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| Robert De Niro | ... | Frank Raftis | |
| Meryl Streep | ... | Molly Gilmore | |
| Harvey Keitel | ... | Ed Lasky | |
| Jane Kaczmarek | ... | Ann Raftis | |
| George Martin | ... | John Trainer | |
| David Clennon | ... | Brian Gilmore | |
| Dianne Wiest | ... | Isabelle | |
| Victor Argo | ... | Victor Rawlins | |
| Wiley Earl | ... | Mike Raftis | |
| Jesse Bradford | ... | Joe Raftis | |
| Chevi Colton | ... | Elevator Woman | |
| Richard Giza | ... | Salesman | |
| Frances Conroy | ... | Waitress | |
| James Ryan | ... | Cashier | |
| Sonny Abagnale | ... | Tow Truck driver | |
| George Barry | ... | Conductor #1 | |
| L.P. McGlynn | ... | Conductor #2 | |
| J.S. Klinetob | ... | Conductor #3 | |
| Paul Herman | ... | Engineer | |
| Kenneth Welsh | ... | Doctor | |
| John H. Reese | ... | Taxi Driver #1 | |
| Clem Caserta | ... | Taxi Driver #2 | |
| Yanni Sfinias | ... | Hot Dog Vendor | |
| Donald R. Goodness | ... | Minister | |
| Florence Anglin | ... | Saleslady | |
| Gerald M. Kline | ... | First Man | |
| Barry R. Smith | ... | Usher | |
| John Ottavino | ... | Construction Worker | |
| rest of cast listed alphabetically: | |||
| Lisa Bansavage | ... | Nurse (uncredited) | |
| Sandra Bogan | ... | Marta (uncredited) | |
| Mike Tremont | ... | Architect (uncredited) | |
Directed by | |||
| Ulu Grosbard | |||
Writing credits(in alphabetical order) | ||
| Michael Cristofer | writer | |
Produced by | |||
| Robert F. Colesberry | .... | associate producer | |
| Marvin Worth | .... | producer | |
Original Music by | |||
| Dave Grusin | |||
Cinematography by | |||
| Peter Suschitzky | (director of photography) | ||
Film Editing by | |||
| Michael Kahn | |||
Casting by | |||
| Pat McCorkle | |||
| Juliet Taylor | |||
Production Design by | |||
| Santo Loquasto | |||
Art Direction by | |||
| Speed Hopkins | |||
Set Decoration by | |||
| Steven J. Jordan | (as Steven Jordan) | ||
Costume Design by | |||
| Richard Bruno | |||
Makeup Department | |||
| J. Roy Helland | .... | hair stylist: Ms. Streep | |
| J. Roy Helland | .... | makeup artist: Ms. Streep | |
| Lyndell Quiyou | .... | hair stylist | |
| Mickey Scott | .... | makeup artist | |
Production Management | |||
| Robert F. Colesberry | .... | unit production manager | |
| Tom Razzano | .... | assistant unit production manager (as Thomas A. Razzano) | |
Second Unit Director or Assistant Director | |||
| Paula Brody | .... | dga trainee | |
| James Chory | .... | second assistant director | |
| Thomas J. Mack | .... | first assistant director | |
Art Department | |||
| Cathy Barancik | .... | illustrator: Meryl Streep | |
| Billy Bishop | .... | props (as Bill Bishop) | |
| James V. Gartland | .... | construction grip | |
| Glenn Lloyd | .... | art department assistant | |
| Richard Michael Miller | .... | assistant art director | |
| Ron Petagna | .... | construction coordinator (as Ronald Petagna) | |
| Jimmy Raitt | .... | property master | |
| Cosmo Sorice | .... | scenic artist | |
| James Sorice | .... | chargeman scenic artist | |
| Thomas M. Southern | .... | shop craftsman | |
| Dave Weinman | .... | set dresser (as David Weinman) | |
| John Davis | .... | storyboard artist (uncredited) | |
| Frank Didio | .... | head carpenter (uncredited) | |
Sound Department | |||
| Gary Alexander | .... | sound re-recording mixer | |
| Gary S. Gerlich | .... | sound effects editor | |
| Robert Glass | .... | sound re-recording mixer | |
| J. Paul Huntsman | .... | adr editor | |
| Vito L. Ilardi | .... | boom operator (as Vito Ilardi) | |
| Robert Knudson | .... | sound re-recording mixer (as Buzz Knudson) | |
| Les Lazarowitz | .... | sound mixer | |
| Frank E. Warner | .... | supervising sound editor (as Frank Warner) | |
| Bill Wylie | .... | sound effects editor | |
Visual Effects by | |||
| Bill Hansard | .... | process supervisor | |
| Don Hansard | .... | process coordinator | |
Stunts | |||
| Annie Allman | .... | stunts | |
| Daniel Dod | .... | stunts | |
| Jim Lovelett | .... | stunts (as James R. Lovelett) | |
| Harry Madsen | .... | stunt coordinator | |
| Shawn O'Neil | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Bobby Brown | .... | second assistant camera (as Bob Brown) | |
| Dan Brunner | .... | camera trainee | |
| Ted Churchill | .... | panaglide operator | |
| Jerry DeBlau | .... | best boy (as Jerry W. DeBlau) | |
| John W. DeBlau | .... | gaffer | |
| Ernie Miscelli | .... | additional director of photography | |
| Peter Norman | .... | photographer: second unit | |
| Robert T. Prate | .... | best boy grip | |
| Tom Prate | .... | key grip (as Thomas J. Prate Jr.) | |
| Tom Priestley Jr. | .... | camera operator (as Tom Priestley) | |
| Richard Reis | .... | first assistant camera | |
| Lorey Sebastian | .... | still photographer | |
| Garrett Brown | .... | Steadicam operator (uncredited) | |
| Sal Martorano | .... | electrician (uncredited) | |
| Robert Shepherd | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Alba Censoplano | .... | costume supervisor: women | |
| William Loger | .... | costume supervisor | |
| Isis Mussenden | .... | assistant costume designer | |
Editorial Department | |||
| Michael Amundsen | .... | apprentice editor | |
| Martin Cohen | .... | assistant editor: Los Angeles | |
| Jack Garsha | .... | color timer | |
| Andrea Justin | .... | assistant editor: New York | |
| Richard J. Rossi | .... | assistant editor: New York (as Richard Rossi) | |
| Trudy Ship | .... | assistant editor: New York | |
Music Department | |||
| Else Blangsted | .... | music editor | |
| Jon Charles | .... | orchestrator | |
| Dave Grusin | .... | orchestrator | |
| Richard Hazard | .... | orchestrator | |
Other crew | |||
| Donna E. Bloom | .... | assistant: Mr. Worth (as Donna Bloom) | |
| Timothy M. Bourne | .... | location manager | |
| Trixie Bourne | .... | assistant: Mr. De Niro (as Trixie Flynn Bourne) | |
| Judith Lyn Brown | .... | assistant production office coordinator | |
| Jean De Niro | .... | production assistant | |
| Bettiann Fishman | .... | production assistant | |
| Judie Fixler | .... | assistant: Mr. Grosbard | |
| Ingrid Johanson | .... | production office coordinator | |
| David Kasparian | .... | production assistant | |
| Harold 'Whitey' McEvoy | .... | teamster captain | |
| Eric Myers | .... | unit publicist | |
| Peter Novakovic | .... | production assistant | |
| Nellie Nugiel | .... | production accountant | |
| Tom Paolucci | .... | production assistant (as Thomas Paolucci) | |
| Randee Post | .... | production assistant | |
| Randi Rosen | .... | production assistant | |
| David Sardi | .... | production assistant | |
| Heidi Stroh | .... | script supervisor | |
| Claudette Didul | .... | production assistant (uncredited) | |
Thanks | |||
| Ed Boni | .... | thanks | |
| Norman W. Fesmire | .... | thanks | |
| Al Mathis | .... | thanks | |
| Paul O. Sichert Jr. | .... | thanks | |
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| Hannah and Her Sisters | Notes on a Scandal | The English Patient | Mr. & Mrs. Bridge | The Ice Storm |
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| News articles | IMDb Drama section | IMDb USA section |
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I'll write more when I have more time. For now, after having read Mr. Maltin's brief critique of this film ("dull script"), I must say that I couldn't disagree more. This is a superb, quiet little gem. It's very realistic, and I bet it fared much better in Europe than here in the States. It's a portrait of two married people who happen to run into each other one day while Christmas shopping, and then again a few months later on the train. As they take the same route most days every week, they begin to strike up a friendship that eventually deepens. Watching both DeNiro's and Streep's expressions alone, in long moments of no dialog, are worth the price of the rental, or the time to watch it on cable. And, the film is a bit suspenseful because you think that there might be a chance that the ending might go the other way; but, I don't want to give too much away. However, it is a Hollywood picture. So, enough said.
At any rate, I just love films that take place in New York but that aren't completely violent (with the exception of anything Scorsese directs) or show some of its worst parts. This is a pleasant, quiet, sweet, rather serious, and sometimes sad film that paints a very realistic portrait of marriage and infidelity. It's worth watching for these two acting Goliaths alone.