| Photos (see all 22 | slideshow) | Videos (see all 6) |
Directed by | |||
| John Hughes | |||
Writing credits(in alphabetical order) | ||
| John Hughes | written by | |
Produced by | |||
| Hilton A. Green | .... | producer | |
| Michelle Manning | .... | associate producer | |
| Ned Tanen | .... | executive producer | |
Original Music by | |||
| Ira Newborn | |||
Cinematography by | |||
| Bobby Byrne | |||
Film Editing by | |||
| Edward Warschilka | |||
Casting by | |||
| Jackie Burch | |||
Production Design by | |||
| John W. Corso | |||
Set Decoration by | |||
| Jennifer Polito | |||
Makeup Department | |||
| Edouard F. Henriques | .... | makeup artist (as Edouard Henriques) | |
| Rodger Jacobs | .... | makeup artist: Chicago (as Roger Jacobs) | |
| Kathe Swanson | .... | hair stylist: Chicago | |
| Yolanda Toussieng | .... | hair stylist (as Yolanda Toussien) | |
Production Management | |||
| Daniel Franklin | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | first assistant director (as Newton D. Arnold) | |
| James Giovannetti Jr. | .... | second assistant director (as James R. Giovannetti Jr.) | |
Art Department | |||
| Paul Stanwyck | .... | head painter: Chicago | |
| Robert R. Volpe | .... | property master | |
Sound Department | |||
| James R. Alexander | .... | sound mixer (as Jim Alexander) | |
| Bruce Bell | .... | sound editor | |
| Walter A. Gest | .... | sound re-recordist | |
| Jack Gosden | .... | adr editor | |
| Glenn Hoskinson | .... | sound editor | |
| Bob Johnston | .... | sound editor | |
| Rick Kline | .... | sound re-recording mixer | |
| Robert J. Litt | .... | sound re-recording mixer | |
| Gary Priest | .... | assistant sound editor | |
| John Roesch | .... | foley artist | |
| Joan Rowe | .... | foley artist | |
| John Stacy | .... | supervising sound editor | |
| Bruce Stambler | .... | sound editor | |
| Elliot Tyson | .... | sound re-recording mixer | |
| Michael D. Wilhoit | .... | sound editor (as Mike Wilhoit) | |
| Greg Agalsoff | .... | boom operator (uncredited) | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
Stunts | |||
| Paula-Marie Eiser | .... | stunt coordinator (as Paula Eiser) | |
| Rick Le Fevour | .... | stunts | |
| Shannon Madill | .... | stunts | |
| Cheryl Ivy Sweendy | .... | stunts | |
| Kay Whipple | .... | stunts | |
| Mike Yuan | .... | stunts | |
Camera and Electrical Department | |||
| Art Bartels | .... | key grip: Chicago | |
| James Blanford | .... | camera operator: Chicago (as Jim Blanford) | |
| Rick Borchardt | .... | key grip | |
| John W. Brumshagen | .... | gaffer (as John Brumshagen) | |
| Donald Carlson | .... | assistant camera: Chicago crew (as Don Carlson) | |
| Tom Cox | .... | best boy (as Tommy Cox) | |
| Eric Engler | .... | assistant camera | |
| Gary B. Kibbe | .... | camera operator (as Gary Kibbe) | |
| Michael Orefice | .... | best boy | |
| James Zenk | .... | still photographer: Chicago (as Jim Zenk) | |
Casting Department | |||
| David Gonzales | .... | casting assistant | |
| Dee Dee Wehle | .... | casting assistant (as DeeDee Wehle) | |
Costume and Wardrobe Department | |||
| Mark Peterson | .... | costumer: men | |
| Marla Denise Schlom | .... | costumer: women (as Marla Schlom) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Jerrie Fowler | .... | assistant film editor: Chicago | |
| Aubrey Head | .... | color timer | |
| Scott K. Wallace | .... | assistant editor (as Scott Wallace) | |
Music Department | |||
| David Buell | .... | music recording engineer | |
| Jimmy Iovine | .... | music supervisor | |
| Carlton Kaller | .... | assistant music editor | |
| Ted Whitfield | .... | music editor | |
Transportation Department | |||
| Patrick Nallon | .... | transportation captain: Chicago (as Pat Nallon) | |
Other crew | |||
| Tracy Cutts | .... | assistant: John Hughes | |
| Drew Elisius | .... | special consultant | |
| Pamela Elser | .... | shower double: Haviland Morris | |
| Wayne Fitzgerald | .... | titler | |
| Pam Green | .... | production assistant | |
| Mike Henry | .... | intern | |
| Bill Higgins | .... | location manager | |
| Charles Hirschhorn | .... | production assistant | |
| Sandy King | .... | script supervisor | |
| Al Shenfeld | .... | auditor | |
| Linnea Ebba Wicklund | .... | production secretary (as Linnea Wicklund) | |
|
|
|
|
|
| Valley Girl | The Ice Storm | Bend It Like Beckham | Broken Flowers | American Beauty |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
The final shot of this film can in some ways mirror the difficulties of adolescence. We see Molly Ringwald finally getting to kiss the boy she's been after since the film's outset. However this kiss doesn't look like it would have been particularly easy for the actors to pull off. Both Ringwald and Shoeffling are sitting "Indian-style" on a tabletop facing one another. They both have to lean forward presumably using their wrists for leverage while their lips meet over the flaming candles on her birthday cake. A difficult kiss, indeed.
Sixteen Candles is one of the best films John Hughes gave us in the 1980s. The young cast full of so many extraordinary talents gives us one memorable scene after another. Anthony Michael Hall is particularly effective as the leader of the nerdiest students on campus. Listen to his voice crack as he reads many of his lines, and try not to laugh. Good luck! The plot, as many of us know, centers around a young girl (Ringwald) whose parents forget about her sixteenth birthday in the midst of the chaos surrounding her older sister's wedding. At the same time she tries to win the affection of the most popular guy in school who happens to be dating the most beautiful girl in school. Ah, the trials and tribulations of high school.
The film is well-paced, never drags, and has its characters pegged pretty well. The obnoxious grandparents are particularly well-drawn. Of course things are eventually resolved in a manner that could never possibly happen in real life, but that's why we go to the movies.
I miss those destructive house parties!!! 9 of 10 stars.
The Hound.