Carol Amen (story)
John Sacret Young (screenplay)
December 1983 (USA) more
It happened in an instant. The televisions went blank, the radios - silent. The cities were gone, the future abandoned. And the only thing they have left to hold onto, is the people they love. more
Nuclear war in the United States is portrayed in a realistic and believable manner. The story is told... more | add synopsis
Nominated for Oscar. Another 1 win & 4 nominations more
DVD releases for Tuesday, November 4th, 2008
(From QuietEarth. 3 November 2008, 10:26 AM, PST)
Draining but worth it more (73 total)
| Jane Alexander | ... | Carol Wetherly | |
| William Devane | ... | Tom Wetherly | |
| Rossie Harris | ... | Brad Wetherly (as Ross Harris) | |
| Roxana Zal | ... | Mary Liz Wetherly | |
| Lukas Haas | ... | Scottie Wetherly | |
| Philip Anglim | ... | Father Hollis Mann | |
| Lilia Skala | ... | Fania Morse | |
| Leon Ames | ... | Henry Abhart | |
| Lurene Tuttle | ... | Rosemary Abhart | |
| Rebecca De Mornay | ... | Cathy Pitkin | |
| Kevin Costner | ... | Phil Pitkin | |
| Mako | ... | Mike | |
| Mico Olmos | ... | Larry | |
| Gerry Murillo | ... | Hiroshi | |
| J. Brennan Smith | ... | Billdocker | |
| Lesley Woods | ... | Lady Mayor | |
| Wayne Heffley | ... | Police Chief | |
| William G. Schilling | ... | Pharmacist (as William Schilling) | |
| David Nichols | ... | Worried Man | |
| Gary Bayer | ... | Angry Man | |
| Martin Rudy | ... | Dr. Jenson | |
| Jamie Abbott | ... | Boy Mayor | |
| Rocky Krakoff | ... | Pied Piper | |
| Rachel Gudmundson | ... | Nancy | |
| Keri Houlihan | ... | Lisa | |
| Pauline Lomas | ... | Woman | |
| Jesse Wayne | ... | Man in Line | |
| Clete Roberts | ... | Newscaster | |
| rest of cast listed alphabetically: | |||
| Lila Kedrova | ... | (uncredited) | |
| Helen Kelly | ... | Woman in line (uncredited) | |
Directed by | |||
| Lynne Littman | |||
Writing credits | ||
| Carol Amen | (story "The Last Testament") | |
| John Sacret Young | (screenplay) | |
Produced by | |||
| Andrea Asimow | .... | associate producer | |
| Jonathan Bernstein | .... | producer | |
| Lynne Littman | .... | producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Steven Poster | |||
Film Editing by | |||
| Suzanne Pettit | |||
Casting by | |||
| Margery Simkin | |||
Production Design by | |||
| David Nichols | |||
Art Direction by | |||
| Linda Pearl | |||
Set Decoration by | |||
| Waldemar Kalinowski | |||
Costume Design by | |||
| Julie Weiss | |||
Makeup Department | |||
| Marilyn Poucher | .... | hair stylist | |
| Tonya Blackmore Wexler | .... | makeup artist (as Tonya Wexler) | |
Production Management | |||
| Peter Cornberg | .... | production manager | |
Art Department | |||
| Cynthia Carr | .... | assistant props | |
| Cheryl Cutler | .... | assistant art director | |
| Waldemar Kalinowski | .... | construction coordinator | |
| Gregory Mabry | .... | swing gang | |
| Kevin McDermott | .... | swing gang | |
| Robin L. Miller | .... | property master (as Robin Miller) | |
| Steve Olson | .... | swing gang | |
| Melody Ramirez | .... | swing gang | |
| Eric Zimmerman | .... | swing gang | |
| George Goode | .... | illustrator (uncredited) | |
Sound Department | |||
| Gary Alexander | .... | sound re-recording mixer | |
| Lee Alexander | .... | sound mixer | |
| Douglas B. Arnold | .... | boom operator (as Doug Arnold) | |
| Don Digirolamo | .... | sound re-recording mixer | |
| Roberta Doheny | .... | sound effects | |
| Lars Nelson | .... | sound effects | |
| Larry Stensvold | .... | sound re-recording mixer | |
Special Effects by | |||
| Chuck E. Stewart | .... | special effects (as Chuck Stewart) | |
Stunts | |||
| Jesse Wayne | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Herb Ault | .... | grip | |
| James R. Bagdonas | .... | additional first assistant camera (as James Bagdonas) | |
| Ray Boyle | .... | gaffer | |
| Martin Conn | .... | lightflex consultant | |
| Rick Cutler | .... | grip | |
| Michael S. Endler | .... | second assistant camera (as Michael Endler) | |
| Michael E. Gips | .... | electrician (as Michael Gips) | |
| Melinda Sue Gordon | .... | still photographer | |
| John Koester | .... | camera operator | |
| Michael E. Matteson | .... | key grip (as Michael Matteson) | |
| Charles Minsky | .... | additional photographer | |
| William Moffitt | .... | additional camera operator | |
| Frank Montoya | .... | best boy | |
| John Page | .... | best boy | |
| Norman Parker | .... | first assistant camera | |
| Allen Smith | .... | grip (as Al Smith) | |
| Roger Tonry | .... | electrician | |
| Joseph A. Unsinn | .... | vtr operator (as Joe Unsinn III) | |
Casting Department | |||
| Susie Johnson | .... | extras casting | |
Costume and Wardrobe Department | |||
| Csilla Márki | .... | costumer: women (as Csilla Marki) | |
| John Sowle | .... | costumer: men | |
Editorial Department | |||
| Cheryl Bloch | .... | assistant editor | |
| Susanne Gervay | .... | negative cutter | |
| Lynn Goodhall | .... | apprentice film editor (as Lynn Goodhill) | |
| Arthur Tostado | .... | color timer (as Art Tostado) | |
Music Department | |||
| Shawn Murphy | .... | music recording engineer | |
| William Saracino | .... | music editor | |
| Joel Sill | .... | music supervisor | |
| James Horner | .... | conductor (uncredited) | |
Transportation Department | |||
| Bill Nuss | .... | driver: camera car | |
Other crew | |||
| Laura Blumenthal | .... | production assistant | |
| Becky Butler | .... | production assistant | |
| George Cooper | .... | stand-in | |
| Laurie Gilbert | .... | production assistant | |
| John Kaufman | .... | production assistant | |
| Pauline Lomas | .... | stand-in | |
| Jay May | .... | production assistant | |
| Mark Mentzer | .... | production assistant | |
| Maggie Mills | .... | production assistant | |
| Lyle Ann Morris | .... | stand-in (as Lyle Morris) | |
| Barbara Myerhoff | .... | project consultant | |
| Gladys Nelson | .... | labor representative | |
| Gladys Nelson | .... | teacher | |
| Sarah Olson | .... | production assistant | |
| Guy Pohlman | .... | production assistant | |
| Jenise Rogers | .... | production accountant | |
| C.D. Tiger | .... | script supervisor | |
| Cassandra Wilson | .... | production office coordinator | |
| Nancy Zearfoss | .... | location manager | |
Thanks | |||
| Stuart Benjamin | .... | special thanks | |
| Ben Bennett | .... | special thanks | |
| Teresa Carr | .... | special thanks | |
| Norman Fleishman | .... | special thanks | |
| Robert Goldstein | .... | special thanks (as Robert Goldston) | |
| Timothy J. Hayes | .... | special thanks | |
| Jean Hill | .... | special thanks | |
| Robert Knudson | .... | special thanks (as Buzz Knudsen) | |
| Lindsay Law | .... | special thanks | |
| Leslie Linder | .... | special thanks | |
| Geralyn Miller | .... | special thanks | |
| Rita Riggs | .... | special thanks | |
| Heather Sheets | .... | special thanks | |
| Truman Van Dyke | .... | special thanks | |
| Jerry Vernig | .... | special thanks | |
| Ron Ward | .... | special thanks | |
90 min
1.85 : 1 more
Australia:PG | Hong Kong:IIA | Sweden:11 | Finland:K-12 | Norway:15 | UK:PG | USA:PG | West Germany:12 | Singapore:PG
Final film of Lurene Tuttle. more
Brad Wetherly:
Doesn't radiation get into water?
Carol Wetherly:
Well, it can. Maybe it won't be so bad here. But we'd better be careful.
Scottie Wetherly:
What's "radation"?
[pause]
Mary Liz Wetherly:
Here, have a banana.
Scottie Wetherly:
You never gave me one before.
Mary Liz Wetherly:
I did now.
Carol Wetherly:
There may not be any... more for a while.
more
Referenced in Between Two Worlds: The Making of 'Witness' (2005) (V) more
Hello! My Rag Time Gal! more
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| The Day After | Threads | On the Beach | Shelter | Le temps du loup |
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| News articles | IMDb Drama section | IMDb USA section |
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This is one of those films that is very draining to watch, but worth it. It is a slightly more tame approach to the subject matter, but excellently done.
It is often compared with "Threads", which many people think is too graphic. Regardless, I like both films. I have to say that "Testament" will look more realistic to rural people, who may just die slowly as the characters in this film do, rather than be subjected to the immediate effects of the attack.
Rebecca De Mornay's appearance in this film, which I only saw after seeing "By Dawn's Early Light", makes a connection between these two films. Everyone should see both films at least once, as well. Excellent performances from Rossie Harris and Mako make this film stand out even further.
Having seen "The Day After" now, I prefer "Testament" but find both films excellent.