| Photos (see all 11 | slideshow) |
| Laurence Olivier | ... | King Lear | |
| Colin Blakely | ... | Kent | |
| Anna Calder-Marshall | ... | Cordelia | |
| Jeremy Kemp | ... | Cornwall | |
| Robert Lang | ... | Albany | |
| Robert Lindsay | ... | Edmund | |
| Leo McKern | ... | Gloucester | |
| David Threlfall | ... | Edgar | |
| Dorothy Tutin | ... | Goneril | |
| John Hurt | ... | The Fool | |
| Diana Rigg | ... | Regan | |
| Brian Cox | ... | Burgundy | |
| Edward Petherbridge | ... | France | |
| Geoffrey Bateman | ... | Oswald | |
| John Cording | ... | Lear's Knight | |
| Benny Young | ... | Cornwall's Servant | |
| Esmond Knight | ... | Old Man | |
| Ian Ruskin | ... | Edmund's Officer | |
| Paul Curran | ... | Doctor | |
| Ronald Forfar | ... | First Officer | |
| Harry Walker | ... | Second Officer | |
| rest of cast listed alphabetically: | |||
| Harry Fielder | ... | Man servant (uncredited) | |
Directed by | |||
| Michael Elliott | |||
Writing credits(in alphabetical order) | ||
| William Shakespeare | play | |
Produced by | |||
| David Plowright | .... | executive producer | |
| David Plowright | .... | producer | |
Original Music by | |||
| Gordon Crosse | |||
Casting by | |||
| Malcolm Drury | |||
Production Design by | |||
| Colin Lowrey | |||
| Roy Stonehouse | |||
Costume Design by | |||
| Tanya Moiseiwitsch | |||
Makeup Department | |||
| Lois Richardson | .... | makeup supervisor | |
Art Department | |||
| Ray Freeman | .... | graphic designer | |
Sound Department | |||
| Alistair Houston | .... | sound mixer | |
Camera and Electrical Department | |||
| Roger England | .... | camera operator: studio camera | |
| Mike Turnbull | .... | camera operator | |
| Christopher White | .... | studio lighting | |
Costume and Wardrobe Department | |||
| Charlotte Holdich | .... | associate costume designer | |
Editorial Department | |||
| Linda Anthony | .... | vision mixer | |
| D.L. Heyes | .... | editor: video tape | |
| Ron Swain | .... | editor: video tape | |
Music Department | |||
| Gordon Crosse | .... | conductor | |
| Alex Dobos | .... | music recordist | |
Other crew | |||
| Lesley Beames | .... | researcher | |
| Jo Day | .... | assistant stage manager | |
| Louise Doffman | .... | production assistant | |
| Ron Greenhalgh | .... | studio supervisor | |
| William Hobbs | .... | fight arranger | |
| Ken Jones | .... | studio vision | |
| Graham Wild | .... | floor manager | |
| Recent Posts (updated daily) | User |
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| Playing Lear | thl2k1 |
| Is it me? | jmull |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
| Add this title to MyMovies |
King Lear is a rough-hewn, majestic work of genius which addresses issues of life and family that we can all identify with, 400 years later. It is a difficult play to get right, on screen or on the stage because it demands the greatest acting from the best available actors.
And this gripping performance manages to do it. The sets are cheap, the video quality is poor and murky but the powerful work of a terrific Laurence Olivier and a faultless cast of Britain's finest Shakespearean actors shines through.
One poor performance can ruin a production like this, but every single actor rises to the occasion, and each character is well-realised and credible. There is not a single weak performance, even from those with the smallest roles.
The poetry flows, the imagery is beautiful and moving and the themes are brought into sharp relief. From the first scene, you will not need a text of the play to understand what is going on.
With Olivier gone and Branagh still several decades from being old enough to take on the role, we can expect this to be the definitive version for years to come.