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Directed by | |||
| John Badham | |||
Writing credits | ||
| Lawrence Lasker | (written by) & | |
| Walter F. Parkes | (written by) | |
| Walon Green | uncredited | |
Produced by | |||
| Leonard Goldberg | .... | executive producer | |
| Richard Hashimoto | .... | associate producer | |
| Harold Schneider | .... | producer | |
| Bruce McNall | .... | producer (uncredited) | |
Original Music by | |||
| Arthur B. Rubinstein | |||
Cinematography by | |||
| William A. Fraker | (director of photography) | ||
Film Editing by | |||
| Tom Rolf | |||
Casting by | |||
| Wallis Nicita | |||
Production Design by | |||
| Angelo P. Graham | |||
Art Direction by | |||
| James J. Murakami | |||
Set Decoration by | |||
| Jerry Wunderlich | |||
Costume Design by | |||
| Barry Francis Delaney | (costumes: men) (as Barry F. Delaney) | ||
Makeup Department | |||
| Michael Germain | .... | makeup artist (as Perry Michael Germain) | |
| Lynda Gurasich | .... | hair stylist | |
| Brenda Todd | .... | makeup artist | |
Production Management | |||
| Richard Hashimoto | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | first assistant director | |
| Robert J. Doherty | .... | second assistant director | |
Art Department | |||
| Gregg H. Bilson | .... | property master | |
| Robert Scaife | .... | construction coordinator | |
| John M. Schenk | .... | assistant property master | |
| Kevin Shanks | .... | tile/floor covering (uncredited) | |
| Daniel Turk | .... | carpenter (uncredited) | |
Sound Department | |||
| Milton C. Burrow | .... | supervising sound effects editor | |
| Willie D. Burton | .... | sound mixer | |
| Carlos Delarios | .... | sound re-recording mixer | |
| Michael J. Kohut | .... | sound re-recording mixer | |
| William L. Manger | .... | supervising sound effects editor | |
| Aaron Rochin | .... | sound re-recording mixer | |
| Craig Harris | .... | voice processing (uncredited) | |
| Philip Rogers | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Mick Baran | .... | special electronic effects crew | |
| Bill Cobb | .... | special electronic effects crew | |
| Robert Cole | .... | special electronic effects foreman | |
| Joe Digaetano | .... | special effects | |
| Richard Hoffenberg | .... | special electronic effects crew | |
| Bruce Knechtges | .... | special electronic effects crew | |
| Robin Dean Leyden | .... | special electronic effects crew | |
| Robin Reilly | .... | special electronic effects crew | |
| Mark Stivers | .... | special electronic effects crew | |
| Robert Wilcox | .... | special electronic effects crew (as Robert G. Wilcox Jr.) | |
| David Domeyer | .... | special effects (uncredited) | |
| R.J. Hohman | .... | special effects wireman (uncredited) | |
Visual Effects by | |||
| Colin Cantwell | .... | computer graphics design consultant | |
| Jack Cooperman | .... | miniature photography | |
| Marcia Dripchak | .... | computer graphics unit | |
| Michael L. Fink | .... | visual effects supervisor | |
| Linda Fleisher | .... | visual effects consultant | |
| Steve Grumette | .... | computer video consultant | |
| Don Hansard | .... | process coordinator | |
| David R. Hardberger | .... | computer graphics unit (as David Hardberger) | |
| Judith Herman | .... | computer graphics unit | |
| Geoffrey Kirkland | .... | visual consultant | |
| Sylvia Lovegren | .... | computer graphics unit | |
| Jonathan Seay | .... | computer graphics unit | |
| Wayne Baker | .... | assistant camera: miniature unit (uncredited) | |
Stunts | |||
| Tom Elliott | .... | stunt double: Matthew Broderick | |
| Marguerite Happy | .... | stunts | |
| Al Jones | .... | stunts | |
| Michael Adams | .... | stunt coordinator (uncredited) | |
| Rick Avery | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Dave Anderberg | .... | grip | |
| Gerald H. Boatright | .... | assistant chief lighting technician | |
| David E. Diano | .... | assistant camera | |
| Gary R. Dodd | .... | key grip (as Gary Dodd) | |
| To Lee | .... | camera assistant trainee | |
| Ralph Nelson | .... | still photographer (as Ralph Nelson Jr.) | |
| Doug Pentek | .... | chief lighting technician | |
| Richard Turner | .... | assistant camera | |
| Richard Walden | .... | additional camera operator | |
| Steve Yaconelli | .... | camera operator | |
Casting Department | |||
| Pat Orseth | .... | location casting: Seattle | |
Costume and Wardrobe Department | |||
| Linda Matthews | .... | costumer: women | |
| Ray Summers | .... | wardrobe supervisor | |
Editorial Department | |||
| Ray Martin | .... | color timer | |
| Liza Randol | .... | assistant film editor | |
| Michael Ripps | .... | associate film editor | |
Music Department | |||
| Mark Hoder | .... | orchestrator | |
| Joe Tuley | .... | music editor | |
| Anthony Marinelli | .... | musician: synthesizer (uncredited) | |
| Anthony Marinelli | .... | song producer (uncredited) | |
Transportation Department | |||
| Randy Musselman | .... | driver captain | |
Other crew | |||
| Joy Anzarouth | .... | production coordinator | |
| Robert C. Decker | .... | location manager (as Robert Decker) | |
| Robert Eggenweiler | .... | location manager | |
| Lyla Foggia | .... | unit publicist | |
| John Garber | .... | dialogue coach | |
| Dana Satler Hankins | .... | assistant: Mr. Badham (as Dana Satler) | |
| Richard Keefe | .... | process librarian | |
| Harold Michelson | .... | continuity consultant | |
| H. Bud Otto | .... | script supervisor | |
| Derry J. Pearce | .... | production auditor | |
| Bill Watson | .... | pterosaur consultant | |
| Duncan Wilmore | .... | technical advisor | |
| Mike Berro | .... | computer programmer (uncredited) | |
| Lynn Hendee | .... | production executive (uncredited) | |
| Kevin King | .... | payroll accountant (uncredited) | |
| Anthony Marinelli | .... | synthesizer programmer (uncredited) | |
| Lynn Dee Schwarz | .... | location scout (uncredited) | |
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It was with much interest to me to revisit this early 80s hacker piece armed with the knowledge of just how the advent of change in the computer world has evolved. With that in mind the film could quite easily be classed as a bit clunky due to the now almost Neanderthal toys, games and computers used in the movie, but casting aside the nostalgia feelings I had with it, it still hits the spot as both a poignant piece of interest, and a dam good thriller as well.
Matthew Broderick is David Lightman, a young computer gamer geek who is something of a whizz kid on the PC, he can change his school grades and hack into various sites he shouldn't be even looking at. During one eventful sitting he hacks into a computer called Joshua and plays a game called Global Thermonuclear War, he harmlessly chooses to be The Soviet Union and proceeds to launch a nuclear attack on his own country the U.S.A. Trouble is is that the game is for real and the wheels are in motion for World War III !.
It helps to remember the time this film was made {for those old enough of course}, for it was the time of the ever worrying cloud of the Cold War, a time when nuclear war was more than a hearsay threat. I really think that in this day and age where computers literally do run our lives, this film stands up really well not only as a warning piece about messing with technology, but also as a gentle poke in the ribs about defence systems and the people we trust with them. Tho the film is a kind of watered down and accessible 2001: A Space Odyssey for the 80s set, it impacts well and only really suffers from a pointless romance plot strand involving the sprightly Ally Sheedy and the aforementioned dated gadgets. The ending to the film is excellent, the tension builds up nicely and we are left chewing our nails watching a game of Tic-Tac-Toe, sounds simple doesn't it ???, good honest and intelligent fun, 7.5/10.