| Photos (see all 15 | slideshow) |
Directed by | |||
| Clive Donner | |||
Writing credits | ||
| Roger O. Hirson | (screenplay) | |
| Charles Dickens | short story | |
Produced by | |||
| Robert E. Fuisz | .... | executive producer | |
| Alfred R. Kelman | .... | producer | |
| William F. Storke | .... | producer | |
Original Music by | |||
| Nick Bicât | |||
Cinematography by | |||
| Tony Imi | |||
Film Editing by | |||
| Peter Tanner | |||
Casting by | |||
| Noel Davis | |||
Production Design by | |||
| Roger Murray-Leach | |||
Art Direction by | |||
| Diana Charnley | |||
| Peter Childs | |||
| Harry Cordwell | |||
Makeup Department | |||
| Christine Beveridge | .... | hair designer | |
| Christine Beveridge | .... | makeup designer | |
| Joan Hills | .... | makeup artist | |
| Mark Nelson | .... | chief hair stylist | |
| Neville Smallwood | .... | chief makeup artist | |
Second Unit Director or Assistant Director | |||
| Ian Hickinbotham | .... | second assistant director | |
| Roger Simons | .... | assistant director | |
| Gareth Tandy | .... | second assistant director | |
Art Department | |||
| Bruce Bigg | .... | property master | |
| Roy Evans | .... | construction manager | |
| Brian Read | .... | production buyer | |
Sound Department | |||
| David Crozier | .... | sound mixer | |
| Glenn Freemantle | .... | assistant sound editor | |
| Graham V. Hartstone | .... | dubbing mixer | |
| Nicolas Le Messurier | .... | sound re-recording mixer | |
| Andrew Morris | .... | sound maintenance | |
| Ian Munro | .... | boom operator | |
| Jim Shields | .... | sound editor | |
Special Effects by | |||
| Neil Corbould | .... | special effects technician | |
| Martin Gutteridge | .... | special effects supervisor | |
| Martin Gutteridge | .... | special effects | |
| Graham Longhurst | .... | special effects | |
Visual Effects by | |||
| Alan Church | .... | optical cameraman (uncredited) | |
| Charles Stoneham | .... | matte artist (uncredited) | |
Camera and Electrical Department | |||
| Graham Hall | .... | assistant camera | |
| David James | .... | still photographer | |
| David James | .... | still photographer | |
| Alan Jones | .... | camera focus operator | |
| Steve Kitchen | .... | best boy | |
| Tony White | .... | camera operator | |
| Micky Wilson | .... | gaffer | |
| Micky Wilson | .... | supervising electrician | |
Casting Department | |||
| Jeremy Zimmerman | .... | casting assistant | |
Editorial Department | |||
| Keith Mason | .... | second assistant editor | |
| Kant Pan | .... | assistant editor | |
Music Department | |||
| Nick Bicât | .... | song music | |
| Tony Britten | .... | conductor | |
| Michael Connell | .... | music editor | |
Other crew | |||
| Eleanor Fazan | .... | choreographer | |
| Nigel Goldsack | .... | location manager | |
| Carolyn Hall | .... | production accountant | |
| Al Hix | .... | unit publicist | |
| Kelly Howard-Garde | .... | production assistant | |
| Nyla Lyon | .... | aide to producer | |
| Nancy McGeorge | .... | aide to producer | |
| Ian Munro | .... | beam operator | |
| Olga Pogostin | .... | aide to producer | |
| Lissa Ruben | .... | continuity | |
| Michele Tandy | .... | assistant production accountant | |
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| Scrooge | A Christmas Carol | A Christmas Carol | The Muppet Christmas Carol | Mickey's Christmas Carol |
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I know many people have a special fondness for the Alistair Sim version of Dickens' story, but for me, this 1984 version is the one to beat. My wife and I own a copy of this film on VHS, and we watch it together every Christmas Eve. I often remark that we could watch it on Halloween too, because it's a very creepy ghost story.
Scott--typecast as Scrooge--is shudderingly mean and nasty, making his transformation all the more miraculous and moving. I think it's up there with his performance in Patton. The spirits are all effective, each one creepier than the last. Watching the dark, floating, skeletal form of the Spirit of Christmas Yet to Come sends shivers down my spine every year. And what a supporting cast! David Warner, in particular, is in top form as Bob Cratchit, as is Susannah York as his wife.
I seem to recall that this version sticks closer to the original story than most others--but I may be mistaken, as it's been several years since I read it. Regardless, this is a terrific Christmas classic.