film Editing by | |||
| Robert F. Shugrue | |||
Casting by | |||
| Mary Ann Barton | |||
| Elza Bergeron | |||
| Stuart Jensen | |||
Art Direction by | |||
| John E. Chilberg II | |||
Set Decoration by | |||
| Tom Pedigo | |||
Costume Design by | |||
| Robert Fletcher | |||
Makeup Department | |||
| Paul Abascal | .... | additional hair stylist | |
| Silvia Abascal | .... | hair stylist | |
| Barney Burman | .... | makeup effects lab technician | |
| Wes Dawn | .... | makeup artist | |
| Jim Kail | .... | makeup artist (as James Kail) | |
| James Lee McCoy | .... | key makeup artist | |
| Carol A. O'Connell | .... | additional hair stylist (as Carol O'Connell) | |
| Steve LaPorte | .... | special makeup effects artist (uncredited) | |
| Rick Stratton | .... | makeup artist (uncredited) | |
Production Management | |||
| Michael P. Schoenbrun | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| John Hockridge | .... | first assistant director | |
| Cynthia Riddle | .... | dga trainee | |
| Ken Stringer | .... | second assistant director | |
Art Department | |||
| William Apperson | .... | propmaker foreman | |
| Cameron Birnie | .... | set designer | |
| Ed Charnock | .... | paint foreman | |
| Ron Galloway | .... | swing gang | |
| Scott Goodale | .... | construction foreman | |
| Ron Greenwood | .... | assistant property master | |
| Dennis Ivanjack | .... | stand-by painter | |
| Jerry Kobold | .... | lead man | |
| Thomas W. Lay Jr. | .... | illustrator (as Tom Lay) | |
| Joe Longo | .... | property master | |
| Clarence Lynn Price | .... | construction coordinator (as Lynn Price) | |
| Blake Russell | .... | set designer | |
| Charlie Russo | .... | swing gang | |
| Mark Siegel | .... | sculptor | |
| Louis Zamora | .... | labor foreman | |
Sound Department | |||
| Pamela Bentkowski | .... | foley editor | |
| Raul A. Bruce | .... | boom operator | |
| Gene S. Cantamessa | .... | sound mixer | |
| Robert W. Glass Jr. | .... | sound re-recording mixer | |
| Cecelia Hall | .... | supervising sound editor | |
| Sean Hanley | .... | adr editor | |
| Ellen Heuer | .... | foley artist | |
| Ron Horwitz | .... | sound editor | |
| Alan Howarth | .... | special sound effects | |
| David J. Hudson | .... | sound re-recording mixer | |
| Tom Johnson | .... | additional sound effects | |
| John Leveque | .... | sound effects editor | |
| Dan O'Connell | .... | foley artist | |
| Bruce Richardson | .... | sound effects editor (as Paul Bruce Richardson) | |
| Frank Serafine | .... | special sound effects | |
| Randy Thom | .... | additional sound effects | |
| George Watters II | .... | supervising sound editor | |
| Ray West | .... | sound re-recording mixer | |
| Jack Woods | .... | sound effects editor | |
Special Effects by | |||
| Gary D. Bierend | .... | special effects technician | |
| Bob Dawson | .... | special effects | |
| Rocky Gehr | .... | special effects | |
| Bill George | .... | spacecraft and prop designer | |
| Thomas R. Homsher | .... | special effects | |
| John McLeod | .... | special effects technician | |
| Dennis Petersen | .... | special effects | |
| Tony Vandenecker | .... | special effects | |
Visual Effects by | |||
| Craig Barron | .... | matte cameraman | |
| William Beck | .... | model maker | |
| David Berry | .... | optical line up | |
| Dave Carson | .... | visual effects art director (as David Carson) | |
| Sean M. Casey | .... | model maker (as Sean Casey) | |
| Terry Chostner | .... | still photographer | |
| Donald Clark | .... | optical camera operator | |
| Peter Daulton | .... | visual effects assistant camera | |
| Don Dow | .... | visual effects cameraman (as Donald Dow) | |
| Selwyn Eddy | .... | visual effects cameraman (as Selwyn Eddy III) | |
| Christopher Evans | .... | matte artist (as Chris Evans) | |
| Scott Farrar | .... | special visual effects cameraman | |
| Warren Franklin | .... | visual effects production supervisor | |
| Michael Fulmer | .... | model maker | |
| Steve Gawley | .... | supervising model maker | |
| Ray Gilberti | .... | visual effects assistant camera | |
| Ralph Gordon | .... | optical line up | |
| Caroleen Green | .... | matte artist: ILM | |
| John Haggar | .... | visual effects editor | |
| David Hanks | .... | visual effects assistant camera (as Dave Hanks) | |
| Toby Heindel | .... | visual effects assistant camera | |
| Robert Hill | .... | visual effects assistant camera | |
| Jay Ignaszewski | .... | visual effects editor | |
| Randy Jonsson | .... | assistant camera: ILM (as Randy Johnson) | |
| Ira Keeler | .... | model maker | |
| Bill Kimberlin | .... | chief visual effects editor | |
| James Lim | .... | optical camera operator | |
| Jeff Mann | .... | model maker | |
| Patrick McArdle | .... | visual effects assistant camera | |
| Ted Moehnke | .... | miniature pyrotechnics | |
| Michael Moore | .... | assistant visual effects editor: ILM | |
| Charlie Mullen | .... | animation supervisor (as Charles Mullen) | |
| Phillip Norwood | .... | visual effects animator | |
| Frank Ordaz | .... | matte artist | |
| Michael Pangrazio | .... | matte painting supervisor | |
| Ken Ralston | .... | visual effects supervisor (as Kenneth Ralston) | |
| Nilo Rodis-Jamero | .... | visual effects art director (as Nilo Rodis) | |
| Kenneth Smith | .... | optical photography supervisor (as Kenneth F. Smith) | |
| Thomas G. Smith | .... | general manager: ILM (as Tom Smith) | |
| David Sosalla | .... | creature supervisor | |
| Laurie Vermont | .... | visual effects production coordinator | |
| Bruce Walters | .... | visual effects animator | |
Stunts | |||
| Steve Blalock | .... | stunts | |
| David Burton | .... | stunts | |
| Phil Chong | .... | stunts | |
| Jean Coulter | .... | stunts | |
| Eddy Donno | .... | stunts | |
| Kenny Endoso | .... | stunts | |
| James M. Halty | .... | stunts | |
| Chuck Hicks | .... | stunts | |
| Jeff Jensen | .... | stunts | |
| Al Jones | .... | stunt double: Christopher Lloyd | |
| Don McGovern | .... | stunts (as Don Charles McGovern) | |
| John Meier | .... | stunt double: William Shatner | |
| Tom Morga | .... | stunts | |
| Alan Oliney | .... | stunts | |
| Chuck Picerni Jr. | .... | stunts | |
| Danny Rogers | .... | stunts | |
| R.A. Rondell | .... | stunt coordinator | |
| Frank James Sparks | .... | stunts | |
| Ron Stein | .... | stunt coordinator | |
| David Zellitti | .... | stunts | |
| Lightning Bear | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Ed Cooper | .... | best boy (as Ed 'Big Ed' Cooper) | |
| Clarence Ebert | .... | second company grip | |
| Jon Falkengren | .... | dolly grip | |
| Ray Gilberti | .... | assistant camera | |
| Norman Glasser | .... | gaffer (as Norm Glasser) | |
| Dennis Harper | .... | key grip | |
| Hal Landaker | .... | video supervisor | |
| David B. Nowell | .... | camera operator (as David Nowell) | |
| Norman Parker | .... | second assistant camera: second camera | |
| Ed Reilly | .... | best boy | |
| Randall Robinson | .... | first assistant camera | |
| Peter Santoro | .... | second assistant camera | |
| Tom Sawyer | .... | dolly grip | |
| Michael Scott | .... | second camera operator | |
| Alfredo Sepulveda | .... | second assistant camera | |
| John R. Shannon | .... | still photographer (as John Shannon) | |
| Robert A. Torres | .... | first assistant camera | |
Casting Department | |||
| Barbara Harris | .... | casting: voice-over | |
Costume and Wardrobe Department | |||
| Dan Bronson | .... | wardrobe | |
| Agnes G. Henry | .... | wardrobe supervisor: women | |
| James Linn | .... | wardrobe supervisor: men | |
| Joseph Markham | .... | wardrobe | |
Editorial Department | |||
| Martin Chielens | .... | assistant editor (as Martin X. Chielens) | |
| Daniel F. Finnerty | .... | assistant editor | |
| Bruce Fortune | .... | assistant editor (as Bruce D. Fortune) | |
| John Haggar | .... | assistant editor (as John A. Haggar) | |
| Terry Haggar | .... | color timer (as Terry P. Haggar) | |
| Bob Noland | .... | color timer | |
Music Department | |||
| Bob Badami | .... | music editor | |
| Tommy Johnson | .... | musician: tuba soloist | |
| Greig McRitchie | .... | orchestrator | |
| Dan Wallin | .... | score mixer | |
| James Horner | .... | conductor (uncredited) | |
Transportation Department | |||
| Lynn Harman | .... | transportation captain | |
| Scott Jimerson | .... | driver | |
| Robert D. Mayne | .... | transportation coordinator | |
Other crew | |||
| Deborah Arakelian | .... | production assistant | |
| Barbara Arms | .... | assistant choreographer | |
| Steve Blalock | .... | stand-in | |
| Geoffrey de Valois | .... | production assistant | |
| Robin Kellick | .... | stand-in | |
| Lily La Cava | .... | script supervisor | |
| Alan Landaker | .... | chief engineer | |
| Joel Marston | .... | dialogue coach | |
| Marc Okrand | .... | dialog consultant: Klingon | |
| Gene Roddenberry | .... | executive consultant | |
| Kimberly L. Ryusaki | .... | stand-in | |
| Debbie Schwab | .... | assistant: Mr. Schoenbrun | |
| Mark Siegel | .... | creature maker | |
| Mark Siegel | .... | puppeteer | |
| Andre Tayir | .... | choreographer | |
| Philip Weyland | .... | stand-in (as Phil Weyland) | |
| Rick Whitfield | .... | video coordinator | |
| Leonard Nimoy | .... | additional writer (uncredited) | |
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| Star Trek: The Wrath of Khan | Star Trek VI: The Undiscovered Country | Star Trek IV: The Voyage Home | Star Trek: First Contact | Star Trek V: The Final Frontier |
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Perhaps it is the inevitable comparison to the previous episode, but Star Trek III very much has a feel of being low-rent or second-rate. An excellent example of this can be seen whenever Saavik is on the screen. Kirstie Alley may not be the greatest actor in the world, but Robin Curtis succeeds in making her look like Anna Paquin or Sigourney Weaver by comparison. The strange thing is that Merritt Butrick seems to suffer a decline in performance whenever he is in the same frame with her.
Let's face it, any dialogue heavy film was going to be a letdown after the epic battles in Star Trek II. A very personal battle between two enemies that have been festering in one another's minds for years is always going to make a brief fight with a crew of Klingons seem pretty restrained by comparison. A lot of the film's plot elements also come second-hand from the previous film, so it isn't as if much is done to separate it.
The spaceship sequences also look far less realistic in this film than is the case in the past two films. It seems that Paramount hired another effects house to simulate these moments, and the result is that the ships look as if they are under a constant invisible spotlight, rather than the realistic tones that were evident in the previous two films. The combat doesn't seem nearly as realistic, either. After the massive tradings of torpedoes and phaser energy in the previous film, expecting us to believe the Enterprise can be disabled by a single torpedo is a bit much.
The dynamic between Kirk, Spock, and McCoy was always a big part of what made the original series work, so it's not surprising that an entire film be dedicated to restoring this dynamic. To the credit of the screenwriters, it works. The fights on the surface of Genesis, and some of the dialogues, give the whole film a connection with the audience that later films in the franchise particularly lack. Everyone certainly has a friend that they'd do things like this for if they had to, so it's hard not to get behind the Enterprise crew as they battle for one of their most prominent members.
I would have appreciated more footage to show how Uhura arrives on Vulcan, and what the Federation does when they learn that the crew is on Vulcan. Still, the film is much more tightly paced than some give it credit for, so we can let that one slide. It is, however, interesting to note how little internal security the Starfleet orbital station has. I would have thought that the Starfleet version of the drunk tank would have more than just two security guards, given the wide variation in alien races that make up the organisation.
In all, I gave Star Trek III a six out of ten. Most sequels try to be bigger and bolder than the previous episode. Star Trek III is an exception, but it certainly is a worthwhile viewing if you like a bit of science fiction.