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Directed by | |||
| John Hughes | |||
Writing credits(in alphabetical order) | ||
| John Hughes | written by | |
Produced by | |||
| Hilton A. Green | .... | producer | |
| Michelle Manning | .... | associate producer | |
| Ned Tanen | .... | executive producer | |
Original Music by | |||
| Ira Newborn | |||
Cinematography by | |||
| Bobby Byrne | |||
Film Editing by | |||
| Edward Warschilka | |||
Casting by | |||
| Jackie Burch | |||
Production Design by | |||
| John W. Corso | |||
Set Decoration by | |||
| Jennifer Polito | |||
Makeup Department | |||
| Edouard F. Henriques | .... | makeup artist (as Edouard Henriques) | |
| Rodger Jacobs | .... | makeup artist: Chicago (as Roger Jacobs) | |
| Kathe Swanson | .... | hair stylist: Chicago | |
| Yolanda Toussieng | .... | hair stylist (as Yolanda Toussien) | |
Production Management | |||
| Daniel Franklin | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | first assistant director (as Newton D. Arnold) | |
| James Giovannetti Jr. | .... | second assistant director (as James R. Giovannetti Jr.) | |
Art Department | |||
| Paul Stanwyck | .... | head painter: Chicago | |
| Robert R. Volpe | .... | property master | |
Sound Department | |||
| James R. Alexander | .... | sound mixer (as Jim Alexander) | |
| Bruce Bell | .... | sound editor | |
| Walter A. Gest | .... | sound re-recordist | |
| Jack Gosden | .... | adr editor | |
| Glenn Hoskinson | .... | sound editor | |
| Bob Johnston | .... | sound editor | |
| Rick Kline | .... | sound re-recording mixer | |
| Robert J. Litt | .... | sound re-recording mixer | |
| Gary Priest | .... | assistant sound editor | |
| John Roesch | .... | foley artist | |
| Joan Rowe | .... | foley artist | |
| John Stacy | .... | supervising sound editor | |
| Bruce Stambler | .... | sound editor | |
| Elliot Tyson | .... | sound re-recording mixer | |
| Michael D. Wilhoit | .... | sound editor (as Mike Wilhoit) | |
| Greg Agalsoff | .... | boom operator (uncredited) | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
Stunts | |||
| Paula-Marie Eiser | .... | stunt coordinator (as Paula Eiser) | |
| Rick Le Fevour | .... | stunts | |
| Shannon Madill | .... | stunts | |
| Cheryl Ivy Sweendy | .... | stunts | |
| Kay Whipple | .... | stunts | |
| Mike Yuan | .... | stunts | |
Camera and Electrical Department | |||
| Art Bartels | .... | key grip: Chicago | |
| James Blanford | .... | camera operator: Chicago (as Jim Blanford) | |
| Rick Borchardt | .... | key grip | |
| John W. Brumshagen | .... | gaffer (as John Brumshagen) | |
| Donald Carlson | .... | assistant camera: Chicago crew (as Don Carlson) | |
| Tom Cox | .... | best boy (as Tommy Cox) | |
| Eric Engler | .... | assistant camera | |
| Gary B. Kibbe | .... | camera operator (as Gary Kibbe) | |
| Michael Orefice | .... | best boy | |
| James Zenk | .... | still photographer: Chicago (as Jim Zenk) | |
Casting Department | |||
| David Gonzales | .... | casting assistant | |
| Dee Dee Wehle | .... | casting assistant (as DeeDee Wehle) | |
Costume and Wardrobe Department | |||
| Mark Peterson | .... | costumer: men | |
| Marla Denise Schlom | .... | costumer: women (as Marla Schlom) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Jerrie Fowler | .... | assistant film editor: Chicago | |
| Aubrey Head | .... | color timer | |
| Scott K. Wallace | .... | assistant editor (as Scott Wallace) | |
Music Department | |||
| David Buell | .... | music recording engineer | |
| Jimmy Iovine | .... | music supervisor | |
| Carlton Kaller | .... | assistant music editor | |
| Ted Whitfield | .... | music editor | |
Transportation Department | |||
| Patrick Nallon | .... | transportation captain: Chicago (as Pat Nallon) | |
Other crew | |||
| Tracy Cutts | .... | assistant: John Hughes | |
| Drew Elisius | .... | special consultant | |
| Pamela Elser | .... | shower double: Haviland Morris | |
| Wayne Fitzgerald | .... | titler | |
| Pam Green | .... | production assistant | |
| Mike Henry | .... | intern | |
| Bill Higgins | .... | location manager | |
| Charles Hirschhorn | .... | production assistant | |
| Sandy King | .... | script supervisor | |
| Al Shenfeld | .... | auditor | |
| Linnea Ebba Wicklund | .... | production secretary (as Linnea Wicklund) | |
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These are the immortal words spoken by SIXTEEN CANDLES heroine Samantha Baker (Molly Ringwald) in the ultimate 80's teen comedy. This movie has become a classic to those born in the 70's, like myself, and I now consider it a "guilty pleasure". Its a movie we all grew up with. Didn't we all know a person like 'Farmer Ted', or a hot queenie like the blonde he hilariously gets. It was every young freshman's fantasy. This funny flick is also a relic of the 80's that is not all that dated.
The jokes still work (as long as you see it uncut) and it is neat seeing things of the not so distant past be on display. Floppy disks, headgears, leotards, etc... Time has not been so good to the featured stars. Ringwald and Anthony-Michael Hall, who was born to play this role, and this one only, have all but disappeared. The biggest stars now are blips on the screen here: Joan (in a headgear) and John (a geek) Cusack. The film is like a toy you can't put away.
Some situations are beat, but at least Paul Dooley adds an extra dimension to the father. Too many of John Hughes' teen-angst comedies of the era feature tissue-thin parental figures. This was the first and best of the so-called "brat pack" movies, and will always hold a place in 1980's filmmaking history. Girls learned never to lend their underwear to a geek and we all learned that high school is just a phase, easily forgotten as time goes on.