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A Passage to India (1984)
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Overview
User Rating:
Director:
Writers:
Release Date:
25 January 1985 (USA)
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Tagline:
David Lean, the Director of "Doctor Zhivago", "Lawrence of Arabia" and "The Bridge on the River Kwai", invites you on . . .[A Passage to India]
Plot:
Cultural mistrust and false accusations doom a friendship in British colonial India between an Indian doctor, an Englishwoman engaged to marry a city magistrate, and an English educator. full summary | add synopsis
Awards:
Won 2 Oscars.
Another 18 wins
&
24 nominations
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NewsDesk:
(12 articles)
The Twilight Saga: New Moon - why resistance is futile
(From The Guardian - Film News. 27 November 2009, 1:30 AM, PST)
A Passage To India – Judy Davis, Peggy Ashcroft – d: David Lean
(From Alternative Film Guide. 25 November 2009, 10:05 PM, PST)
(From The Guardian - Film News. 27 November 2009, 1:30 AM, PST)
A Passage To India – Judy Davis, Peggy Ashcroft – d: David Lean
(From Alternative Film Guide. 25 November 2009, 10:05 PM, PST)
User Comments:
Mercifully, This Is No Epic
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Cast
(Cast overview, first billed only)| Judy Davis | ... | Adela | |
| Victor Banerjee | ... | Aziz | |
| Peggy Ashcroft | ... | Mrs. Moore | |
| James Fox | ... | Fielding | |
| Alec Guinness | ... | Godbole | |
| Nigel Havers | ... | Ronny | |
| Richard Wilson | ... | Turton | |
| Antonia Pemberton | ... | Mrs. Turton | |
| Michael Culver | ... | McBryde | |
| Art Malik | ... | Ali | |
| Saeed Jaffrey | ... | Hamidullah | |
| Clive Swift | ... | Major Callendar | |
| Ann Firbank | ... | Mrs. Callendar | |
| Roshan Seth | ... | Amritrao | |
| Sandra Hotz | ... | Stella |
Additional Details
Also Known As:
David Lean's Film of a Passage to India (UK) (complete title)
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Parents Guide:
Runtime:
163 min
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Iceland:L |
Canada:PG (Ontario) |
Norway:12 |
West Germany:6 (f) |
Brazil:Livre |
UK:PG (video rating) (1987) |
Argentina:Atp |
Australia:PG |
Chile:TE |
Finland:K-11 (DVD rating) |
Sweden:11 |
USA:PG |
Ireland:PG |
UK:PG |
Singapore:PG |
Netherlands:AL
Filming Locations:
Fun Stuff
Trivia:
The relationship between David Lean and Alec Guinness deteriorated during the making of the movie. The final straw came for Guinness when he found out that a large chunk of his scenes had been left on the cutting floor by Lean. Neither man ever met or spoke to the other again.
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Goofs:
Revealing mistakes: At the end of the film, as Dr. Aziz writes a letter, a festival with fireworks is going on outside his window. The colors red, green, and purple all appear simultaneously at two separate intervals, indicating studio lights instead of fireworks.
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Quotes:
Mrs. Moore:
My dear, life rarely gives us what we want at the moment we consider appropriate. Adventures do occur, but not punctually.
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Movie Connections:
Referenced in Indiana Jones: Making the Trilogy (2003) (V)
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Soundtrack:
Tea For Two
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FAQ
A NOTE ABOUT SPOILERSIs Adela Quested deluded, evil, malicious or just downright stupid?
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My interest in caves led me to watch this film. A small, but pivotal, part of the film's plot centers on what happens at the Marabar Caves. While the cave segment was a disappointment to me, I was pleasantly surprised by the film as a whole. It was not the grandiose, pretentious cinematic epic I had feared.
"A Passage To India" tells the story of a young British woman and her elderly traveling companion who journey from England to India, at a time when the British still ruled that country. The film's theme centers on British attitudes toward the people of India. Those attitudes can be summarized as: condescending, snobbish, and racist. It was the English vision of cultural superiority over the Indian people that E.M Forster wrote about in his 1924 novel, upon which the screenplay is based. That cultural vision represents a bygone, imperial era that today seems quaint.
The cinematography here is excellent, though perhaps not quite as sweeping or majestic as in some of Director Lean's previous films. What comes through in the visuals is India's spectacular scenery. The film's acting is competent. And I liked the film's original score.
My main complaint is the film's length. It's a two-hour story stretched to fill almost three hours. I would have cut out most, or all, of the crowd and mob scenes because they are not needed, and because they infuse the film with a "cast of thousands" aura that moves the film implicitly in the direction of epic status. Even as is, the film is sufficiently low-key and personal to be enjoyable.