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IMDb > Klassenverhältnisse (1984)

Klassenverhältnisse (1984) More at IMDbPro »


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Overview

User Rating:
7.0/10   141 votes
MOVIEmeter: ?
Up 14% in popularity this week. See why on IMDbPro.
Writer:
Franz Kafka (novel)
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Contact:
View company contact information for Klassenverhältnisse on IMDbPro.
Release Date:
3 October 1984 (France) more
Genre:
Plot Keywords:
Awards:
2 wins & 1 nomination more
User Comments:
Possibly their most accessible film more (2 total)

Cast

  (Cast overview, first billed only)
Christian Heinisch ... Karl Roßmann
Nazzareno Bianconi ... Giacomo
Mario Adorf ... Der Onkel
Laura Betti ... Brunelda
Harun Farocki ... Delamarche
Manfred Blank ... Robinson
Reinald Schnell ... Der Heizer
Anna Schnell ... Line
Klaus Traube ... Der kapitän
Hermann Hartmann ... Der Oberkassier
Gérard Semaan ... Schubal
Jean-François Quinque ... Der Stewart
Villi Vöbel ... Pollunder
Tilman Heinisch ... Green
Anne Bold ... Klara
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Additional Details

Also Known As:
Amerika, rapports de classe (France)
Class Relations
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Runtime:
Germany:127 min | USA:126 min | Argentina:127 min (Buenos Aires Festival Internacional de Cine Independiente)
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Certification:

Fun Stuff

Movie Connections:
Version of Amerika (1994) more

FAQ

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5 out of 5 people found the following comment useful.
Possibly their most accessible film, 17 February 2008
10/10
Author: robert burton from United Kingdom

Only a handful of directors have attempted to adapt Kafka to the screen:Welles with "The Trial" and Haneke with "The Castle" being the two most successful,but this adaptation of his unfinished novel "Amerika" is perhaps the best. "Amerika" was always Kafka's most approachable novel without many of the labyrinthine plots and tortured characters of the other novels and the Straubs certainly approach it with the utmost fidelity. It is the story of Karl Rosmann,a German youth who after getting a servant-girl into trouble is sent by his parents to find work in America.Like the novel,the film proceeds with a series of picaresque episodes recounting his travails first in staying with his wealthy uncle and then finding employment in a large opulent hotel. The Straubs' minimalist style of long takes combined with static camera-work is preserved but the habitually expressionless acting style of their usually non professional cast is here combined with a more declamatory,theatrical style of acting favoured by some of the more experienced members of the cast,notably Laura Betti,and unlike many of their more hermetic film,this can be enjoyed by audiences as a much more straightforward exercise in the pleasures of narrative film-making.

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