Trading Places (1983)

Director:

John Landis

Writers:

Timothy Harris (written by)
Herschel Weingrod (written by)

Release Date:

8 June 1983 (USA)

Genre:

Comedy

Tagline:

They're not just getting rich... They're getting even.

Plot:

A snobbish investor and a wily street con artist find their positions reversed as part of a bet by two callous millionaires.

Plot Keywords:

Breaking The Fourth Wall | Broker | Satire | Scam | Female Frontal Nudity

Awards:

Nominated for Oscar. Another 2 wins & 3 nominations

Cast

Denholm Elliott	...	Coleman
Dan Aykroyd	...	Louis Winthorpe III
Maurice Woods	...	Duke & Duke Employee
Richard D. Fisher Jr.	...	Duke & Duke Employee
Jim Gallagher	...	Duke & Duke Employee
Anthony DiSabatino	...	Duke & Duke Employee
Bonnie Behrend	...	Duke & Duke Employee
Sunnie Merrill	...	Duke & Duke Employee
James Newell	...	Duke & Duke Employee (as Jim Newell)
Mary St. John	...	Duke & Duke Employee
Bonnie Tremena	...	Duke & Duke Employee
David Schwartz	...	Duke & Duke Employee
Ralph Bellamy	...	Randolph Duke
Don Ameche	...	Mortimer Duke
Tom Degidon	...	Duke Domestic

Also Known As:

Black or White (USA) (working title)

Runtime:

118 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Canada:AA (Ontario) | Canada:R (Nova Scotia) | Argentina:Atp | Iceland:L | Canada:PG (Manitoba) | Portugal:M/12 | Australia:M | Canada:13+ (Quebec) | Finland:S | Norway:12 | Singapore:NC-16 | Sweden:11 | UK:15 | USA:R | West Germany:16

Filming Locations:

30th Street Station - 3001 Market Street, Philadelphia, Pennsylvania, USA

Company:

Cinema Group Ventures

Trivia:

The punch line of Bunny's story ("...and she stepped on the ball") is a reference to Auntie Mame (1958), in which Gloria Upson tells a joke with the same punch line.

Goofs:

Anachronisms: Winthorp's credit card is referred to as a 'Master Charge' card, despite the fact that MasterCard Incorporated changed that name to MasterCard in 1979.

Quotes:

Randolph Duke: Money isn't everything, Mortimer.
Mortimer Duke: Oh, grow up.
Randolph Duke: Mother always said you were greedy.
Mortimer Duke: She meant it as a compliment.

Movie Connections:

Referenced in "ER: Foreign Affairs (#9.20)" (2003)

Soundtrack:

ANDANTE CANTABILE

Unusually good 80's comedy... contains a lot of sad truth

I couldn't remember much of this movie when I borrowed it from a friend to watch for the second time... I can't have been very old when I first saw this, because there were not much more than one scene that I recognized. Even the title seemed new to me. Furthermore, I don't recall thinking about the film... about what it meant. This contains a lot of sad truth. The scenes of Aykroyd's character going from the peak of America's business life to rock bottom in a disturbingly short amount of time provide food for thought. Landis presents these events without pretense or heavy-handedness... he gives us the facts as they are. No bias. This direct, almost indifferent tone makes it all the more scary... this is the way it is, and that's accepted. The movie also has some insight to prove on racism and greed. Paul Gleason, whom I have only seen in The Breakfast Club(and Not Another Teen Movie, spoofing his character in aforementioned movie) plays a radically different role, yet still shows some of the authority he's famous for as the principal in The Breakfast Club. That was amusing to watch for someone who enjoyed said film so much. Jamie Lee Curtis bares a lot of skin, for those in the audience looking for that. Aykroyd and Murphy are both extraordinary. They get to play with their characters a lot, to great effect. They create so many funny moments, there are simply too many to list or for mere words to do justice; you'll just have to watch the film for itself. If you are a fan of either actor, you won't be disappointed. The language surprised me, with how uncensored it was, compared to today's standards. The plot is interesting, and based on an intelligent idea. The pacing is dynamic. The acting is all top-notch. The humor is mostly good and tasteful, with few but glaringly obvious exceptions(the fate of Beeks being an almost offensive one). The film has more heart than most of its kind... if you watch only one movie of this type, let this be it. I recommend this to fans of the actors and/or director, and people intrigued by the general idea. If you are even considering watching this... take my advice and do so. It is intelligent without being preachy and funny without trying too hard. John Landis has yet again created something big. 8/10