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To Be or Not to Be (1983) More at IMDbPro »

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26 comments in total

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16 out of 17 people found the following comment useful :-
a maligned minor classic, 18 May 1999
Author: Jamie Moffat (jamie_moffat@hotmail.com) from Melbourne, Australia

This remake of Ernst Lubitsch's wartime comedy has often been dismissed as a ham-fisted and unnecessary vanity exercise. This is grossly unfair, as the Brooks' version is in fact a deft and funny comedy that stands up well in comparison to its forebear. Mel Brooks and Anne Bancroft make their own the roles of the Bronskis, a Warsaw theatrical duo ("world famous in Poland")who star in revues at the Bronski theatre. When war breaks out the Bronskis become brood-hens to an ever-growing community of Jewish refugees while staying one step ahead of the Nazis. Brooks and Bancroft are fine in the roles of the battling Bronskis, particularly Mel Brooks who finds a touching level of vulnerability beneath the bombast and bluster of Frederick Bronski. Despite the farcical and improbable plot twists, the narrative is sound and genuine pathos registers throughout the film. Those with fond memories of Jack Benny and Carole Lombard in the lead roles may have boycotted this on first release, but they have denied themselves a rare treat - a sure-footed and genuinely entertaining film.

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16 out of 18 people found the following comment useful :-
Definitely meant "to Be"..., 9 February 2000

Author: George Litman from Marietta, OH USA

I haven't seen the Ernst Lubitsch original of this gem but if I had, I might have been prejudiced in my decision of this being one of the finer films that Mel Brooks has been in.

Though not written by or directed by Mel, he and wife Anne Bancroft take center stage as Frederick and Anna Bronski, Poland's most famous acting family. When the Nazi war machine overtakes Warsaw, they and their acting troupe use every actor's trick in the book to escape and make their way to England.

All this, of course, while Anna becomes smitten with an American pilot (Matheson) who helps them both to freedom. In the meantime, there are threats from a devious doctor (Ferrer), a lecherous Nazi colonel (Durning) and a command for the troupe to perform for the Nazi Army with Hitler in the audience.

There are so many classic moments here that to list them would be a dis-service to the movie. Let me just say that I enjoyed this whole film from opening to closing and even the closing had some doozies.

The Nazis are seen as complete buffoons and the exchanges between Durning and his head officer (Lloyd) are classic. In fact, I can see why Durning was nominated for an Oscar for his role here; not just anyone could have pulled it off as well as he.

Everyone here has a good scene or two, including Mel's regulars (Graham, Wyner, Riley) and the dialogue even manages to get the proper sentiment and tension out of the proper scenes. A great effort by all involved.

Purists of the Jack Benny original may disagree, but this "To Be or Not to Be" is the "to Be" for me!

Ten stars. Mazeltov!

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11 out of 11 people found the following comment useful :-
Light comedy also respectful of history, 20 January 2005

Author: Libretio

TO BE OR NOT TO BE

Aspect ratio: 1.85:1

Sound format: Dolby Stereo

1939: As the Nazi's invade their homeland, a humble Warsaw theatre troupe stages a daring escape after stumbling on a Gestapo plot to kill members of the Polish resistance.

Whilst the fondly-remembered Ernst Lubitsch original was actually filmed during wartime (1942), at a point when the outcome of the conflict was still uncertain, this updated vehicle for Mel Brooks has no such edge, but Alan Johnson's fast-paced remake at least preserves the elements of comedy and drama which made the earlier film so potent. There aren't many belly laughs to be had from the low-key screenplay (co-written by Thomas Meehan and Ronnie Graham), and the Nazi caricatures are fun without being especially funny (Charles Durning was Oscar-nominated for his role as bumbling Gestapo officer 'Concentration Camp' Erhardt), but the film offers an upbeat mixture of thrills and frivolity, and a superb cast of experienced players take turns stealing the limelight from leading player Brooks (Anne Bancroft has a ball as Brooks' duplicitous wife, easing her marriage blues by encouraging a half-innocent liaison with handsome airman Tim Matheson, who's been assigned by British Intelligence to foil a dastardly plot initiated by double agent Jose Ferrer). As in the original, the movie portrays the Nazi threat in a comic manner whilst constantly reminding viewers of the deadly reality which underpins the narrative, and while the scenario is fast-paced, funny and exciting in equal measure, it's also surprisingly respectful of history. Johnson's unfussy direction keeps things moving along nicely, and production values are efficient throughout.

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11 out of 12 people found the following comment useful :-
The Mel Brooks way!, 18 August 2001

Author: Ferran Gimenez from Barcelona, Spain

This is the great Mel Brooks at his best!.

He revisits this classic film and makes it even crazier than the original, adding a lot of new stuff... (there are 3 numbers where Mel dances and sings, there are clowns, jews and a homosexual hairdresser pursued by the evil and stupid nazis.)

All the actors in this movie, and I mean ALL, are just terrific.

I´d like to state that this is not a remake of the Ernst Lubistch classic, (at least that´s my opinion), to me this is a tribute to the great director and his masterpiece.

I´ve watched the Lubistch "To be or not to be" a lot of times for it´s one of my favorite films, and the Mel Brooks version is completely different from the original. It was made the Brooks way, which I really adore.

So watch this film, you´ll have a lot of fun and won´t stop laughing.

Oh, just one more thing...

This is an asking to 20th Century Fox: When you decide to release this movie in DVD, include the absolutely amazing video-clip: "To be or not to be - Hitler Rap" performed by Mel Brooks please!!. I can assure you that a lot of people will buy it just for that.

(9 out of 10)

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7 out of 8 people found the following comment useful :-
Delightful slapstick at its best, 5 June 2002

Author: lora64 from Canada

I was so pleased to come across this movie on tv, and found it delightful every step of the way even though it does go "over the top" in its script. I could almost sense Sid Caesar's presence in the group but he was not a part of it here, which I regret.

Although the subject matter is serious enough, as it deals with the Nazi military and their activities, there is so much humor to be found in the foibles of citizens and soldiers alike that we are swept up in the steady action.

Mel Brook and Anne Bancroft carry the plot along splendidly. I don't think Jose Ferrer had been in many comedies so it was a pleasure to see him take part in this type of film.

Good entertainment and full of action.

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5 out of 5 people found the following comment useful :-
Homage to Jack Benny, 24 December 2006

Author: kb2uoe

Actually, when interviewed about this movie, Mel Brooks said it was an homage to Jack Benny. And if you look, the Bronskis live on Kubelsky Street, Benny Kubelsky is Jack Benny's real name. There are many other touches that also show Brooks' love for the original. Anne Bancroft is a true treat. Her comedic talents shine, she was truly a rare actress, and will be missed.

It was well done, with Mel Brooksian flair, and respectful of the original. I won't add comments about the acting, there are so many pros and cons at this point, one more won't make a difference. But if you have some free time, see BOTH of the movies. It's not sacrilege to like them both.

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5 out of 5 people found the following comment useful :-
The most under rated Brooks film, 6 January 2006

Author: thebulfrog from United States

When I saw this I had no idea it was a remake. I didn't know the original had been rated the 49th best comedy of all time by the AFI or that Brooks neither wrote nor directed it.

What I knew was that from the moment it started to the moment the curtains came down I was laughing nonstop in awe of an incredible plot. The film managed to escalate with each passing scene. Just when you thought nothing more could be done to it, they managed to push it further and further. Brook's performance was dead on, as was the entire casts. It's the sort of movie that gives Christopher Loyd only seven or eight lines, and you love him for it and need to ask for anything more.

It continually makes fun itself, building on jokes you thought were over half a movie ago. I'd place this movie above Spaceballs and below Men in Tights, but would say that it is without a doubt the best plot of any movie I've seen in some time, comedy or otherwise.

This is a movie that you should waste no time seeking out and renting, buying, seeing in whatever way you can.

Still not sold? I'll retell one of the jokes. Don't read further if you want the first five minutes to be as fresh as they were for me - if you're debating whether to see it or not, I hope this is able to sway you.

They're in a theater, putting on a show. We hear the Polish songs - not quite sure what they're singing about. The curtain comes down on the two actors smiling and bowing together as the audience claps. The moment the audience can no longer see them the actors start bickering in Polish. We're not sure what they're discussing, but it's clearly a heated debate. The curtain then comes up, they immediately are smiling, bowing, curtain comes down once again and it's back to the Polish bickering. They continue bickering, stopping for an announcement over the loudspeakers in this vaudeville theater. "Attention, for the Sanity and Clarity of the Audience the rest of this movie will be English"

Then the movie switches into English, and the plot begins.

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5 out of 6 people found the following comment useful :-
Overlooked, 7 November 1999
Author: Matt Barry from Baltimore, Maryland

I've been a big fan of the Jack Benny movie since I was 10 years old. Then, just earlier this year, I sought out the Mel Brooks version. I had become a huge Mel Brooks fan and he is now my favorite entertainer. So I thought I'd see this version just because I sorta kinda had to as a Mel Brooks fanatic. My grandfather (also a big Mel Brooks fan) had seen the film on its release back in 1984 and thought it was a kind of pale copy of the Jack Benny version, which he loves too. But I personally thought that the film was a brilliant motion picture and contained more laffs and better music than the original. This quickly became one of my favorite Mel Brooks movies (even though he didn't direct or write it!) The supporting cast is great, in a different way than the original. Instead of trying to merely copy the original performances, they create their own, equally-funny ones, especially Charles Durning and Christopher Lloyd. Jose Ferrer was great. That underrated Jewish character comic George Wyner was also as funny as ever. Even Ronny Graham had a role as Sondheim("Sondheim, send in the Klowns!") James Haake as Sasha gave a brilliant performance. I wish he'd won an Oscar. Tim Matheson was good in his kind of bland role as the Polish Flier. But of course, the stars are Mel Brooks and Anne Bancroft. Their highlights together include a Polish version of "Sweet Georgia Brown." Brooks sings "A Little Peace," "Ladies," and (on the soundtrack album only) "The Hitler Rap."

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5 out of 6 people found the following comment useful :-
very funny, 30 August 1999
Author: suzie-13 from New England, USA

I loved the Benny/Lombard version but Brookes and Bancroft are so personable you cannot help but love this. Durning was so funny and Christopher Lloyd was great....

I liked it.

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2 out of 2 people found the following comment useful :-
A Classic Satire, 15 December 2005

Author: Sylvia Marciniak (sylviastel@aol.com) from United States

This remake could not have had a finer cast led the magnificent Mel Brooks and his wife Anne Bancroft. I remembered him saying once that he loved singing and dancing Polish with his wife and now I can see why. They begin the show singing and dancing in Polish. I was surprised by how much they spoke Polish in the beginning. Unlike most Polish depictions, they are not considered to be taken as jokes in this film. They are in Warsaw with their theater troupe. In actuality, Warsaw was destroyed 90% by the war's end so it was probably very unlikely that they could outsmart the Germans but it's not a true story. The Jews wear the yellow Star of Davids and the homosexuals wear the pink triangle. Now the film could have ignored that part of the war but they did not. They wisely incorporated it into the storyline. They remind us of the concentration camps and the certain death that they would have faced. While the stars of the film and the fictional theater troupe, Anne and Frederick Bronski played by Bancroft and Brooks are forced out of their own home to live with their homosexual cast member played memorably by David Haacke in this small one room apartment. The rest of the cast is superb with Charles Durning, Tim Matheson as the young military man in love with Anna, Estelle Reiner, George Gaines, George Wyner, etc. Anne Bancroft is positively beautiful and glowing in her performance. She is truly a star and we know Mel loved her to death and she loved him in life as well. I don't get into the plot because I don't want to spoil it. It's worth watching again and again. Rest in peace, Anne.

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