| Photos (see all 32 | slideshow) | Videos |
| Prince | ... | The Kid | |
| Apollonia Kotero | ... | Apollonia | |
| Morris Day | ... | Morris | |
| Olga Karlatos | ... | Mother | |
| Clarence Williams III | ... | Father | |
| Jerome Benton | ... | Jerome | |
| Billy Sparks | ... | Billy | |
| Jill Jones | ... | Jill | |
| Charles Huntsberry | ... | Chick | |
| Dez Dickerson | ... | Dez | |
| Brenda Bennett | ... | Brenda | |
| Susan Moonsie | ... | Susan (as Susan) | |
| Sandra Claire Gershman | ... | Beautiful Babe | |
| Kim Upsher | ... | Kim | |
| Alan Leeds | ... | Stage Hand | |
| Israel Gordon | ... | Taste M.C. | |
| Gil Jacobson | ... | Cop in Basement | |
| Joseph A. Ferraro | ... | First Avenue M.C. | |
| Joseph E. Ferraro | ... | First Avenue M.C. | |
| James French | ... | Cabbie | |
| Wendy Melvoin | ... | Wendy-The Revolution (as Wendy) | |
| Lisa Coleman | ... | Lisa-The Revolution | |
| Bobby 'Z' Rivkin | ... | Bobby Z.-The Revolution (as Bobby Z.) | |
| Matt Fink | ... | Matt Fink-The Revolution | |
| Brown Mark | ... | Brown Mark-The Revolution | |
| Garry Johnson | ... | Jellybean-The Time | |
| Mark Cardenas | ... | Mark-The Time | |
| Gerald E. Hubbard Jr. | ... | Gerry-The Time | |
| Paul Peterson | ... | Paul-The Time | |
| Jesse Johnson | ... | Jesse - The Time | |
| rest of cast listed alphabetically: | |||
| Jenni Olson | ... | Extra (uncredited) | |
| Tom Tangen | ... | Hiker #1 (uncredited) | |
Directed by | |||
| Albert Magnoli | |||
Writing credits(in alphabetical order) | ||
| William Blinn | written by | |
| Albert Magnoli | written by | |
Produced by | |||
| Robert Cavallo | .... | producer | |
| Steven Fargnoli | .... | producer | |
| Joseph Ruffalo | .... | producer | |
Original Music by | |||
| Michel Colombier | |||
| John L. Nelson | |||
| Prince | |||
Cinematography by | |||
| Donald E. Thorin | |||
Film Editing by | |||
| Albert Magnoli | |||
| Ken Robinson | |||
Casting by | |||
| David Graham | |||
Production Design by | |||
| Ward Preston | |||
Set Decoration by | |||
| Anne D. McCulley | (as Anne McCulley) | ||
Costume Design by | |||
| Marie France | |||
Makeup Department | |||
| Richard Arrington | .... | supervising makeup artist | |
| Susan Caldwell | .... | hair stylist | |
| Jayson Jeffreys | .... | key makeup artist | |
| Earl Jones | .... | hair stylist | |
| Todd Prost | .... | hair stylist | |
| Lee Romanoff | .... | key makeup artist | |
| Susan Wenzel | .... | makeup artist | |
Production Management | |||
| Mike Frankovich Jr. | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Anthony Brand | .... | first assistant director | |
| Britt Lomond | .... | first assistant director | |
| Don Wilkerson | .... | second assistant director | |
Art Department | |||
| Thomas Anderson | .... | shop foreman | |
| Keen Bonath | .... | assistant props | |
| Clare M.S. Fishman | .... | assistant props (as Claire Fishman) | |
| Jim Johnson | .... | property master | |
| Howard McCormick II | .... | lead man | |
| Robert Scaife | .... | construction coordinator (as Bob Scaife) | |
| Wayne Smith | .... | painter | |
| Gregory Tetrault | .... | swing gang | |
| Dane Pizzuti Krogman | .... | scenic artist (uncredited) | |
Sound Department | |||
| James Beshears | .... | sound editor | |
| Bruce Bisenz | .... | sound mixer | |
| Noah Blough | .... | assistant sound editor | |
| Neil Brody | .... | sound re-recording mixer | |
| Jim Cook | .... | sound re-recording mixer: dialogue | |
| Mike Dobie | .... | sound editor (as Michael Dobie) | |
| Richard C. Franklin | .... | sound designer | |
| Richard C. Franklin | .... | supervising sound editor | |
| Robert L. Harman | .... | sound re-recording mixer | |
| David Kern | .... | sound editor | |
| Dan O'Connell | .... | foley artist | |
| Susan Rogers | .... | sound technician | |
| Douglas J. Schulman | .... | boom operator (as Doug Schulman) | |
| Marshall Winn | .... | sound editor | |
| John Asman | .... | sound re-recording mixer (uncredited) | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
Stunts | |||
| Al Jones | .... | stunt coordinator | |
| Kathleen O'Haco | .... | stunts | |
| Ron Oliney | .... | stunts | |
| Brad Orrison | .... | stunts | |
Casting Department | |||
| Peter Golden | .... | casting: New York | |
| David Graham | .... | casting: Los Angeles | |
| Riki Wuolle | .... | casting: Minneapolis | |
Costume and Wardrobe Department | |||
| Sonja Berlovitz | .... | costumer: men | |
| Jimmell Mardome | .... | costumer: men | |
Editorial Department | |||
| Sonny Baskin | .... | additional film editor | |
| Warren Chadwick | .... | additional film editor | |
| George Davis | .... | post-production assistant | |
| Anthony DiMarco | .... | executive in charge of post-production | |
| Aubrey Head | .... | color timer | |
| George Richardson | .... | post-production assistant | |
| Allan Schultz | .... | additional film editor | |
| Mitchell Sinoway | .... | additional film editor | |
| David Taylor | .... | post-production assistant | |
Music Department | |||
| Leroy Bennett | .... | special lighting for musical numbers | |
| Jim Harrison | .... | supervising music editor | |
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| Cry-Baby | The Bodyguard | Christiane F. - Wir Kinder vom Bahnhof Zoo | High Fidelity | Across the Universe |
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| News articles | IMDb Drama section | IMDb USA section |
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Not terribly different from many of the 1930s-era "backstage musicals," Purple Rain sports a contrived plotline that sees Prince (in the film referred to only as The Kid) battling rival musician Morris Day for the affections of new-in-town beauty Apollonia and a shot at stardom through a secure spot on the bill at legendary Minneapolis club First Avenue. A secondary narrative thread concerns The Kid's violent home life and his attempts to protect his mother from his raging, abusive father. Anyone looking for nuance and subtlety won't find it in the acting or the direction, but Prince's stage presence is commanding, and the musical numbers are electrifying. The Academy Award winning song score (irrefutably one of the best rock albums of the 1980s) and Prince's enigmatic, magnetic personality are undoubtedly the chief components in Purple Rain's sturdy cult, but for viewers of the right age, the youthful angst, flip attitude, and bold sexuality of the film will prove to be irresistibly attractive.