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Razza violenta (1984)
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Overview
User Rating:
Release Date:
24 February 1984 (Italy) moreUser Comments:
Come again. Yes, come again. more (5 total)Cast
(Cast overview, first billed only) | Henry Silva | ... | Kirk Cooper |
| Harrison Muller Jr. | ... | Mike Martin |
| Woody Strode | ... | Polo |
 | Carole André | ... | Sharon Morris |
| Deborah Keith | ||
| Danika La Loggia | ... | Madame Fra (as Danika) |
| Raul Lovecchio | (as Ettore Lo Vecchio) | |
| Loris Bazzocchi | (as Loris Bartock) | |
| Sergio Doria | (as Serge Doran) | |
| Adrian Jeffries | ||
| Maurizio Mattioli | (as Maurice Matteo) | |
| Silvano Spadaccino | (as Silvan Ospensky) | |
| Agostino Crisafulli | (as Al Chrystal) | |
| Pierangelo Pozzato | (as Pietro Angelo Pozzato) | |
| Gerry Wexler |
Additional Details
Also Known As:
The Violent Breed (International: English title) (Philippines: English title)Real Soulja (USA) (video title)
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USA:91 minCountry:
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On a mission in Vietnam Kirk, Mike and Polo are the only survivors of their platoon who rescue a bunch of children, but Polo stays behind when they get to their boat and tells them to leave. Polo happens to be in arms and drug trafficking operation with the KGB and the mafia. Kirk now working for the CIA sends out Mike to Vietnam to stop Polo's enterprise.
What an incoherent mess. The good folks of Cannon produce this very low-rent Italian b-action fodder. Well there's not a whole lot to say about this one, but it's poorly executed and the cast are all but washed up. Woody Strode and Henry Silva go through the motions with such little effort, while the leading man Harrison Muller provides the personality, but his timing seems off. Most the time his running and jumping in or out of windows. Those sneakers of his cop a real work out. Carole Andre's sly part was small, but prominent. The no frills action drags on, especially the film's final standoff where the bad guys have terrible aim and plenty of explosions are assured. The continuous gun fire also made sure that there was some bloody pulp. But boy does it go on, because if feel like its in slow motion! The tempo throughout stays mellow and lacks oomph. How about that conclusion though?! Talk about baffling. The one-man team of Fernando Di Leo who directed and wrote the screenplay and story does a clumsy job on all fronts. The whole premise is slipshod and embarrassingly one-note, and the insipid script chalks up many tacky lines. His blunt direction is quite aimless and clunky. Being shot location in the Philippines gives the film a raw touch and makes it quite ugly to look at. The hybrid sounding music score seems to actually work and fit right in, despite some junky passages.
Never boring, but there's no denying how unbelievably trite it turns out to be.