Night of the Comet (1984)

User Rating:

6.2/10   

Director:

Thom Eberhardt

Writer:

Thom Eberhardt (written by)

Release Date:

16 November 1984 (USA)

Genre:

Comedy | Horror | Sci-Fi | Thriller

Tagline:

It was the last thing on earth they ever expected.

Plot:

A comet wipes out most of life on Earth, leaving two Valley Girls to fight the evil types who survive.

Plot Keywords:

Comet | Scientist | Radio Station | Dead | Killer Child

Awards:

1 nomination

Cast

Robert Beltran	...	Hector
Catherine Mary Stewart	...	Regina
Kelli Maroney	...	Samantha
Sharon Farrell	...	Doris
Mary Woronov	...	Audrey
Geoffrey Lewis	...	Carter
Peter Fox	...	Wilson
John Achorn	...	Oscar
Michael Bowen	...	Larry
Devon Ericson	...	Minder
Lissa Layng	...	Davenport
Ivan E. Roth	...	Willy
Janice Kawaye	...	Sarah
Chance Boyer	...	Brian
Andrew Boyer	...	Rogers

Runtime:

95 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono

Certification:

Germany:16 | Iceland:12 | Finland:K-16 | USA:PG-13 (certificate #27376) | Australia:M | UK:15 | Canada:13+ (Quebec) | Canada:AA (Ontario)

Filming Locations:

5515 Wilshire Blvd., Hancock Park, Los Angeles, California, USA

Company:

Thomas Coleman and Michael Rosenblatt Productions

Trivia:

As the blue Mercedes is pulling away in the closing shots of the movie we see the three initial license plate "DMK" this is the same initials Regina felt she had to remove from the video game in the lobby of the movie theater.

Goofs:

Factual errors: When Regina types in 'REG' as high score position #6 on the video game, it would have dropped 'DMK' to position #7, not eliminate it entirely.

Quotes:

Regina Belmont: DMK? Who the hell is DMK?

Movie Connections:

References The Wild One (1953)

Soundtrack:

Strong Heart

Wonderfully Camp 80s fare

This is one of my guilty pleasures. A camp, 80s sci-fi caper that's dated but still enjoyable. The opening is wonderful and contrasts with the subdued but somewhat haunting ending. Back in 1984 this would have been even better because it would not have been regarded as camp. Today it seems we can all sneer our postmodern noses at such works but make assertions that its kitsch quality is now rather endearing. Catherine Mary Stewart steals the film with her Ripleyesque action moves and feminine charm, while Zoe Kelli Simon provides a number of dumb blonde comedic moments. The film lags somewhat after the brilliant opening but never loses its heart. The only downside is the fact it seems like a TV film/80s MTV video with its fuzzy camera-work. Watch it with popcorn at home, preferably late at night.