| Photos (see all 8 | slideshow) |
| Rupert Everett | ... | Guy Bennett | |
| Colin Firth | ... | Tommy Judd | |
| Michael Jenn | ... | Barclay | |
| Robert Addie | ... | Delahay | |
| Rupert Wainwright | ... | Donald Devenish | |
| Tristan Oliver | ... | Fowler | |
| Cary Elwes | ... | James Harcourt | |
| Frederick Alexander | ... | Jim Menzies | |
| Adrian Ross Magenty | ... | Wharton | |
| Geoffrey Bateman | ... | Yevgeni | |
| Philip Dupuy | ... | Martineau | |
| Guy Henry | ... | Head Boy | |
| Jeffrey Wickham | ... | Arthur | |
| John Line | ... | Best Man | |
| Gideon Boulting | ... | Trafford | |
| Llewellyn Rees | ... | Senior Chaplain | |
| Arthur Howard | ... | Waiter | |
| Ivor Roberts | ... | Chief Judge | |
| Crispin Redman | ... | Prefect | |
| Nicholas Rowe | ... | Spungin | |
| Kathleen St. John | ... | Ivy | |
| Martin Wenner | ... | Batsman 1 | |
| Christopher Milburn | ... | Batsman 2 | |
| Tristram Jellinek | ... | Nicholson | |
| Tristram Wymark | ... | Henderson | |
| Ralph Perry-Robinson | ... | Robbins | |
| Anna Massey | ... | Imogen Bennett | |
| Betsy Brantley | ... | Julie Schofield | |
| rest of cast listed alphabetically: | |||
| James D.R. Hickox | ... | Student (uncredited) | |
Directed by | |||
| Marek Kanievska | |||
Writing credits(in alphabetical order) | ||
| Julian Mitchell | play | |
Produced by | |||
| Robert Fox | .... | executive producer | |
| Alan Marshall | .... | producer | |
| Julian Seymour | .... | executive producer | |
Original Music by | |||
| Michael Storey | |||
Cinematography by | |||
| Peter Biziou | |||
Film Editing by | |||
| Gerry Hambling | |||
Casting by | |||
| Celestia Fox | |||
Production Design by | |||
| Brian Morris | |||
Art Direction by | |||
| Clinton Cavers | |||
Costume Design by | |||
| Penny Rose | |||
Makeup Department | |||
| Ross Carver | .... | hair stylist | |
| Pat Hay | .... | makeup artist | |
| Sarah Monzani | .... | makeup supervisor | |
| Aaron Sherman | .... | special makeup effects | |
Production Management | |||
| Simon Bosanquet | .... | production manager | |
Art Department | |||
| Frank Adam | .... | painter | |
| Les Benson | .... | propman | |
| Frank Berlin | .... | painter | |
| Dennis Bovington | .... | carpenter | |
| Christopher Bradley | .... | scenic artist | |
| Jack Carter | .... | construction manager | |
| John Cook | .... | stagehand | |
| Peter Dunlop | .... | production buyer | |
| Trevor Dyer | .... | carpenter | |
| Steve Franklin | .... | props van | |
| Wally Fraser | .... | carpenter | |
| John Hedges | .... | carpenter | |
| Michael Hedges | .... | carpenter | |
| Robert Hill | .... | propman (as Rob Hill) | |
| Thomas Hughes | .... | painter | |
| Gordon Izod | .... | plasterer | |
| Ken Langridge | .... | stagehand | |
| Maxie McDonald | .... | property master | |
| Brian Morris | .... | set designer | |
| Eric Nash | .... | plasterer | |
| Colin Pearce | .... | draper | |
| Ian Ritchie | .... | art department trainee | |
| Butch Roper | .... | painter | |
| Steve Short | .... | propman | |
| Peter Spencer | .... | propman | |
| Paul Templeman | .... | scenic artist | |
| Tony Wright | .... | storyboard artist (as Anthony Wright) | |
Sound Department | |||
| John Chandler | .... | boom operator | |
| Richard Daniel | .... | sound maintenance | |
| Leonard Green | .... | assistant dubbing editor | |
| Eddy Joseph | .... | dubbing mixer | |
| Ray Merrin | .... | assistant sound mixer | |
| Bill Rowe | .... | dubbing mixer | |
| Ken Weston | .... | sound mixer | |
Visual Effects by | |||
| Craig Chandler | .... | optical effects (uncredited) | |
Camera and Electrical Department | |||
| Tony Brown | .... | clapper loader | |
| Clive Coote | .... | additional still photographer | |
| Alfie Emmins | .... | electrician | |
| Bob Freeman | .... | camera car | |
| Roy Furness | .... | electrician | |
| David Garfath | .... | camera operator | |
| David James | .... | still photographer | |
| Dickie Lee | .... | camera grip | |
| Ray Potter | .... | chief electrician | |
| Ray Potter | .... | gaffer | |
| Terry Potter | .... | best boy | |
| Terry Potter | .... | hand electrician | |
| Jimmy Terry | .... | electrician | |
| Bill Thornhill | .... | generator operator (as Billy Thornhill) | |
| Terry Townsend | .... | electrician | |
| David Williams | .... | rigger (as Dave Williams) | |
Casting Department | |||
| Lucy Boulting | .... | additional casting | |
Costume and Wardrobe Department | |||
| Maureen Booth | .... | wardrobe assistant | |
| Ken Crouch | .... | wardrobe master (as Kenny Crouch) | |
| Mary Ellis | .... | wardrobe assistant | |
| Pip Newberry | .... | wardrobe mistress | |
| Nick Perry | .... | wardrobe bus | |
Editorial Department | |||
| Clive Barrett | .... | first assistant editor | |
| Jeremy Strachan | .... | second assistant editor | |
Music Department | |||
| Mike Connaris | .... | music engineer | |
Transportation Department | |||
| Dan Cressy | .... | unit driver | |
| Tommy Lee | .... | unit driver | |
Other crew | |||
| Ronald Anscombe | .... | follow focus (as Ronnie Anscombe) | |
| Harry Ayres | .... | construction van | |
| Dave Bruyea | .... | construction van | |
| Allen Burry | .... | unit publicist | |
| Lee Cleary | .... | floor runner | |
| Jonathan Cooke | .... | assistant to producer | |
| Sally Feller | .... | secretary to producer | |
| Adrian Harrison | .... | production runner | |
| Peter Harris | .... | military advisor | |
| William Hiley | .... | production runner | |
| Debbie O'Brien | .... | contact: London | |
| Maggie Phelan | .... | assistant production accountant | |
| Ron Phipps | .... | production accountant | |
| Patricia Poole | .... | assistant production accountant (as Pat Poole) | |
| Mary Richards | .... | production assistant | |
| Gilly Ruben | .... | contact: London | |
| Alison Thorne | .... | script supervisor | |
| Colm Villa | .... | attachment: N.F.S. | |
| Lorna Young | .... | chaperone | |
| Christopher Knowles | .... | location manager (uncredited) | |
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| If.... | Au revoir les enfants | Europa Europa | Novecento | Maurice |
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Another Country was one of those films that both captured the spirit of an era and helped define it - in the best possible sense. While one can easily lump all 80s pop music and fashion together as over-styled and kitschy, it is not possible to do so with the films of that decade, certainly not the British ones, not with Chariots of Fire, Educating Rita, My Beautiful Launderette and Another Country so vividly remembered. These were works of art, perfectly weaving style and substance together. Another Country presents a complex tale with - what was/is to some - unpalatable subject matter, and indecipherable detail (the life of the British upper class is, and always was, amusing, bizarre, implausible. Gilbert and Sullivan built careers on this fact). Yet, there is no sign of attempts to simplify, or strip out the seemingly unnecessarily intricate, or to moralize - either way - beyond the context of the story, the homosexuality depicted. The result is a film that is detailed, rich, compelling and (in a strange way, despite the historical facts upon which the story is based) apolitical.