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Directed by | |||
| James L. Brooks | |||
Writing credits | ||
| Larry McMurtry | (novel) | |
| James L. Brooks | (screenplay) | |
Produced by | |||
| James L. Brooks | .... | producer | |
| Penney Finkelman Cox | .... | co-producer (as Penney Finkelman) | |
| Martin Jurow | .... | co-producer | |
Original Music by | |||
| Michael Gore | |||
Cinematography by | |||
| Andrzej Bartkowiak | (director of photography) | ||
Film Editing by | |||
| Richard Marks | |||
Casting by | |||
| Ellen Chenoweth | |||
| Juliet Taylor | |||
Production Design by | |||
| Polly Platt | |||
Art Direction by | |||
| Harold Michelson | |||
Set Decoration by | |||
| Anthony Mondell | |||
| Tom Pedigo | |||
Costume Design by | |||
| Kristi Zea | |||
Makeup Department | |||
| Gerry Leetch | .... | hair stylist (as Gerry Becker Leetch) | |
| Ben Nye Jr. | .... | makeup artist | |
| Kaye Pownall | .... | hair stylist | |
| Bron Roylance | .... | makeup artist | |
| Julie C. Steffes | .... | body makeup artist | |
Production Management | |||
| Austen Jewell | .... | unit production manager | |
| Ira Marvin | .... | unit production supervisor: New York | |
Second Unit Director or Assistant Director | |||
| Marty P. Ewing | .... | second assistant director | |
| Joel Segal | .... | dga trainee (as Joel B. Segal) | |
| Albert M. Shapiro | .... | first assistant director (as Albert Shapiro) | |
Art Department | |||
| Terry E. Lewis | .... | property master | |
| David Q. Quick | .... | assistant props | |
| John J. Rutchland Jr. | .... | construction coordinator (as John J. Rutchland) | |
| Sandy Veneziano | .... | set designer | |
| Richard A. Villalobos | .... | leadman | |
| Thomas Wright | .... | storyboard illustrator | |
Sound Department | |||
| James R. Alexander | .... | sound mixer (as James Alexander) | |
| Terry Lynn Allen | .... | sound editor | |
| Cheryl Bloch | .... | sound assistant | |
| Irene Bowers | .... | sound assistant | |
| Norval D. Crutcher | .... | supervising sound editor | |
| Samuel C. Crutcher | .... | sound editor | |
| Joanne D'Antonio | .... | sound editor | |
| Bruce Fortune | .... | sound assistant (as Bruce D. Fortune) | |
| Cecelia Hall | .... | sound editor | |
| Rick Kline | .... | sound re-recording mixer | |
| Barbara Fallick Marks | .... | dialogue looping editor | |
| Donald O. Mitchell | .... | sound re-recording mixer | |
| Kevin O'Connell | .... | sound re-recording mixer | |
| Andrew Patterson | .... | sound editor | |
| Jerry Rosenthal | .... | sound editor | |
| James Sabat | .... | sound mixer: New York | |
| Larry Singer | .... | dialogue looping editor | |
| Stephen Stalheim | .... | sound apprentice (as Stephen M. Stalheim) | |
| Clive Taylor | .... | sound recordist | |
| George Watters II | .... | sound editor | |
| Greg Agalsoff | .... | boom operator (uncredited) | |
| Mark Server | .... | boom operator (uncredited) | |
Stunts | |||
| Jeannie Epper | .... | stunts | |
| Alan Gibbs | .... | stunts (as Alan R. Gibbs) | |
Camera and Electrical Department | |||
| Dustin Blauvelt | .... | first assistant camera | |
| Maggie Fox | .... | second assistant camera | |
| Steven Hiller | .... | second assistant camera (as Steve Hiller) | |
| Billy Miller | .... | key grip | |
| Dick Mingalone | .... | camera operator: New York | |
| Don Reddy | .... | camera operator | |
| Zade Rosenthal | .... | still photographer | |
| Dusty Wallace | .... | gaffer | |
| Doug Willis | .... | dolly grip (as Douglas Willis) | |
| Jack E. McLean Jr. | .... | electrician (uncredited) | |
Casting Department | |||
| Jackie Beavers | .... | location casting: Nebraska | |
| Sylvia Fay | .... | casting: bits and extras, New York | |
| Paula Herold | .... | casting associate | |
| Liz Keigley | .... | location casting: Texas | |
| Shari Rhodes | .... | location casting: Texas | |
Costume and Wardrobe Department | |||
| Tony Faso | .... | costumer: men (as Anthony J. Faso) | |
| Oda Groeschel | .... | costumer: women | |
| Jennifer L. Parsons | .... | costumer: women | |
| Mark Burchard | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Albert Coleman | .... | assistant editor | |
| Larry Fallick | .... | apprentice editor | |
| Jeff Freeman | .... | assistant editor | |
| Jane Schwartz Jaffe | .... | first assistant editor | |
| Lee Rasson | .... | apprentice editor | |
| Sidney Wolinsky | .... | additional film editor | |
Music Department | |||
| Bob Badami | .... | music editor (as Robert Badami) | |
| Richard Hazard | .... | conductor | |
| Richard Hazard | .... | orchestrator | |
| Dan Wallin | .... | score mixer | |
Transportation Department | |||
| Michael McDuffee | .... | transportation coordinator | |
| Dan Marrow | .... | transportation captain (uncredited) | |
| Marti Wells | .... | driver (uncredited) | |
Other crew | |||
| Kimberly Allen | .... | support personnel | |
| Lea Andrews | .... | secretary to Austen Jewell | |
| Brian Brosnan | .... | location manager: Nebraska | |
| David Davis | .... | special advisor | |
| Rosemary Dorsey | .... | script supervisor | |
| Barbara Duncan | .... | assistant: James L. Brooks | |
| Wayne Fitzgerald | .... | title designer | |
| Harold Fowler | .... | first aid | |
| Paul Germain | .... | support personnel | |
| Mark Gutierrez | .... | support personnel | |
| Mark Harrah | .... | technical advisor | |
| Sandra Rabins | .... | location auditor | |
| Anne Thompson | .... | unit publicist | |
| Susan Vogelfang | .... | location manager: Texas | |
| Meta Wilde | .... | script supervisor (as Meta D. Wilde) | |
Thanks | |||
| Sheila Exstrom | .... | the producers would like to thank the following for their contributions (as Sheila Exstrom R.N. C.N.A.A.) | |
| Timothy S. Gee | .... | the producers would like to thank the following for their contributions (as Timothy S. Gee M.D.) | |
| Holly Holmberg Brooks | .... | special thanks (as Holly Brooks) | |
| Richard Sakai | .... | the producers would like to thank the following for their contributions | |
| Guy Serwin | .... | the producers would like to thank the following for their contributions (as Mr. Guy Serwin) | |
| Mrs. Guy Serwin | .... | the producers would like to thank the following for their contributions | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Main details |