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Directed by | |||
| James L. Brooks | |||
Writing credits | ||
| Larry McMurtry | (novel) | |
| James L. Brooks | (screenplay) | |
Produced by | |||
| James L. Brooks | .... | producer | |
| Penney Finkelman Cox | .... | co-producer (as Penney Finkelman) | |
| Martin Jurow | .... | co-producer | |
Original Music by | |||
| Michael Gore | |||
Cinematography by | |||
| Andrzej Bartkowiak | (director of photography) | ||
Film Editing by | |||
| Richard Marks | |||
Casting by | |||
| Ellen Chenoweth | |||
| Juliet Taylor | |||
Production Design by | |||
| Polly Platt | |||
Art Direction by | |||
| Harold Michelson | |||
Set Decoration by | |||
| Anthony Mondell | |||
| Tom Pedigo | |||
Costume Design by | |||
| Kristi Zea | |||
Makeup Department | |||
| Gerry Leetch | .... | hair stylist (as Gerry Becker Leetch) | |
| Ben Nye Jr. | .... | makeup artist | |
| Kaye Pownall | .... | hair stylist | |
| Bron Roylance | .... | makeup artist | |
| Julie C. Steffes | .... | body makeup artist | |
Production Management | |||
| Austen Jewell | .... | unit production manager | |
| Ira Marvin | .... | unit production supervisor: New York | |
Second Unit Director or Assistant Director | |||
| Marty P. Ewing | .... | second assistant director | |
| Joel Segal | .... | dga trainee (as Joel B. Segal) | |
| Albert M. Shapiro | .... | first assistant director (as Albert Shapiro) | |
Art Department | |||
| Terry E. Lewis | .... | property master | |
| David Q. Quick | .... | assistant props | |
| John J. Rutchland Jr. | .... | construction coordinator (as John J. Rutchland) | |
| Sandy Veneziano | .... | set designer | |
| Richard A. Villalobos | .... | leadman | |
| Thomas Wright | .... | storyboard illustrator | |
Sound Department | |||
| James R. Alexander | .... | sound mixer (as James Alexander) | |
| Terry Lynn Allen | .... | sound editor | |
| Cheryl Bloch | .... | sound assistant | |
| Irene Bowers | .... | sound assistant | |
| Norval D. Crutcher | .... | supervising sound editor | |
| Samuel C. Crutcher | .... | sound editor | |
| Joanne D'Antonio | .... | sound editor | |
| Bruce Fortune | .... | sound assistant (as Bruce D. Fortune) | |
| Cecelia Hall | .... | sound editor | |
| Rick Kline | .... | sound re-recording mixer | |
| Barbara Fallick Marks | .... | dialogue looping editor | |
| Donald O. Mitchell | .... | sound re-recording mixer | |
| Kevin O'Connell | .... | sound re-recording mixer | |
| Andrew Patterson | .... | sound editor | |
| Jerry Rosenthal | .... | sound editor | |
| James Sabat | .... | sound mixer: New York | |
| Larry Singer | .... | dialogue looping editor | |
| Stephen Stalheim | .... | sound apprentice (as Stephen M. Stalheim) | |
| Clive Taylor | .... | sound recordist | |
| George Watters II | .... | sound editor | |
| Greg Agalsoff | .... | boom operator (uncredited) | |
| Mark Server | .... | boom operator (uncredited) | |
Stunts | |||
| Jeannie Epper | .... | stunts | |
| Alan Gibbs | .... | stunts (as Alan R. Gibbs) | |
Camera and Electrical Department | |||
| Dustin Blauvelt | .... | first assistant camera | |
| Maggie Fox | .... | second assistant camera | |
| Steven Hiller | .... | second assistant camera (as Steve Hiller) | |
| Billy Miller | .... | key grip | |
| Dick Mingalone | .... | camera operator: New York | |
| Don Reddy | .... | camera operator | |
| Zade Rosenthal | .... | still photographer | |
| Dusty Wallace | .... | gaffer | |
| Doug Willis | .... | dolly grip (as Douglas Willis) | |
| Jack E. McLean Jr. | .... | electrician (uncredited) | |
Casting Department | |||
| Jackie Beavers | .... | location casting: Nebraska | |
| Sylvia Fay | .... | casting: bits and extras, New York | |
| Paula Herold | .... | casting associate | |
| Liz Keigley | .... | location casting: Texas | |
| Shari Rhodes | .... | location casting: Texas | |
Costume and Wardrobe Department | |||
| Tony Faso | .... | costumer: men (as Anthony J. Faso) | |
| Oda Groeschel | .... | costumer: women | |
| Jennifer L. Parsons | .... | costumer: women | |
| Mark Burchard | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Albert Coleman | .... | assistant editor | |
| Larry Fallick | .... | apprentice editor | |
| Jeff Freeman | .... | assistant editor | |
| Jane Schwartz Jaffe | .... | first assistant editor | |
| Lee Rasson | .... | apprentice editor | |
| Sidney Wolinsky | .... | additional film editor | |
Music Department | |||
| Bob Badami | .... | music editor (as Robert Badami) | |
| Richard Hazard | .... | conductor | |
| Richard Hazard | .... | orchestrator | |
| Dan Wallin | .... | score mixer | |
Transportation Department | |||
| Michael McDuffee | .... | transportation coordinator | |
| Dan Marrow | .... | transportation captain (uncredited) | |
| Marti Wells | .... | driver (uncredited) | |
Other crew | |||
| Kimberly Allen | .... | support personnel | |
| Lea Andrews | .... | secretary to Austen Jewell | |
| Brian Brosnan | .... | location manager: Nebraska | |
| David Davis | .... | special advisor | |
| Rosemary Dorsey | .... | script supervisor | |
| Barbara Duncan | .... | assistant: James L. Brooks | |
| Wayne Fitzgerald | .... | title designer | |
| Harold Fowler | .... | first aid | |
| Paul Germain | .... | support personnel | |
| Mark Gutierrez | .... | support personnel | |
| Mark Harrah | .... | technical advisor | |
| Sandra Rabins | .... | location auditor | |
| Anne Thompson | .... | unit publicist | |
| Susan Vogelfang | .... | location manager: Texas | |
| Meta Wilde | .... | script supervisor (as Meta D. Wilde) | |
Thanks | |||
| Sheila Exstrom | .... | the producers would like to thank the following for their contributions (as Sheila Exstrom R.N. C.N.A.A.) | |
| Timothy S. Gee | .... | the producers would like to thank the following for their contributions (as Timothy S. Gee M.D.) | |
| Holly Holmberg Brooks | .... | special thanks (as Holly Brooks) | |
| Richard Sakai | .... | the producers would like to thank the following for their contributions | |
| Guy Serwin | .... | the producers would like to thank the following for their contributions (as Mr. Guy Serwin) | |
| Mrs. Guy Serwin | .... | the producers would like to thank the following for their contributions | |
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| Giant | Gone with the Wind | Savage Grace | La historia oficial | Lolita |
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Exactly how in the world did I never see this movie before? I rented it on DVD the other night because I heard it was good, but I didn't expect it to be as good as it was. Incredible story, such powerful and passionate acting, it's just such a great film.
I don't think I need to say anything about the acting in it, if you've seen Terms of Endearment you know that Shirley MacLaine, Debra Winger, and Jack Nicholson bring their characters to a life rarely seen in movies. I just can't get over how great this movie was. The story is so good, it's so funny and at times among some of the saddest moments I've ever seen portrayed in the movies. I don't want to go any further for fear that I might spoil it for those who haven't seen this incredible story about life and love and laughter among family. Oh, and if you haven't seen one of the greatest movies ever made, go do so now.
Wrapping up, if you can't tell I loved Terms of Enderament. I guess I had always stayed away from it because it seemed like THE chick flick, but it's not. It's such a great story, great acting, everything of a great movie. 10 out of 10.