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Directed by | |||
| Jeff Kanew | |||
Writing credits(in alphabetical order) | ||
| Jeff Buhai | writer | |
| Tim Metcalfe | story | |
| Miguel Tejada-Flores | writer | |
| Steve Zacharias | writer | |
Produced by | |||
| Ted Field | .... | producer | |
| Peter Macgregor-Scott | .... | co-producer | |
| Peter Samuelson | .... | producer | |
Original Music by | |||
| Thomas Newman | |||
Cinematography by | |||
| King Baggot | |||
Casting by | |||
| Susan Arnold | |||
| Paula Herold | |||
Production Design by | |||
| James L. Schoppe | |||
Set Decoration by | |||
| Frank Lombardo | |||
Makeup Department | |||
| Frank Griffin | .... | makeup artist | |
| Yolanda Toussieng | .... | hair stylist | |
| Mark Wittenberg | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Henry Kline | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Terence A. Donnelly | .... | first assistant director (as Terry Donnelly) | |
| James M. Freitag | .... | second assistant director | |
| Gary Law | .... | additional second assistant director | |
| Byron MacDonald | .... | assistant director intern | |
Art Department | |||
| Craig B. Ayers Sr. | .... | greens foreman | |
| Jo Brown | .... | painter | |
| Michael Casey | .... | set dresser | |
| William 'W' Gilpin | .... | construction foreman | |
| Art Lipschultz | .... | property master | |
| Lance Lombardo | .... | lead man | |
| Everett Olson | .... | construction coordinator | |
| Michael Friedman | .... | assistant art director (uncredited) | |
Sound Department | |||
| Mike O. Corrigan | .... | supervising sound editor | |
| Bob Daniels | .... | adr editor | |
| Pieter Hubbard | .... | sound editor | |
| William Jacobs | .... | sound editor | |
| John Paul Jones | .... | sound editor | |
| Ed Osborne | .... | sound editor (as Edward Osborne) | |
| Al Overton Jr. | .... | sound mixer | |
| Richard Overton | .... | sound re-recording mixer | |
| Theodore Soderberg | .... | sound re-recording mixer | |
| Paul Wells | .... | sound re-recording mixer | |
Special Effects by | |||
| Joseph A. Unsinn | .... | special effects coordinator | |
Stunts | |||
| Edward Adams | .... | stunts | |
| Steve Blalock | .... | stunts (as Stephen Andrew Blalock) | |
| Bing Blenman | .... | stunts | |
| John Cade | .... | stunts | |
| Corey Michael Eubanks | .... | stunts (as Corey Eubanks) | |
| Joe Gilbride | .... | stunts (as Joseph C. Gilbride) | |
| Terry James | .... | stunt coordinator | |
| Terry James | .... | stunts | |
| Danny Rogers | .... | stunts | |
Casting Department | |||
| Susan Johnson | .... | casting intern | |
Costume and Wardrobe Department | |||
| Deborah Hopper | .... | costumer: women | |
| Eddie Marks | .... | costume supervisor | |
| Radford Polinsky | .... | costumer: men | |
Editorial Department | |||
| Amy E. Duddleston | .... | post-production assistant | |
| Nancy Forner | .... | assistant editor | |
Music Department | |||
| John R. Harris | .... | music editor | |
| Martin Schwartz | .... | music supervisor | |
| Armin Steiner | .... | score mixer | |
Transportation Department | |||
| Michael Connolly | .... | transportation coordinator (as Mike Connolly) | |
Other crew | |||
| Brad Dechter | .... | source arrangements | |
| Pete Emmet | .... | unit publicist | |
| Dorain Grusman | .... | choreographer | |
| Kisuna Jacobsen | .... | script supervisor | |
| Robert Maharis | .... | location manager | |
| Giedra Rackauskas | .... | auditor | |
| Pinki Ragan | .... | production coordinator | |
| Jay Roberts | .... | assistant accountant | |
| Lydia Telo | .... | assistant auditor | |
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Revenge Of The Nerds came out during the 1980-86 R-rated teen flick bonanza that was coming out of Hollywood. While this one is much milder than some of the others, it does have it's moments of raunchiness.
The story is simple: two young men are attending Adams University; but find out quickly that their type (the gawky, glasses wearing, intellectuals) are treated like nobodies. In fact, any male who isn't a jock or a WASP isn't even allowed to live in the dorms. A group of "misfits" including the two main characters Lewis and Gilbert are forced to live in the gym. They do find accommodations but they continue to suffer humiliation and embarrassment from the Alpha Betas. And so, like in the title of the movie, they get REVENGE.
This is a movie that certainly can't be made today. Affirmative Action certainly would be in place to disallow discrimination on college campuses. The "villains" make fun of anyone who isn't like them. Still, when it's all said and done the film sends out a message that you should be proud of yourself and how you look and not let anybody tell you otherwise.
Yes, as an 80's film you'll see every requisite of the decade, but you'll also see something that's a portent of the future. The Nerds raid the women's dorm so they can cause a distraction so others can install cameras in the bedrooms and showers so they can be spied on. That has become very popular on the 'Net.
As for the cast: Oh my! You'll never see this intriguing mix too often. Like in Freaky Friday, you'll see a lot of actors who made it big on T.V.
Ted McGinley - The leader of the Alpha Betas. He's been on a zillion T.V. shows. I always thought he was more of a nerd than jock.
John Goodman - Head coach of the football team. He looked so lean. Along with Roseanne; he's a superb supporting actor in major motion pictures but a weak lead actor.
Anthony Edwards - Gilbert Lowell. Dr. Mark Greene on ER. Considered a heartthrob during those years.
Robert Carradine - Lewis Skolnick. Member of the Carradine acting family.
Timothy Busfield - Poindexter. Elliot Weston on "thitysomething".
Matt Salinger - Danny Burke. The son of "The Catcher In The Rye" writer J.D. Salinger.
Curtis Armstrong - Booger. Remember him from Moonlighting?
Even James Cromwell makes a brief appearance as Lewis' father.
As for the comments of Julie Montgomery's beauty; sure she's beautiful. Especially if you like the Kate Moss, Calista Flockhart, J. Cynthia Brooks, Paris Hilton, Samia Ghattas, etc. skin and bones body. I don't, myself.
All in all, this is still a good film that does its job. Just avoid the sequels. None of them are good and lack the bite of the first film.