| Photos (see all 15 | slideshow) |
| Mel Brooks | ... | Dr. Frederick Bronski | |
| Anne Bancroft | ... | Anna Bronski | |
| Tim Matheson | ... | Lt. Andre Sobinski | |
| Charles Durning | ... | Col. Erhardt | |
| Christopher Lloyd | ... | Capt. Schultz | |
| José Ferrer | ... | Prof. Siletski | |
| Ronny Graham | ... | Sondheim | |
| Estelle Reiner | ... | Gruba | |
| Zale Kessler | ... | Bieler | |
| Jack Riley | ... | Dobish | |
| Lewis J. Stadlen | ... | Lupinsky | |
| George Gaynes | ... | Ravitch | |
| George Wyner | ... | Ratkowski | |
| James 'Gypsy' Haake | ... | Sasha (as James Haake) | |
| Earl Boen | ... | Dr. Boyarski | |
| Ivor Barry | ... | Gen. Hobbs | |
| William Glover | ... | Maj. Cunningham | |
| John Francis | ... | British intelligence agent | |
| Raymond Skipp | ... | RAF flight sergeant | |
| Marley Sims | ... | Rifka, Gruba's Niece | |
| Larry Rosenberg | ... | Rifka's husband | |
| Max Brooks | ... | Rifka's son | |
| Henry Kaiser | ... | Gestapo officer | |
| Milt Jamin | ... | Gestapo soldier | |
| George Caldwell | ... | Gestapo guard | |
| Wolf Muser | ... | Desk sergeant | |
| Henry Brandon | ... | Nazi officer #1 | |
| Lee E. Stevens | ... | Nazi officer #2 | |
| Frank Lester | ... | Officer in command car | |
| Roy Goldman | ... | Adolf Hitler | |
| Robert Goldberg | ... | Hitler Adjutant | |
| John McKinney | ... | Elite Guard officer | |
| Eda Reiss Merin | ... | Frightened Jewish woman | |
| Manny Kleinmuntz | ... | Frightened Jewish woman's husband | |
| Phil Adams | ... | Airport sentry | |
| Curt Lowens | ... | Airport officer | |
| Robin Haynes | ... | Polish Flier | |
| Ron Kuhlman | ... | Polish Flier | |
| John Otrin | ... | Polish Flier | |
| Blane Savage | ... | Polish Flier | |
| Joey Sheck | ... | Polish Flier | |
| Ron Diamond | ... | Pub Bartender | |
| Gillian Eaton | ... | Pub Barmaid | |
| Paddi Edwards | ... | Pub Waitress | |
| Terence Marsh | ... | Startled British Officer | |
| Winnie McCarthy | ... | Picadilly Usherette | |
| Paul Ratliff | ... | Naval Officer | |
| Scott Beach | ... | Narrator | |
| Sandra Gray | ... | Lady | |
| Clare Culhane | ... | Lady | |
| Laurie Manning | ... | Lady | |
| Leeyan Granger | ... | Lady | |
| Stephanie Wingate | ... | Lady | |
| Ian Bruce | ... | Klotskis Klowns | |
| John Frayer | ... | Klotskis Klowns | |
| Edward J. Heim | ... | Klotskis Klowns | |
| Spencer Henderson | ... | Klotskis Klowns | |
| George Jayne | ... | Klotskis Klowns | |
| Bill K. Richards | ... | Klotskis Klowns | |
| Neil J. Schwartz | ... | Klotskis Klowns | |
| Tucker Smith | ... | Klotskis Klowns | |
| Ted Sprague | ... | Klotskis Klowns |
Directed by | |||
| Alan Johnson | |||
Writing credits(in alphabetical order) | ||
| Ronny Graham | writer | |
| Melchior Lengyel | story | |
| Ernst Lubitsch | story | |
| Edwin Justus Mayer | 1942 screenplay | |
| Thomas Meehan | writer | |
Produced by | |||
| Mel Brooks | .... | producer | |
| Howard Jeffrey | .... | executive producer | |
| Irene Walzer | .... | associate producer | |
Original Music by | |||
| John Morris | |||
Cinematography by | |||
| Gerald Hirschfeld | |||
Film Editing by | |||
| Alan Balsam | |||
Casting by | |||
| Terry Liebling | |||
Production Design by | |||
| Terence Marsh | |||
Art Direction by | |||
| J. Dennis Washington | |||
Set Decoration by | |||
| John Franco Jr. | |||
Costume Design by | |||
| Albert Wolsky | |||
Makeup Department | |||
| John M. Elliott Jr. | .... | makeup department head | |
| Cheri Ruff | .... | hair stylist | |
Production Management | |||
| Jack Frost Sanders | .... | production manager | |
| Jack Frost Sanders | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Ross G. Brown | .... | assistant director | |
| Pamela M. Eilerson | .... | second assistant director | |
| Dennis Maguire | .... | dga trainee | |
Art Department | |||
| Craig Edgar | .... | set designer | |
| Joseph E. Hubbard | .... | set designer | |
| Steven Kerlagon | .... | stand-by painter | |
| Guy A. MacLaury | .... | construction foreman | |
| Mary Mathews | .... | assistant property master | |
| William S. Maxwell III | .... | lead man | |
| Dennis J. Parrish | .... | property master | |
| Hope M. Parrish | .... | assistant property master | |
| John A. Scott III | .... | swing gang | |
| S. Bruce Wineinger | .... | construction coordinator | |
Sound Department | |||
| Raul A. Bruce | .... | boom operator | |
| Gene S. Cantamessa | .... | production sound mixer | |
| Louis L. Edemann | .... | supervising sound editor | |
| Richard C. Franklin | .... | sound editor | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Steve Maslow | .... | sound re-recording mixer | |
| Bill Varney | .... | sound re-recording mixer | |
Visual Effects by | |||
| Chuck Comisky | .... | visual effects producer | |
| Phil Abramson | .... | visual effects designer (uncredited) | |
| Roy Arbogast | .... | visual effects designer (uncredited) | |
| Robert Blalack | .... | optical effects (uncredited) | |
| Christopher Dusendschon | .... | optical compositor (uncredited) | |
| David Emerson | .... | optical lineup (uncredited) | |
| Austin McKinney | .... | visual effects (uncredited) | |
| Rexford L. Metz | .... | visual effects director of photography (uncredited) | |
| Christopher Nibley | .... | visual effects director of photography (uncredited) | |
| Mark M. Pompian | .... | visual effects camera operator (uncredited) | |
| Chris Regan | .... | optical supervisor (uncredited) | |
| Jay Riddle | .... | visual effects coordinator (uncredited) | |
| Robert Skotak | .... | visual effects (uncredited) | |
Stunts | |||
| Bernie Godlove | .... | stunt pilot | |
| Buddy Joe Hooker | .... | stunts | |
| Harvey Parry | .... | stunts | |
| Art Scholl | .... | stunt pilot | |
| Dick Ziker | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Billy Beaird | .... | dolly grip (as Bill Beaird) | |
| Michael W. Blymyer | .... | best boy | |
| Alfred Budniak | .... | best boy | |
| Joe Collins | .... | best boy | |
| Lindsay P. Hill | .... | video playback operator | |
| Marc Hirschfeld | .... | assistant camera | |
| Ronald W. McLeish | .... | gaffer | |
| Chuck Sereci | .... | best boy | |
| Stephen Vaughan | .... | still photographer | |
| Robert West Sr. | .... | key grip | |
Costume and Wardrobe Department | |||
| Bruce Ericksen | .... | wardrobe: men | |
| Ann Somers Major | .... | costume supervisor | |
Editorial Department | |||
| Nancy Forner | .... | assistant editor | |
| Jack Hooper | .... | negative cutter | |
| Patrick Magee | .... | apprentice editor | |
Music Department | |||
| Ralph Burns | .... | orchestrator | |
| Greg Fulginiti | .... | music engineer | |
| Jack Hayes | .... | orchestrator | |
| Eugene Marks | .... | music editor | |
| Tommy Tedesco | .... | musician: guitar | |
| Dan Wallin | .... | score mixer (uncredited) | |
Transportation Department | |||
| Michael Connolly | .... | transportation coordinator | |
Other crew | |||
| William Allyn | .... | production suggested by | |
| Bruce Bahrenburg | .... | unit publicist | |
| Penny Brocato | .... | craft service | |
| Bart Doe | .... | title illustrator | |
| Wayne Fitzgerald | .... | title designer | |
| Stanley Gibbs | .... | production assistant | |
| Tom Gillman | .... | assistant: Mr. Johnson | |
| Mona Izdebska | .... | dialogue coach | |
| K. Lenna Katich | .... | production controller (as K. Lenna Woodward) | |
| David Lunney | .... | production suggested by | |
| Michele Markino | .... | assistant: Mr. Brooks | |
| Princess McLean | .... | production assistant | |
| Charlene Painter | .... | assistant choreographer: Mr. Johnson | |
| Pattie Pica | .... | assistant: Mr. Jeffrey | |
| Cynnie Troup | .... | script supervisor | |
| John R. Woodward | .... | location manager | |
| Anna Zappia | .... | production coordinator | |
| Leah Zappy | .... | assistant: Mr. Brooks (as Leah S. Zappy) | |
| Art Scholl | .... | pilot (uncredited) | |
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This is an unnecessary but not displeasing remake of Ernst Lubitsch's 1942 film, which is an undisputed classic (and one of my own all-time favorites). It turned out very faithful to the original: wisely, Brooks opted not to spoof what was already a black comedy this may have had something to do with his decision not to write and direct the film himself.
The fast-moving plot still works beautifully, though the jokes tend to fall flat since they don't have the same immediacy of the wartime years, while the level of acting is far below that of the 1942 version. The remake adds sentimentality and the unfortunate inevitability of a gay stereotype; all in all, however, Brooks' earlier lampoon of Nazism in the form of the "Springtime For Hitler" set-piece in THE PRODUCERS (1968) was much more effective. There are, nonetheless, a couple of good songs here while the original's gem of a final gag involving Hitler has been replaced by an equally priceless one.
As I said, the leads are no match for Jack Benny and Carole Lombard from the 1942 version (and are overage to boot) though it was certainly nice to watch real-life couple Brooks (who, unsurprisingly, gets to double as both Professor Siletsky and Hitler) and Anne Bancroft playing alongside each other for once. Still, Jose' Ferrer fills the old Stanley Ridges role more than adequately but, then, Charles Durning makes for a poor substitute to Sig Rumann in the all-important role of Colonel "Concentration Camp" Erhardt (amazingly, Durning's rather forced performance here was nominated for an Oscar!).