| Photos (see all 10 | slideshow) | Videos |
| Jeroen Krabbé | ... | Gerard Reve | |
| Renée Soutendijk | ... | Christine Halsslag | |
| Thom Hoffman | ... | Herman | |
| Dolf de Vries | ... | Dr. de Vries | |
| Geert de Jong | ... | Ria | |
| Hans Veerman | ... | Begrafenisondernemer | |
| Hero Muller | ... | Josefs | |
| Caroline de Beus | ... | Adrienne | |
| Reinout Bussemaker | ... | Eerste echtgenoot | |
| Erik J. Meijer | ... | Tweede echtgenoot | |
| Ursul de Geer | ... | Derde echtgenoot | |
| Filip Bolluyt | ... | Surfer | |
| Hedda Lornie | ... | Verkoopster boekhandel | |
| Paul Nygaard | ... | Violist | |
| Guus van der Made | ... | Treinkelner | |
| Pamela Teves | ... | Verpleegster | |
| Hella Faassen | ... | Vrouw bij lezing | |
| Helen Hedy | ... | Verkoopster AKO |
Directed by | |||
| Paul Verhoeven | |||
Writing credits(in alphabetical order) | ||
| Gerard Reve | novel | |
| Gerard Soeteman | writer | |
Produced by | |||
| Rob Houwer | .... | producer | |
Original Music by | |||
| Loek Dikker | |||
Cinematography by | |||
| Jan de Bont | |||
Film Editing by | |||
| Ine Schenkkan | |||
Art Direction by | |||
| Roland De Groot | |||
Costume Design by | |||
| Elly Claus | |||
Makeup Department | |||
| Patrick de Loor | .... | hair stylist | |
| Kathy Kühne | .... | hair stylist | |
| Kathy Kühne | .... | makeup artist | |
| Christopher Tucker | .... | special makeup effects artist | |
Production Management | |||
| Remmelt Remmelts | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jindra Markus | .... | assistant director | |
Art Department | |||
| Strengholt Laurens | .... | props | |
Sound Department | |||
| Meep Mulder | .... | re-recording mixer | |
| Ad Roest | .... | adr mixer | |
| Ad Roest | .... | foley mixer | |
| Ad Roest | .... | sound re-recording mixer | |
| Tom Tholen | .... | sound recordist | |
| Tom Tholen | .... | sound | |
| Math van Duurling | .... | sound recordist | |
| Math van Duurling | .... | sound recordist: effects and atmosphere | |
Special Effects by | |||
| Harrie Wiessenhaan | .... | special effects supervisor | |
Stunts | |||
| Dickey Beer | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Tom Erisman | .... | lighting technician | |
| Hugo Van Baren | .... | key grip | |
Other crew | |||
| Frank Herrebout | .... | production assistant | |
| Marjan Taconis | .... | location manager | |
| Jelte Velzen | .... | assistant to producer | |
| Ineke van Wezel | .... | assistant to producer | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Netherlands section |
| Add this title to MyMovies |
In Holland a gay writer Gerard (Jeroen Krabbe) gives a lecture. He stays overnight with a beautiful woman Christine (Renee Soutendijk) and has sex with her (by imagining she's a boy). He plans to leave the next day, but gets a look at a picture of Christine's hunky boyfriend Herman (Thom Hoffman) and decides to stay to have a try at him. Then things get strange.
A big X-rated art house hit in the US in 1983. Why was it X rated? Let's see...there's strangulation, full frontal male and female nudity, castration, mutilation, simulated sex, a scene in a church with a cross that will shock most people, a gay sex scene in a crypt...and it's all a comedy!!!!! Paul Verhoeven made this after "Spetters". "Spetters" was attacked by the critics for it's extreme sexual sequences and denounced as trash. So, Verhoeven filled this film with very obvious symbolism thinking the critics would think it was art and praise it. He was right! Critics loved the film not realizing that Verhoeven was playing a big joke on them. Still, it's a great film.
It's beautifully shot by Jan de Bont (now a director himself) and there's so much symbolism and obvious "hidden" layers in the dialogue that you're never bored. All the acting is great--Krabbe plays a thoroughly despicable character but (somehow) has you rooting for him; Soutendijk is just stunning to look at and plays her part to perfection--the little smile she gives when Gerard agrees to stay with her is chilling; Hoffman is extremely handsome with a great body--he deserves credit for doing the church sequence and going at with Krabbe in the crypt.
This is not for people easily offended or the weak of heart, but if you like extreme movies that playfully challenge you (like me) this is for you! A 10 all the way.