| Videos |
| Jennifer Connelly | ... | Jennifer Corvino | |
| Daria Nicolodi | ... | Frau Brückner | |
| Dalila Di Lazzaro | ... | Headmistress | |
| Patrick Bauchau | ... | Inspector Rudolf Geiger | |
| Donald Pleasence | ... | Professor John McGregor | |
| Fiore Argento | ... | Vera Brandt | |
| Federica Mastroianni | ... | Sophie | |
| Fiorenza Tessari | ... | Gisela Sulzer | |
| Mario Donatone | ... | Morris Shapiro | |
| Francesca Ottaviani | ... | Nurse | |
| Michele Soavi | ... | Kurt, Geiger's Assistant | |
| Franco Trevisi | ... | Real Estate Agent | |
| Fausta Avelli | ... | Schoolgirl | |
| Marta Biuso | ... | Schoolgirl | |
| Sophie Bourchier | ... | Schoolgirl | |
| Paola Gropper | ... | Schoolgirl | |
| Ninke Hielkema | ... | Schoolgirl | |
| Mitzy Orsini | ... | Schoolgirl | |
| Geraldine Thomas | ... | Schoolgirl | |
| Tanga | ... | Inga | |
| rest of cast listed alphabetically: | |||
| Nick Alexander | ... | Real estate agent (voice: English version) (uncredited) | |
| Dario Argento | ... | Narrator (Italian version) (voice) (uncredited) | |
| Franca Berdini | ... | Teacher (uncredited) | |
| Kaspar Capparoni | ... | Karl, Sophie's Boyfriend (uncredited) | |
| Alberto Cracco | ... | UBS Bank Teller (uncredited) | |
| Carolyn De Fonseca | ... | Frau Brückner (voice: English version) (uncredited) | |
| Antonio Maimone | ... | EEG Doctor (uncredited) | |
| Davide Marotta | ... | Patua, Bruckner Child (uncredited) | |
| Fulvio Mingozzi | ... | Mr. Sulzer (uncredited) | |
| Marisa Simonetti | ... | Schoolgirl (uncredited) | |
Directed by | |||
| Dario Argento | |||
Writing credits(in alphabetical order) | ||
| Dario Argento | screenplay | |
| Dario Argento | story | |
| Franco Ferrini | screenplay | |
| Franco Ferrini | story | |
Produced by | |||
| Dario Argento | .... | producer | |
| Angelo Jacono | .... | executive producer | |
Original Music by | |||
| Simon Boswell | |||
| Goblin | |||
Cinematography by | |||
| Romano Albani | |||
Film Editing by | |||
| Franco Fraticelli | |||
Production Design by | |||
| Maurizio Garrone | |||
| Nello Giorgetti | |||
| Luciano Spadoni | |||
| Umberto Turco | |||
Costume Design by | |||
| Giorgio Armani | |||
| Marina Malavasi | |||
| Patrizia Massaia | |||
Makeup Department | |||
| Carboni | .... | hair stylist | |
| Patrizia Corridoni | .... | hair stylist | |
| M. Garrone | .... | special makeup effects artist | |
| Pierantonio Mecacci | .... | makeup artist | |
| Rocchetti | .... | hair stylist | |
| Sergio Stivaletti | .... | special makeup effects artist | |
| Barbara Morosetti | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Cesare Jacolucci | .... | production manager | |
| Angelo Jacono | .... | production manager | |
| Marcel Just | .... | unit manager: Switzerland (uncredited) | |
Second Unit Director or Assistant Director | |||
| Bettina Graebe | .... | second assistant director | |
| Michele Soavi | .... | first assistant director | |
Art Department | |||
| Roberto Giancaterini | .... | property master | |
| Mario Grilli | .... | set painter | |
| Renato Lori | .... | set dresser | |
| Osvaldo Monaco | .... | property master | |
| Giuseppe Pagnotta | .... | construction grip | |
| Giuseppe Pagnotta | .... | property master | |
| Rina Villani | .... | set dresser | |
Sound Department | |||
| Nick Alexander | .... | sound effects editor | |
| Vito Catania | .... | boom operator | |
| Franco Fraticelli | .... | supervising sound editor | |
| Sergio Graziani | .... | dubbing sound | |
| Giancarlo Laurenzi | .... | sound mixer | |
| Federico Savina | .... | stereo sound consultant: Dolby | |
| Danilo Sterbini | .... | sound mixer | |
Special Effects by | |||
| Antonio Corridori | .... | special effects | |
| Danilo Bollettini | .... | special effects (uncredited) | |
Visual Effects by | |||
| Luigi Cozzi | .... | special optical effects | |
Stunts | |||
| Eleonora Quaranta | .... | stunts | |
| Giorgio Ricci | .... | stunt coordinator | |
| Attilio Severini | .... | stunts | |
Camera and Electrical Department | |||
| Alberto Altibrandi | .... | gaffer | |
| Gianlorenzo Battaglia | .... | underwater photographer | |
| Francesco Bellomo | .... | still photographer: action stills (as Franco Bellomo) | |
| Aldo Bergamini | .... | assistant camera | |
| Alfredo Ciarpelloni | .... | grip | |
| Maurizio di Stefano | .... | electrician | |
| Sergio Dori | .... | electrician | |
| Cesare Emidi | .... | grip | |
| Luciano Giusepponi | .... | grip | |
| Giancarlo Mereschini | .... | grip | |
| Agostino Pascarella | .... | key grip | |
| Nicola Pecorini | .... | Steadicam operator | |
| Leandro Punturi | .... | grip | |
| Stefano Ricciotti | .... | camera operator | |
| Alessandro Rinaldi | .... | second assistant camera | |
| Otello Santoro | .... | electrician | |
| Vittorio Tonin | .... | electrician | |
Costume and Wardrobe Department | |||
| Giovanna Jacono | .... | wardrobe | |
| Marina Malavasi | .... | wardrobe assistant | |
| Patrizia Massaia | .... | wardrobe assistant | |
Editorial Department | |||
| Piero Bozza | .... | first assistant editor | |
| Sergio Fraticelli | .... | assistant editor | |
| Roberto Priori | .... | second assistant editor | |
Music Department | |||
| Simon Boswell | .... | composer: maggots scene music | |
| Piero Bozza | .... | music editor | |
| Vincent Messina | .... | music soundtrack producer | |
| Fabio Pignatelli | .... | musician | |
| Claudio Simonetti | .... | musician | |
| Terry Taylor | .... | musician | |
Transportation Department | |||
| Cartocci | .... | transportation | |
| Romana Transporti | .... | transportation | |
Other crew | |||
| Ferdinando Armati | .... | special entomological photography | |
| Daniel Berquiny | .... | owner of chimpanzee "tanga" | |
| Ferdinando Caputo | .... | chief production accountant | |
| Giulio Cestari | .... | production accountant | |
| Antonio Corridori | .... | special stage effects | |
| Fabio Dell'uomo | .... | assistant entomologist | |
| Fabrizio Diaz | .... | production secretary | |
| Egle Friggeri | .... | production secretary | |
| Maurizio Garrone | .... | animal and insect supplier | |
| Sheila Goldberg | .... | dialogue coach | |
| Enrico Lucherini | .... | unit publicist | |
| Saverio Mangogna | .... | production secretary | |
| Giorgio Ricci | .... | gunsmith | |
| Renato Rinaldo | .... | production accountant | |
| Serenella Severini | .... | production secretary | |
| Enrico Stella | .... | entomology consultant | |
| Aldo Taloni | .... | chief set builder | |
| Vivalda Vigorelli | .... | script supervisor | |
| Carlo Zini | .... | jewellery | |
| Cesare Barbetti | .... | voice dubbing: Patrick Bauchau (uncredited) | |
| Maria Pia Di Meo | .... | voice dubbing: Dalila Di Lazzaro (uncredited) | |
| Sergio Graziani | .... | voice dubbing: Donald Pleasance (uncredited) | |
| Roberto Ornaro | .... | production accountant (uncredited) | |
| Ilaria Stagni | .... | voice dubbing: Jennifer Connelly (uncredited) | |
Thanks | |||
| Carlo Zini | .... | thanks | |
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| Profondo rosso | L'uccello dalle piume di cristallo | Opera | E tu vivrai nel terrore - L'aldilà | Reazione a catena |
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I have already written a review of "Phenomena", but now that I've seen it 8 or so times since then, it's quickly becoming my favorite Argento movie, with the possible exception of "Suspiria". Both movies are dreamlike - "Suspiria" being an outright surrealistic rollercoaster ride with unforgettably bold visuals. "Phenomena" acquires its texture through a more subtly seductive directorial sense. The blue nights are wonderfully inviting and the day scenes out in the country, with unsurpassedly serene, lovely music (The Goblins?), are almost painfully beautiful. I am serious when I say it's almost sad when I long for my senses to experience such a scenario in real life. And these scenes introduce us to a strange feeling of isolation and ensuing terror. The integrating contrasts are very effective here. I really do think Dario Argento should be defended to those who think he's no more than a hack. Although his sensibilities are irretrievably steeped in a visual framework, almost all of his films are separable accomplishments, each different than the other. The murders are actually secondary to the atmosphere in "Phenomena", which is like a lightweight fairy tale with horrifying subtext. It is his most inviting film by far. "Deep Red" is his sharpest, with the best placement of incongruities (miniature toys and great murders). "Tenebre" is his most textured, probably his most sensuous (all the running water and metal surfaces and bright lighting and that unbelievable tracking shot - yum!) and it contains the most horrific murder. "Suspiria" is absolutely his most vivid and memorable. "Opera" is the probably the most suspenseful (the ending of that film approaches "Phenomena" in unexplainable beauty) and has an incredible gimmick (pins under the eyelids). My favorites in order - 1)Suspiria 2)Phenomena 3)Tenebre 4)Opera 5)Deep Red 6)Cat O'Nine Tails 7)Bird with the Crystal Plumage 8)Inferno 9)Trauma