| Photos (see all 4 | slideshow) | Videos |
| Jon Cryer | ... | Charles Cummings | |
| Demi Moore | ... | Laura Victor | |
| George Wendt | ... | Jake | |
| Peter Frechette | ... | Leonard | |
| Elizabeth Daily | ... | Susan | |
| Ann Wedgeworth | ... | Joan Cummings | |
| Jeffrey Tambor | ... | Ken | |
| Tim Robbins | ... | Nelson | |
| Hamilton Camp | ... | Gus Sosnowski | |
| Scott Getlin | ... | Scott | |
| Judith Baldwin | ... | Stephanie (as Judy Baldwin) | |
| Jennifer Tilly | ... | Mona | |
| Kene Holliday | ... | Walt Cronin | |
| Thomas Adams | ... | Waiter | |
| Myles Berkowitz | ... | John | |
| Steven James Brown | ... | Boy at Stag Party | |
| Joe Cappetta | ... | Cafe Patron | |
| Jack R. Clinton | ... | Bartender | |
| Joseph Darling | ... | Elderly Man | |
| Tate Donovan | ... | Bob | |
| Rick Ducommun | ... | Groom | |
| Jan Dunn | ... | Lady with Dog | |
| Louis Geneva | ... | Cabbie | |
| James Guidera | ... | Cafe Patron | |
| Ashley Woodman Hall | ... | Band Leader at Jake's | |
| Rupert Holmes | ... | Band Leader at Wedding | |
| Mia Kelly | ... | Waitress at Jake's | |
| Lori Kruger | ... | Woman in Crowd | |
| Joe Lerer | ... | French Teacher | |
| Katherine Lyons | ... | Wedding Cocktail Waitress | |
| Shermaine Michaels | ... | Bride | |
| Steve Monarque | ... | Larry | |
| George Pentecost | ... | Minister | |
| Maureen Ann Schatzberg | ... | Prostitute | |
| Mischa Schwartzmann | ... | Bum | |
| Ramona Scott | ... | Grace | |
| Sally Schaub | ... | Museum Employee | |
| Helen Swee | ... | Elderly Woman | |
| Arthur Taxier | ... | Bouncer | |
| Morgan Upton | ... | News Vendor | |
| Michael Vaughn | ... | Nelson's Friend | |
| B.P. Valderrama | ... | Biker | |
| Joan Valderrama | ... | Biker's Girl | |
| Michael David Wright | ... | Jim |
Directed by | |||
| Jerry Schatzberg | |||
Writing credits | ||
| Craig Bolotin | (story) (as Charles Bolt) | |
| Craig Bolotin | (screenplay) (as Charles Bolt) & | |
| Terence Mulcahy | (screenplay) | |
Produced by | |||
| George Justin | .... | executive producer | |
| William Sackheim | .... | producer | |
Original Music by | |||
| Rupert Holmes | |||
Cinematography by | |||
| Vilmos Zsigmond | |||
Film Editing by | |||
| Priscilla Nedd-Friendly | (as Priscilla Nedd) | ||
| Eve Newman | |||
| Melvin Shapiro | |||
Casting by | |||
| Karen Rea | |||
Production Design by | |||
| Robert F. Boyle | (as Robert Boyle) | ||
Art Direction by | |||
| Frank Richwood | |||
Set Decoration by | |||
| Arthur Jeph Parker | |||
Costume Design by | |||
| Jo Ynocencio | |||
Makeup Department | |||
| Lynda Gurasich | .... | hair stylist | |
| Christina Smith | .... | makeup artist | |
Production Management | |||
| George Justin | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Michael Looney | .... | second assistant director | |
| Charles Myers | .... | first assistant director (as Chuck Myers) | |
Art Department | |||
| Rene Auda | .... | stand-by painter | |
| Cindy Lou Burroughs | .... | lead person | |
| Craig Edgar | .... | set designer | |
| Russell Goble | .... | property master | |
| Don High | .... | set designer (as Donald High) | |
| Roger Irvin | .... | construction coordinator (as Roger L. Irvin) | |
| Larry McGuire | .... | assistant property master | |
| Mark Poll | .... | set designer | |
| Robert J. Schlafle | .... | set designer | |
| Gary Clark | .... | lead paint foreman (uncredited) | |
| Bill Iiams | .... | general foreman (uncredited) | |
Sound Department | |||
| Wayne Artman | .... | sound re-recording mixer | |
| Tom Beckert | .... | sound re-recording mixer | |
| Tom E. Dahl | .... | sound re-recording mixer | |
| William L. Manger | .... | supervising sound editor | |
| Mark Hopkins McNabb | .... | boom operator | |
| Paul Miller | .... | cable person | |
| Art Ottinger | .... | adr editor (as Arthur Ottinger) | |
| Art Rochester | .... | production sound mixer (as Arthur N. Rochester) | |
| David Spence | .... | sound editor | |
| Vanessa Theme Ament | .... | foley artist (uncredited) | |
Special Effects by | |||
| Larry L. Fuentes | .... | special effects (as Larry Fuentes) | |
Stunts | |||
| Christine Anne Baur | .... | stunts (as Christine Bauer) | |
| Sandy Berumen | .... | stunts (as Sand Berumen) | |
| Jack Carpenter | .... | stunts | |
| Steve M. Davison | .... | stunts (as Steve Davison) | |
| Tim A. Davison | .... | stunts (as Tim Davison) | |
| Leonard P. Geer | .... | stunts (as Lenny Geer) | |
| Buddy Joe Hooker | .... | stunts | |
| Jon Conrad Pochron | .... | stunts (as Jon Pochran) | |
| Ronnie Rondell Jr. | .... | stunts (as Ronnie Rondell) | |
| Reid Rondell | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Colin J. Campbell | .... | gaffer (as Colin Campbell) | |
| John J. Connor | .... | camera operator (as John Connor) | |
| Tony Costa | .... | special still photographer | |
| Dick Deats | .... | key grip (as Richard Deats) | |
| Frank Del Boccio | .... | second assistant camera | |
| Frank Holdsworth | .... | best boy | |
| Robert Jason | .... | best boy | |
| Ken Nishino | .... | first assistant camera (as Kenny Nishino) | |
| Hank Sheppherd | .... | best boy grip | |
| James M. Sheppherd | .... | dolly grip (as James Sheppherd) | |
| Peter Sorel | .... | still photographer | |
| Joseph D. Urbanczyk | .... | camera intern: Mr. Zsigmond (as Joseph Urbanczyk) | |
Casting Department | |||
| Joanne Zaluski | .... | casting coordinator | |
Costume and Wardrobe Department | |||
| Cynthia Bales | .... | costume supervisor | |
| Sandy Berke Jordan | .... | costumer (as Sandy Berk Jordan) | |
Editorial Department | |||
| Sonny Baskin | .... | associate film editor | |
| Dana Reston | .... | apprentice film editor | |
| Daniel Sackheim | .... | assistant film editor | |
| Bobbie Shapiro | .... | assistant film editor | |
| Emily Wallin | .... | assistant film editor | |
Music Department | |||
| Christopher Brooks | .... | music editor (as Chris Brooks) | |
| Richard Stone | .... | music editor | |
Transportation Department | |||
| John Curtis | .... | transportation captain | |
| Gene R. Johnson | .... | transportation coordinator | |
| Tommy Tancharoen | .... | transportation captain (as Tom Tancharoen) | |
| William Hogue | .... | driver (uncredited) | |
Other crew | |||
| John Ross Bush | .... | location manager | |
| John Ross Bush | .... | production liaison | |
| Deborah Davis | .... | assistant: Mr. Schatzberg | |
| Judith Gill | .... | production coordinator | |
| Vic Heutschy | .... | unit publicist | |
| Larry Jones | .... | production assistant | |
| Trish Kinney | .... | script supervisor | |
| Ruben Martinez | .... | craft service (as Rubin Martinez) | |
| W. Thomas Snyder | .... | production assistant | |
| Ann Tait | .... | production controller (as Ann Tait-Rourk) | |
| Mary Vandagriff | .... | assistant: Mr. Sackheim | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
I've seen this film about five times now and I never cease to be delighted by its charms.
Where do I start? Firstly Jon Cryer is truly excellent as the precocious adolescent amateur photographer who spouts sophisticated adult dialogue but is really naive on the romantic front. The way he blushes at the right moment is very credible. He plays the blushing virgin with gusto - we don't doubt for a moment that he's never had sex or kissed a girl.
Firstly I must admit here to being a major fan of Demi Moore's films in the 80's. I've seen all of them from that period and I adore the characters she plays - Moore is what I call 'value added'. Whatever role she plays she brings something special, whether it is a brilliant range in temperament, downcast eyes, the husky voice, the tearful eyes the shiny hair. Most Hollywood actresses can't manage this, but Demi manages to be the girl next door and screen siren all in one.
Anyway she plays this aspiring niteclub singer with bad taste in 80's clothes and even worse taste in music. To her credit she doesn't sing any of the songs as they were recorded by other people, so she just lip syncs along quite nicely. That song 'Hotheaded' is actually quite catchy in that Michael Bolton, Bar 'rawk' sort of way. Overall her character, Laura Victor comes over as a really likable human being. And the final scene at the airport is truly touching. Moore's says two simple words 'thank you' and we know she means it.
Another to reason to love this film is that it was filmed entirely on location in San Francisco, and studio interiors are very few and far in between. Most of the shots are on real locations which adds to the movie's overall charm. This combined with the corny dialogue: that scene where she barges into the High School language laboratory dressed in a coctail waitress (read hooker!) outfit in very high heels and pulls Cryer out of the language lab is really funny - especially when she says "F*** Off ez Vous" to the French teacher.
Some of the scenes are chauvinistic, including the one with frat boys and the hired hooker - which really doesn't have any relevance to the overall plot. And I agree with a previous poster who says that Cryer's on screen mother is one of the most irritating characters to appear in movies. That line about the sausage of Cryer's brother going cold is truly risible. When I watch this film I try very hard to ignore the flaws!
This is corny, cheesy and highly entertaining. It really captures the spirit of the 80's. I'll never stop watching it - I love it.
Bonus: watch out for Jennifer Tilly and Tim Robbins in bit parts playing Cryer's classmates. Robbins was 28 when he played this role. Teenage high school student he ain't! But it's still good to see him in this. Also the very catchy song 'Eiffel Tower' by Malcolm McClaren and the McClarenettes.
Moore wears some wacky clothes and has that 80's penchant for long evening gloves with hundreds of bangles, very Material Girl! I love that cabin on the boardwalk apartment she lives in while working at Jakes's as a singer. Very bohemian, very cool, very 1984!