| Photos (see all 14 | slideshow) |
| Dan Aykroyd | ... | Passenger / Ambulance Driver (Prologue / Segment #4) | |
| Albert Brooks | ... | Car Driver (Prologue) | |
| Vic Morrow | ... | Bill Connor (Segment #1) | |
| Doug McGrath | ... | Larry (Segment #1) | |
| Charles Hallahan | ... | Ray (Segment #1) | |
| Rainer Peets | ... | German Officer (Segment #1) (as Remus Peets) | |
| Kai Wulff | ... | German Officer (Segment #1) | |
| Sue Dugan | ... | Waitress No. 1 (Segment #1) | |
| Debby Porter | ... | Waitress No. 2 (Segment #1) | |
| Steven Williams | ... | Bar Patron (Segment #1) | |
| Annette Claudier | ... | French Monther (Segment #1) | |
| Joseph Hieu | ... | Vietnamese (Segment #1) | |
| Al Leong | ... | Vietnamese (Segment #1) | |
| Stephen Bishop | ... | Charming G.I. (Segment #1) | |
| Thomas Byrd | ... | G.I. (Segment #1) | |
| Vincent J. Isaac | ... | G.I. (Segment #1) | |
| William B. Taylor | ... | G.I. (Segment #1) | |
| Domingo Ambriz | ... | G.I. (Segment #1) | |
| Eddy Donno | ... | K.K.K. (Segment #1) | |
| Michael Milgrom | ... | K.K.K. (Segment #1) | |
| John Larroquette | ... | K.K.K. (Segment #1) | |
| Norbert Weisser | ... | Soldier No. 1 (Segment #1) | |
| Scatman Crothers | ... | Mr. Bloom (Segment #2) | |
| Bill Quinn | ... | Mr. Leo Conroy (Segment#2) | |
| Martin Garner | ... | Mr. Weinstein (Segment #2) | |
| Selma Diamond | ... | Mrs. Weinstein (Segment #2) | |
| Helen Shaw | ... | Mrs. Dempsey (Segment #2) | |
| Murray Matheson | ... | Mr. Agee (Segment #2) | |
| Peter Brocco | ... | Mr. Mute (Segment #2) | |
| Priscilla Pointer | ... | Miss Cox (Segment #2) | |
| Scott Nemes | ... | Young Mr. Weinstein (Segment #2) | |
| Tanya Fenmore | ... | Young Mrs. Weinstein (Segment #2) | |
| Evan Richards | ... | Young Mr. Agee (Segment #2) | |
| Laura Mooney | ... | Young Mrs. Dempsey (Segment #2) | |
| Christopher Eisenmann | ... | Young Mr. Mute (Segment #2) | |
| Richard Swingler | ... | Mr. Gray Panther (Segment #2) | |
| Alan Haufrect | ... | Mr. Conroy's Son (Segment #2) | |
| Cheryl Socher | ... | Mr. Conroy's Daughter-in-Law (Segment #2) | |
| Elsa Raven | ... | Nurse No. 2 (Segment #2) | |
| Kathleen Quinlan | ... | Helen Foley(School Teacher)(Segment#3) | |
| Jeremy Licht | ... | Anthony (Segment #3) | |
| Kevin McCarthy | ... | Uncle Walt (Segment #3) | |
| Patricia Barry | ... | Mother (Segment #3) | |
| William Schallert | ... | Father (Segment #3) | |
| Nancy Cartwright | ... | Ethel (Segment #3) | |
| Dick Miller | ... | Walter Paisley(Diner Owner)(Segment#3) | |
| Cherie Currie | ... | Sara (Segment #3) | |
| Bill Mumy | ... | Tim (Segment #3) | |
| Jeffrey Bannister | ... | Charlie(Diner Patron)(Segment#3) | |
| John Lithgow | ... | John Valentine (Segment #4) | |
| Abbe Lane | ... | Sr. Stewardess (Segment #4) | |
| Donna Dixon | ... | Jr. Stewardess (Segment #4) | |
| John Dennis Johnston | ... | Co-Pilot (Segment #4) | |
| Larry Cedar | ... | Creature (Segment #4) | |
| Charles Knapp | ... | Sky Marshal (Segment #4) | |
| Byron McFarland | ... | Pilot Announcement (Segment #4) | |
| Christina Nigra | ... | Little Girl (Segment #4) | |
| Lana Schwab | ... | Mother (Segment #4) (as Lonna Schwab) | |
| Margaret Wheeler | ... | Old Woman (Segment #4) | |
| Eduard Franz | ... | Old Man (Segment #4) | |
| Margaret Fitzgerald | ... | Young Girl (Segment #4) | |
| Jeffrey Weissman | ... | Young Man (Segment #4) | |
| Jeffrey Lampert | ... | Mechanic No. 1 (Segment #4) | |
| Frank Toth | ... | Mechanic No. 2 (Segment #4) | |
| Carol Serling | ... | Passenger (Segment #4) | |
| rest of cast listed alphabetically: | |||
| Burgess Meredith | ... | Narrator (voice) | |
| Rod Serling | ... | Narrator (end of Segment #4) (voice) (archive footage) (uncredited) | |
| Carol Vogel | ... | (uncredited) | |
Directed by | |||
| Joe Dante | (segment 3) | ||
| John Landis | (prologue & segment 1) | ||
| George Miller | (segment 4) | ||
| Steven Spielberg | (segment 2) | ||
Writing credits | ||
| Rod Serling | (television series The Twilight Zone) | |
| John Landis | (prologue) | |
| John Landis | (segment 1) | |
| George Clayton Johnson | (segment 2) screenplay "Kick the Can" and | |
| Richard Matheson | (segment 2) and | |
| Melissa Mathison | (segment 2) (as Josh Rogan) | |
| Jerome Bixby | (segment 3) story "It's a Good Life" and | |
| Richard Matheson | (segment 3) | |
| Richard Matheson | (segment 4) short story "Nightmare at 20,000 Feet" and | |
| Richard Matheson | (segment 4) screenplay "Nightmare at 20,000 Feet" | |
| Robert Garland | uncredited | |
Produced by | |||
| Jon Davison | .... | associate producer | |
| Jon Davison | .... | producer (segment 3) | |
| Michael Finnell | .... | associate producer | |
| Michael Finnell | .... | producer (segment 3) | |
| George Folsey Jr. | .... | associate producer: prologue and segment 1 | |
| Kathleen Kennedy | .... | associate producer | |
| Kathleen Kennedy | .... | producer (segment 2) | |
| John Landis | .... | producer | |
| Frank Marshall | .... | executive producer | |
| Steven Spielberg | .... | producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Allen Daviau | (segments 2, 4) | ||
| John Hora | (segment 3) | ||
| Stevan Larner | (prologue and segment 1) | ||
Film Editing by | |||
| Malcolm Campbell | (prologue and segment 1) | ||
| Tina Hirsch | (segment 3) | ||
| Michael Kahn | (segment 2) | ||
| Howard E. Smith | (segment 4) (as Howard Smith) | ||
Casting by | |||
| Marci Liroff | |||
Production Design by | |||
| James D. Bissell | |||
Art Direction by | |||
| Richard Tom Sawyer | (segment 1) (as Richard Sawyer) | ||
| James H. Spencer | (segment 4) | ||
Set Decoration by | |||
| Jackie Carr | (segment 2) (segment 3) (segment 4) | ||
| Barbara Krieger | (segment 1) | ||
Costume Design by | |||
| Deborah Lynn Scott | |||
Makeup Department | |||
| Rob Bottin | .... | special makeup effects artist (segment 3) | |
| Rob Bottin | .... | special makeup effects designer (segment 3) | |
| John M. Elliott Jr. | .... | makeup artist (segments 2-4) (as John Elliott) | |
| Michael McCracken | .... | special makeup effects artist (segment 4) | |
| Craig Reardon | .... | special makeup effects artist: segments 1-4 | |
| Bob Westmoreland | .... | makeup artist (segment 1) (as Robert Westmoreland) | |
Production Management | |||
| Dan Allingham | .... | unit production manager (segment 1) | |
| Dennis E. Jones | .... | unit production manager (segments 2-4) | |
Second Unit Director or Assistant Director | |||
| Daniel Attias | .... | second assistant director (segment 2, 3 & 4) (as Dan Attias) | |
| Elie Cohn | .... | first assistant director (segment 1) | |
| Andy House | .... | second assistant director (segment 1) (as Alan Smithee) | |
| Pat Kehoe | .... | first assistant director (segment 2, 3 & 4) | |
| Alan Smithee | .... | second assistant director (segment 1) (really Anderson G. House) | |
Art Department | |||
| Henry Alvarez | .... | sculptor | |
| Larry Clark Bird | .... | property master | |
| Gregory Pickrell | .... | set designer | |
| William James Teegarden | .... | set designer (Segment 2, 3 & 4) (as William J. Teegarden) | |
| Daniel Turk | .... | carpenter (uncredited) | |
Sound Department | |||
| Thomas Causey | .... | production sound mixer (Segment 2, 3 & 4) (as Tommy Causey) | |
| Carl Fischer | .... | boom operator (prologue & segment 1) | |
| Richard Bryce Goodman | .... | sound mixer (prologue and segment 1) | |
| William B. Kaplan | .... | production sound mixer (Segment 1) (as Bill Kaplan) | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Steve Maslow | .... | sound re-recording mixer | |
| Philip Rogers | .... | sound recordist | |
| David E. Stone | .... | sound editor | |
| Bill Varney | .... | sound re-recording mixer | |
| David Lewis Yewdall | .... | supervising sound editor (as David Yewdall) | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
Special Effects by | |||
| Rob Bottin | .... | monster effects (segment 3) | |
| Gene Grigg | .... | special effects assistant (segments 2-4) | |
| Kevin Pike | .... | special effects supervisor (segments 4) | |
| Paul Stewart | .... | special effects supervisor (segment 1) | |
| Ed Verreaux | .... | monster effects (segment 4) | |
| Michael Wood | .... | special effects supervisor (Segments 2, 3 & 4) (as Mike Wood) | |
Visual Effects by | |||
| Dave Allen | .... | visual effects (segment 4) | |
| Jim Danforth | .... | effects photography | |
| Jim Danforth | .... | matte artist | |
| Rocco Gioffre | .... | matte artist (segment 3) | |
| Peter Kuran | .... | visual effects (Segment 4) | |
| Hal Miles | .... | titles producer and director | |
| Eric Guaglione | .... | matte photography: DQI (uncredited) | |
| Hoyt Yeatman | .... | matte photographer: DQI (uncredited) | |
Stunts | |||
| Eurlyne Epper | .... | stunt double | |
| Terry James | .... | stunt double: Jon Lithgow | |
| Gary McLarty | .... | stunt coordinator | |
| Thomas Byrd | .... | stunts (uncredited) | |
| Eddy Donno | .... | stunts (uncredited) | |
| Joseph Hieu | .... | stunts (uncredited) | |
| Al Leong | .... | stunts (uncredited) | |
| Gary McLarty | .... | stunts (uncredited) | |
| Debby Porter | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Dale Alexander | .... | key grip | |
| Jamie Anderson | .... | camera operator (segment 3) | |
| Richard Benda | .... | first assistant camera (prologue and segment 1) | |
| Garrett Brown | .... | Steadicam operator (segments 2-4) | |
| John J. Connor | .... | camera operator (segment 1) | |
| Rick Fee | .... | assistant camera (as Richard Fee) | |
| Mark Ludwig | .... | second assistant camera (prologue and segment 1) | |
| Steve Lydecker | .... | camera operator (segment 1) | |
| John C. Moulds | .... | first assistant camera | |
| Lee Redmond | .... | assistant camera | |
| Arnold L. Rich | .... | camera operator (Segment 1) (as Arnold Rich) | |
| Randall Robinson | .... | first assistant camera: helicopter unit | |
| Roger L. Smith | .... | camera operator: helicopter unit (segment 1) (as Roger Smith) | |
| John Toll | .... | camera operator (segments 2-4) | |
| Michael Hofstein | .... | additional camera operator (segment 3) (uncredited) | |
Animation Department | |||
| Sam Cornell | .... | cartoon researcher (segment 3) | |
| Sally Cruikshank | .... | cartoon supervisor (segment 3) | |
| Mark Kausler | .... | cartoon researcher (segment 3) | |
Costume and Wardrobe Department | |||
| Deborah Nadoolman | .... | costume designer: segment 1 | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
Music Department | |||
| Bruce Botnick | .... | recording mixer | |
| Robert Fernandez | .... | music scoring mixer | |
| Kenneth Hall | .... | music editor | |
| James Newton Howard | .... | song producer | |
| Arthur Morton | .... | orchestrator | |
| Tommy Tedesco | .... | musician: guitar | |
Other crew | |||
| David R. Lawson | .... | medic | |
| Carol Serling | .... | project consultant | |
| Kathleen Switzer | .... | assistant to director | |
| Dorcey Wingo | .... | helicopter pilot | |
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It is very hard to think of another film anywhere that had such a great potential as TWILIGHT ZONE: THE MOVIE had, only to have a senseless and totally preventable tragedy--the deaths of actor Vic Morrow and two illegally hired Asian child actors--mar the impact. Aside from that, and some heavy-handed moralizing that even the original show's creator Rod Serling would have had problems with, this is a fairly good tribute to what was perhaps the best TV series in history.
The prologue (with Dan Aykroyd and Albert Brooks) and Segment 1 are both originals, written and directed by John Landis. The segment deals with a very embittered white man (Morrow) who, after being dealt the denial of a promotion at work in favor of a Jew, unleashes his bigotry at a bar. But when he steps outside, he soon gets a dose of his own bitter medicine: persecution by the Nazis in Vichy France circa 1943; stalked by the KKK in Alabama in 1956; attacked by US soldiers in Vietnam circa 1969. Landis' penchant for hamfisted dialogue and erratic direction dilute what could have been an effective piece; and the tragedy that occurred on his watch taints not only this segment but much of the rest of the movie.
Segment 2, a remake of the 1961 episode "Kick The Can", directed by Steven Spielberg, stars Scatman Crothers as an elderly magician who brings a sense of youth to the residents of a senior citizens home, though over the objections of a veritable old fuddy-duddy (Bill Quinn). Spielberg has often been attacked, mostly unnecessarily, for his tendency toward sloppy sentimentality, but here a lot of the attacks may be justified, despite the best of intentions. He is still my favorite director, but this is one of his weakest.
Segment 3 remakes "It's A Good Life." Under the inventive hands of director Joe Dante (THE HOWLING), this film stars Jeremy Licht as a boy with the power to enslave and terrorize his family when he comes to feel that they hate him. Kathleen Quinlan stars as the teacher who unintentionally gets caught up in the melee, only to wind up volunteering to teach Licht how to better use his powers before they become too big for him to control (a la CARRIE). Dante's use of inventive special effects (courtesy of Rob Bottin) and black comedy enliven this segment, despite some weird overacting from the rest of the segment's cast (including William Schallert and Kevin McCarthy).
Segment 4 is a reworking of the famous episode "Nightmare At 20,000 Feet." With George Miller (MAD MAX) at the director's helm, the segment stars John Lithgow as an incredibly anxious passenger with a morbid fear of flight who constantly sees a monstrous gremlin tearing apart at the wings of his plane during a severe storm. His anxiety explodes into terror and madness, and the other passengers think he is certifiable. But when the plane lands, and the damage is inspected...
The final score on this is that Landis and Spielberg, who also produced, come up with the weaker segments, and Dante and, especially, Miller come up with the best ones. Miller's segment is a truly kinetic piece of suspense and terror, though I did find the little girl (Christina Nigra) an extremely obnoxious and unnecessary presence. Lithgow, who takes over for William Shatner (who had the role in the TV episode), gives a bravura performance, arguably paving the way for his role in "2010" as an astronaut deftly afraid of heights.
Jerry Goldsmith's usual efficient score and some good special effects work help to make TWILIGHT ZONE: THE MOVIE not only an above-average tribute to a great TV show, but also a good anthology film that combines fantasy, suspense, and mystery. It is a shame that the film is tainted by a pointless tragedy. But if one can ignore that, there are rewards to be had by seeing this.